Big Bend’s third LP, "Last Circle In A Slowdown", is a monument to listening through the veil of time and space. Ohio native and primary songwriter, Nathan Phillips, built upon ensemble jam sessions he hosted at a residency in Australia and collaged those recordings alongside co-producer Shahzad Ismaily to make Last Circle in a Slowdown. Reflective, hi-fi, and elemental, the folk-meets-freeform sonics evoke rich 90s acoustic rock and jazz influenced British post pop songwriting. Lyrical observations of nature’s mystery and modes of regeneration consider the looming chance all things could move in any direction. - Lyndsay Knecht (Red Hot Org)
The 1st pressing is limited to 555 hand-numbered LP's on 150gm black vinyl, available exclusively through the Shimmy-Shop.
A Clear Vinyl pressing will arrive in stores on September 13, 2024.
The free digital download with each vinyl purchase also includes two special "digital-only" bonus tracks.
Songs written by Nathan Phillips, except "The Exit" co-written by Craig Schenker and Zosha Warpeha
Produced by Nathan Phillips and Shahzad Ismaily
Recorded at Golden Retriever, Figure 8 and home
The anticipated follow-up to Big Bend’s acclaimed Radish (2019) is about longing to listen. Let’s begin outside a studio, where primary songwriter Nathan Phillips is on a house painting job. He overhears the band Ex Eye rehearsing inside. A muffled sound reaches him, through one closed door and then another. This proof of distance, measured by sound, inspired "Last Circle in a Slowdown".
Phillips, who lives in the rust belt town of Mansfield, Ohio where he grew up, returned to live recordings of ensemble jam sessions he hosted at a residency in Australia. In a process similar to his collaborations with Laraaji and Susan Alcorn on Radish, Phillips collaged the residency sessions, this time alongside co-producer Shahzad Ismaily.
The result is a hifi celebration of the instrument in its purest form and a dimensional testament to the possibilities of composition: Violin and saxophone court flute and bass harmonics on a foundation of drums and moog newly layered by Ismaily, along with acoustic guitar, piano, and bass. Anna RG came in at a late stage to reassemble and hoist up the arrangements.
The album’s title evokes the full-circle nature of that process. But 'Last Circle in a Slowdown' refers specifically to the final rotation of a table fan, that incremental reach toward stillness. We can apply that to decay, or disrepair. But Phillips and his collaborators remind us that, when recast and reversed, that slowing circle becomes momentum and beginning.
These sounds feel at once live and deeply considered. Phillips’ structured to free-form singing grounds an impression of rich 90s acoustic rock and an influence of the British post-pop songwriting of Mark Hollis and David Sylvian. In the lyrics we meet the moon and see through the window of a moving train; we consider the opening and closing of a heart. Phillips’ writing seems to process the looming chance all things could move in any direction. At the center is a longing expressed by astronomer Maria Mitchell: “We can reach forth and strain every nerve,” she says, “but only seize a bit of the curtain that hides the infinite from us.”
- Lyndsay Knecht
credits
released September 13, 2024
Nathan Phillips - piano, voice, bass
Jen Powers - hammered dulcimer
Craig Schenker - saxophone, flute
Derek Barber - guitar feedback, background voice
Anna Roberts-Gevalt - violin, production
Rob Nairn - bass
Jordan Perry - guitar
Will Owen - pads, percussion, production
Zosha Warpeha - violin
Shahzad Ismaily - drums, guitar, moog, piano, banjo, percussion
Rob Lionel - piano
Sarah Pedinotti - drums
Alex Garsden - guitar
Recorded at Golden Retriever, Figure 8 and home
Songs written by Nathan Phillips except "The Exit" co-written by Craig Schenker and Zosha Warpeha
Engineered by Lily Wen, Antonia Gauci, Michael Coleman
2nd Engineers - Chloe Dadd, Tyler Hicks
Mixed by Chad Wahlbrink, Eli Crews, Mike Odmark
Additional production - Chris Botta
Mastered by Taylor Deupree
Front Photo: Berenice Abbott, Springfield, OH
Back Photos: Matt McGuigan, Tim McGuigan, Melissa Shawcross
Handwritten text - Melissa Phillips
Album Layout - Will Owen (cover & inner logo design) Jimmy Hole (back cover design)
Pressed at Gotta Grove Records, Cleveland, OH
Lacquer cutting - Clint Holley and Dave Polster
The Australian ambient artist offers imaginative, beautiful improvisations on the late Michael Chapman's unfinished instrumental album. Bandcamp New & Notable Aug 31, 2024
supported by 7 fans who also own “Last Circle in a Slowdown”
Quiet, delicate songs painted on a small canvas, so you have to lean in close. Intimate and intricate, but allowed to stretch out and breathe. Completely satisfying. albinobone
