Lovecraft Designs Cain & Cain Abby Loudspeakers Review

Speakers&Amps by KeithSuppe @ 2009-04-23

Lovecraft Designs was originally founded as Cain & Cain in 1980 by Terry Cain. Just prior to his passing in 2006, Terry entrusted his friend and associate Jason Flanary to head the company. Jason has not wavered in his commitment and Lovecraft Designs continues to forge ahead. This passion is prima facie in the Abby loudspeaker´s engaging performance

Introduction

Abby Single Driver loudspeaker:

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The Abby single-driver loudspeaker is one of several models from Lovercraft Designs formerly known as Cain & Cain. The Abby's are still hand crafted from pure Alderwood by current owner/designer Jason Flanary whom Terry Cain entrusted with his dream just prior to his unfortunate, untimely passing in 2006. In fact every pair of speakers which left the Cain & Cain facilities for years already had Jason's innate skill and devotion within. Jason Flanary has not only remained steadfast in his commitment to keep the entire speaker line alive, one can only imagine how difficult this must have been given the circumstances under which he was handed the reigns. That commitment to excellence can still be "heard" in every Lovecraft Designs product primarily due to Jason Flanary.

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The Voigt-Pipe: Abby can best be described as a revised Voigt-Pipe, named after Paul Voigt whom introduced the design, circa 1934. If we were to get a glance at Abby's internal construction it might look similar to this Voigt-Pipe design from Walton Audio webpages. As described in the Lowther - Voigt History, Paul Voigt and O.P. Lowther (employing the TQWT (Tappered Quarter Wave Tube) and Corner Horn) recognized almost 80-years ago the advantages in evacuating the rear wave of the driver to augment the overall sound. Given there were few high powered amplifiers back in 1930's these were designs born from necessity. Lowther has survived because they still produce some of the best sounding loudspeakers available. Its therefore a testament to Jason (and Terry Cain) Lowther America turned to Lovecraft Designs to manufacture their Alerion TQWT loudspeaker pictured below.

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There are a plethora of TQWT, Voigt-Pipe and "folded horn designs" out there, the following Quarter Wave Length Loudspeaker Design Gallery indicates just how many DIY models are made in that search for quality music reproduction. From Mass market to High End to DIY there are literally thousands of loudspeakers available, but very few excel to satisfy the critical Audiophile. In the Abby, Cain & Cain and now Lovecraft have struck on just the right formula. At 70" x 9" x 9" (HxWxD) he Abby is symbiosis of several towering organ pipes to accommodate just the right Voigt-Pipe. The full-range driver is located midpoint up the enclosure, the dimensions of which are 1/4 of the driver's resonance frequency. The term "horn" rings true in this respect pertaining to the internal tuning of the driver's rear compression waves and size does matter. Our Abby's arrived in a single crate and were packed and shipped in a single crate, which almost weighed more then the speakers combined as seen below.

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Stained in Merlot, Jason (following in the Cain & Cain Abby tradition) offers two types of drivers based on room size and listening habits. Specific drivers offered with the Abby are the Fostex FE166e (PDF) for larger rooms, or as in my case the Fostex FF165k (pdf) the near field driver, ideal for smaller spaces. Both are highly efficient and incorporated in their Alderwood skin will fill most rooms with realistic live-music sound levels while requiring just a few Watts. A 95dB rating at a relatively stable 8-Ohm make these drivers idyllic for OTL or Single Ended vacuum tube amplifiers. While the Fostex driver specifications are obviously efficient, the enclosure itself has just as much to do with this and the Abbys love to dance with vale amps and in particular Single Ended Pentode (SEP) or Single Ended Triode (SET) designs. Such amplifiers usually have a power rating down around 5W some as low as 3W, yet mated with a speaker such as the Abby you'll not be lacking for volume. In this venue $2,000 may seem outrageous, until that moment you step into a High End Audio listening room. if the Abby's are setup correctly and your a music lover your monetary perspective shall change with the first note. To quote Srajan Eban in his 6moons review:

"... Nobody in their right mind expects to buy a $1,500/pr speaker (at the time of writing) that does it all. What you get with the Abby... is a surprisingly warm-sounding speaker. At non-excessive listening levels, it's not zippy or tipped-up at all but rather, meaty and gutsy. Naturally, it's dynamic -- you expect that from a zero crossover design...The Abby tracks dynamic swings very well and scales instantly but doesn't exaggerate this aspect to seem unnatural. Going to the most challenging of materials --classical symphonic -- you'd be surprised by how well this single driver sorts through the thicket of massive complexity. You'd really appreciate dynamic responsiveness when the first crescendos carry the climaxes farther than expected..."


Such language will seem foreign to many, we just don't think of loudspeakers in this fashion. Until you begin active listening. My "first time," that is the first time I heard a truly High End system. I had what could ony be described as a protracted psychoacoustic hallucination. No I wasn't dropping LSD nor am I at this moment, it was a well recorded CD played on hardware which stimulated my auditory system on a deeper level, beyond cerebral evoking as music does emotion. I was drawn in, actively trying to see where the sound was originating from, because it certainly did not "seem" to be the loudspeakers. And this is what a well designed speaker is supposed to do when mated with the right components, diaphragms albeit cones, ribbons, panels etc. essentially vibrate rapidly in a controlled manner. The sound waves reaching our ears accurately reproduce the recorded event. If they do their job well, their physical presence should be as relevant as their color. With massive amounts of current driving them, employing multiple drivers, some High End, high cost behemoths are as complicated as the signal they reproduce. So how does Lovecraft designs Abby with its single driver mounted in pure Alderwood fair in the realism department?

Matching system specifications...

Abby and system specifications

Single Driver Subtlety:

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The Fostex FF165k (pdf.) nearfield version full-range drivers were the perfect solution for my room (5mx7m), although I would be interested in hearing the Abby's with their usual Fostex FF165e (pdf.). The FF165k drops down an additional 10Hz to 40Hz and the bass is excellent for such a diminutive driver. The amount of bass these small drivers are able to deliver belies their size. This is where the TQWT (Tuned Quarter Wave Tube) "horn" design and use of pure hardwood construction all contribute to substantially improved low frequencies while reducing unwanted resonance.

Abby Specifications
  • Single-driver, crossoverless loud speakers
  • Bass ported, modified Voight-pipe design
  • Hand crafted Alderwood available in multiple stains
  • Full range driver - Normal version: Fostex FE 166e driver
  • Full range driver - Nearfield Version: Fostex FF 165k driver
  • Sensitivity - 95db ~ 1 watt ~ 1 meter
  • Frequency response - FE 166e: 50hz ~ 20khz (+/- 4db)
  • Frequency response - FF 165k: 40Hz ~ 17KHz (+/- 4dB)
  • Nominal Impedance - 8 ohms
  • Minimum Impedance - 8 ohms
  • 70"H x 9"D x 9"W (5.8ft H x 0.75ft D x 0.75ft W)
  • Cardas - internal wiring
  • Copper 5-way binding posts
  • 2x4 Brass spikes
  • 2x4 Brass cones (fit under spikes for hardwood floors)
  • Specially secured for shipping single crate


  • The Abby's run approximately $1,500 a pair which will shock some, excite others and not mean a whole lot to many unless you hear them. Insofar as cable matching, for the GLOW Amp One the Unity Audio Basic Link gave a very satisfying sound. With the Tecon Model 55 both the Oyaide Tunami Nigo or Zu Audio Julian. And with the Peachtree Audio Decco a good match were again Unity Audio Basic Link, or Oyaide Electric Tunami Nigo (all pictured below). Each integrated amplifier came with it's own USB interconnect.

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    Test System
    CPU Intel Quad-Core Q6600 Kentfield (SLACR) Socket-775
    Mainboard Foxconn Black Ops (X48/ICH9R chipset - BIOS Ver. P05)
    Memory Patriot Viper DDR3-1600 2x1GB (CL7-7-7-20)
    GEIL Evo One DDR3-1600 2x1GB (CL8-7-7-18)
    Graphics XFX 260GTX PCIe
    Gigabyte GV-RX3870
    Power Supply PCPower&Cooling TurboCool 1200W
    Cooling D-Tek Fusion S-775 cpu cooler, Danger Den Black Ice Xtreme III triple radiator, 3x12cm Sunon fans (98CFM), LAING D5-38 Vario (setting #5) 1/2ID Tygon
    Audio
  • Decco 50W hybrid integrated amp (USB-DAC Phillips TDA1541)
  • Tecon Model 55 single ended integrated amp (USB-DAC Burr Brown PCM2707)
  • GLOW Amp One Single Ended Pentode integrated with internal USB-DAC (C Media-102S)
  • Cain & Cain Abby single driver loudspeaker
  • Era Design 4 satellite loudspeakers
  • Zu Audio Julian speaker cable
  • Unity Audio Basic Link speaker cable
  • Unity Audio Solid Link speaker cable
  • Oyaide Tunami Nigo speaker cable
  • Unity Audio Basic power cable
  • Oyaide Electric PA-23ZX power cable
  • Operating System Windows XP SP3


    As free streaming audio (try out DEEZER.com) and digital music files replace the Compact Disc we will probably find scenarios where the ideal "listening position" may not be in the cards. Should those of us whom don't have dedicated listening rooms give up our quest to hear High End Audio? I think not. As our PC use encompasses As I indicated in my first [M] Audio review on the Audioengine A2/A5 powered speakers, almost all audio hardware tested will meet certain criteria and this includes the computer HDD as a source. Ergonomics will play an important role if you want to "hear" all the benefits of your High End Hardware, improper speaker placement and cable mismatching has led to the premature ejection of many systems. There are other solutions for those wanting HDD storage solution, many are explained in this Stereophile article Music Served For the most part we shall eschew such specialized boxes as one of the criteria was to keep costs low compared to the High End norm.

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    The digital connections seen above at the rear of the Decco amplifier are indicative of changing times. Integrated amplifiers much like Receivers have, for the most part been shunned by an industry dominated by costly esoteric separates. In an industry where a 1M pair of interconnects cost as much as $14,900 (Tara Labs The Zero) its intriguing there are those whom would frown upon attempts to introduce lower cost products. Why? Well if a $2,000 system such as the AVI-d ADM9.1 we are currently testing can effortlessly out-perform $10,000 in separates, this may not bode well for the competition.

    Onto listening...

    Listening / Conclusion

    Neutrality Redefined:

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    For those whom are "agape, agog, alarmed, and amazed..." (Thesaurus.com) by the position of the Abby's in the photo above, they were pulled out for all critical listening. As originally stated in this Audiophile-PC series, my goal is to seek out High End Audio hardware designed (at least in part) to extract digital music files from one's PC. While I tested many music files types, from MP3 to Lossless, I chose a streaming audio format for a good deal of the critical listening. While many might argue Lossless would give the best result, I was so impressed with the signal quality from Deezer.com and specially their streaming station Chanson Française it has become my favorite source of new music. Not only is Deezer essentially free (insofar as streaming), the eclectic selection of recordings from Chanson Française are the highest quality I've heard to date. Once I'd found the best synergy among the components available to me, the Abby's became a musical conduit, allowing every nuance and detail in the well chosen recordings to flow forth. Such an "uncluttered" signal made identifying both product strengths and weaknesses an emotive activity as opposed to a task. Abby annexes new definitions for neutrality in a loudspeaker. It is a prima facie fact each amplifier and cable combination will have its own "sonic identity" with any given speaker, but at no time did the Abby's induce "sonic identity crisis." The audio (and Gastromonique) adage garbage in, garbage out still applies, although the Abby's seem to reveal more with system synergy then speakers costing much more. This most definately attributable to a crossoverless design and the single driver concept.

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    Some patience is required in choosing components and cable matching will be imparative, after all single driver designs do have limitations when it comes to the full spectrum. Originally my experience driving the Abby's with Peachtree Audio's Decco integrated hybrid amp and Unity Audio Solid Link cables produced grain, forwardness and an absence of soundstage. Several weeks later as the speakers broke in, I tried the primarily solid state Decco and Zu Audio Julian loudspeaker cables exhibited a metamorphosis in sound. The additional break-in time and Zu Audio cables made a marked improvement in sound aging, detail and upper-midranges. Perhaps most surprising was the bottom end, which dipped much lower, was taught and controlled. I had no idea until that point the Abby's could produce such bass. I had very good results with Unity Audio Basic Link cables, which for their affordability live up to their name. I wanted to leave it as was with the Decco, but I knew the Abby's had a secret weapon. As their designer had intended they were a perfect match for valve amps of the single ended variety. SEP amps are in a world all their own, their strengths are, supple, lissome midrange while presenting a three dimensional soundstage with vocalists and instruments so realistic its spooky. I mated two SEP (Single Ended Pentode) integrated amps previewed here recently with our Abby's, each with a "meager" 5Wpc. Seen below (right) the Tecon Model "55" and (left) Glow Amp One.

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    Both of these 5Wpc integrated single ended integrated amplifers feature USB fed onboard DACs and both utilize EL84 output tubes. The GLOW Audio Amp One utilizes a single chip D/A solution in the C-Media CM102S, while Tecon chose a more traditional Audiophile grade DAC in the Texas Instruments or rather Burr Brown PCM2702. Both integrated amps are built to Audiophile grade standards, hand crafted in China where companies keep a watchful eye over production. While the GLOW Amp One is a great all around performer I constantly came back to the Tecon Model 55. The Tecon is not only a true Audiophile product in every sense of the term except one. At $398 shipped it is perhaps the best find I've come across in almost 20-years of High End Audiophiles.

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    The final components behind the Abby's were the Tecon Model 55, Oyaide Eelectric Tunami Nigo loudspeaker cables with music files streaming from Deezer. It took all of five minutes to set-up the Abby's once their out of their crate. Several weeks break-in period and they opened up in ways I never thought a $1,500 pair of single-driver speakers could. While you’re not going to get air movement down to 20Hz everything above 40Hz was emotionally engaging, that is to say I was having fun for the first time in years, rather then focusing on sacrifices. They are the first pair of speakers I would apply the term dexterous, they don't have a sonic signature per se, they earnestly represent the signal (music) presented. At $1,500 the Abby's are not inexpensive in the genre of PC-Audio, to others they will be one of their best investments in performance value. Mated to a system which takes advantage of Online music their stature and the choice of nearfield drivers adds to their value. Whether your into burning CD's or downloading music files to other devices there many Online choices including the world of FLAC. For now I've been having a great time simply trying different streaming stations. With all due respect to those expecting the typical Audiophile format, where the Reviewer describes a few of their favorite musical selections and how the product reiterates playback, I think you can choose your own music. I only recommend Deezer's Chanson Française streaming station because its so clean with an endless supply of quality studio recordings. The system as mentioned above has given me some of the most enjoyable musical experiences I've ever heard. The Abby's are adroit at communicating substance from recorded music, so long as you’re willing to put a little thought into component mixing and matching.

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    Epilouge:
    Evaluating speakers so people can purchase them sound unheard has been described as an exercise in futility. However, on some level purchasing speakers from a Dealer can be just as risky. Without inciting a Philosophical debate involving Universal Quantification or Possible World scenarios, it’s next to impossible to expect a pair of speakers will sound the same in your home as they did at the shop. In a High End store you’re using their associated equipment, in their listening environment and even if you have the same room dimensions and associated equipment the Laws of Physics cannot be purchased. That's not to say High End Dealers aren't the back-bone of the industry providing an invaluable service, I just don't believe direct marketing a product is some nefarious threat to High End Dealers. I spent many hours on the road driving all over New England visiting different High End shops and every piece of equipment I schlepped home sounded different in my listening environment, mated to my hardware. I've acquired as much or more experience researching equipment through well written reviews as I have visiting High End shops, especially with someone leaning over your shoulder "selling". The best High End shops will leave you in a room alone (provided you don't go pulling out interconnects or lighting cigars off direct heated triodes) allowing the hardware to literally speak for itself.

    Conclusion:
    Lovecraft Designs a.k.a. Cain & Cain have produced what is arguably the best value in a single driver speaker under $2k in the Abby. They are a musing of the chain of events which eventually are connected to their gold plated binding posts. In the best circumstances they extricate beyond a "sum of the parts" scenario, providing a wealth of musical information infused with that metaphysical synergy engineers cannot quantify, or measure. If you over complicate what comes before them with numerous interconnections, transports, dacs, pre-amps, and amps, they can be bad. In fact I think their ideal for integrated amplification, especially those devices with well integrated on-board DACs, products designed to serve the signal simply and that's when their oh so good. Whatever components or cables drive the Abby they will give an honest representation thereof which is the most exciting prospect. Theses are speakers you can spend years mating with different electronics and never be bored. I wonder how many products, whether solid state, hybrid or valve based the Abby's would bring to life. And that's saying something for the last link in the Audio chain. I would recommend the Abby's without hesitation.
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