default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCIDEVA 2010: London, UK
- Alan Seal, Jonathan P. Bowen, Kia Ng:
Electronic Visualisation and the Arts, EVA 2010, London, UK, 5-7 July 2010. Workshops in Computing, BCS 2010, ISBN 978-1-906124-65-6
Session 1: Electronic arts
- Alicia Bastos:
Discovering digital cultural capital in London's events of art and technology: reviewing the last decade. - Jeremy Pilcher:
Legal networks: visualising the violence of the law. - Almila Akdag Salah:
The online potential of art creation and dissemination: DeviantArt as the next art venue. - Peter Cochrane:
Beyond seeing is believing.
Session 2: Data, art and time
- Alex McLean, Dave Griffiths, Nick Collins, Geraint A. Wiggins:
Visualisation of live code. - Pedro Rebelo, Robert King:
Anticipation in networked musical performance. - Ernest A. Edmonds:
Beyond abstract film: constructivist digital time. - Seb Chan:
Tracking interactions: new ways of finding value in the use of museums.
Session 3: The digital museum
- Blanca Acuña:
A new media approach: visualisation of a digital exhibition. Research on representation and design of cultural interfaces. - Sam Hinton, Mitchell Whitelaw:
Exploring the digital commons: an approach to the visualisation of large heritage datasets. - Arden Kirkland, Michael Lesk, Allison Steffmann:
Context for costumes: faceted access to historic costumes.
Session 4: Digital museum 2
- Theopisti Stylianou-Lambert, Elena Stylianou:
A third space: reconsidering issues of neutrality and accessibility in the virtual art museum. - Yvonne Hellin-Hobbs:
The constructivist museum and the web. - Ingrid Beazley, Jonathan P. Bowen, Alison H. Y. Liu, Sarah McDaid:
Dulwich OnView: an art museum-based virtual community generated by the local community. - Steven Snyder, Karen Elinich:
Augmented reality for interpretive and experiential learning. - Luciana Bordoni, Giuseppe Moscara:
A system for the investigation of cracks.
Session 5: Art through evolutionary computation
- Dew Harrison:
Exploring Duchampian and Darwinian ideas through interactive means. - Barry Dean, Ian C. Parmee:
Integration of user-centred evolutionary computation with digital visualisation. - Mohammad A. Yaghan:
The evolution of architectural forms through computer visualisation: muqarnas example. - Arefe Dalvandi, Pooya Amini Behbahani, Steve DiPaola:
Exploring Persian rug design using a computational evolutionary approach.
Session 6: Digital art issues
- Murat Germen:
Photography as a tool of alienation: Aura. - Aldo Hoeben:
Using a projected Trompe L'Oeil to highlight a church interior from the inside. - Richard Collmann, Ann Borda:
Simulated-3D visualisation of artefacts using a portable electromechanical object rig. - Lindsay W. MacDonald:
The limits of resolution. - David Giaretta:
Digital preservation: terminology, techniques, testing and trust.
Session 7: Digital art issues
- Gregory Sporton:
Creative identity theft: issues for artists in collaborative online environments. - Annamaria Carusi, Gordana Novakovic, Timothy Webmoor:
Are digital picturings representations?
Session 8: Electronic resources for the public
- Jules Moloney:
Mixed reality and curatorial design: from existing practice to the nomad_tech museum. - Lisa Dieckmann, Anita Kliemann, Martin Warnke:
Meta-Image - a collaborative environment for the image discourse. - Karol Kwiatek, Martin Woolner:
Let me understand the poetry: embedding interactive storytelling within panoramic virtual environments. - Sylvia Grace Borda:
Digital image archives as public artwork and community engagement.
Session 9: Music and art
- Matthew Benatan, Sam Bultitude, Stuart Heather, Ian M. Symonds, Kia Ng:
MiMic: a motion control interface for music. - Martha Gabriel:
Voice interfaces in electronic art. - Kia Ng, Bee Ong:
Interactive multimedia rocks for geology. - Lisa Dalhuijsen, Lieven van Velthoven:
MusicalNodes, the visual music library. - Alan Read:
The ceramic age: a gloss on depth.
Session 10: Digital performance
- Richard Hoadley:
Implementation and development of sculptural interfaces for digital performance of music through embodied expression. - Sam Bailey, Adam Scott, Harry Wright, Ian M. Symonds, Kia Ng:
Eye.Breathe.Music: creating music through minimal movement.
Session 11: Digital arts practice
- David R. Burns:
The valuation of emerging media arts in the age of digital reproduction. - Chris Cornish:
Media archaeology in art practice. - Rui Filipe Antunes, Frederic Fol Leymarie:
Virtual worlds as art practice: EvoArt methodologies. - Anne E. James, Dai Nagasaka:
Architectonic influences of multimedia and their spatial significance. - Oliver Grau:
Renewing knowledge structures for Media Art.
Session 12: Digital perceptions
- Steve DiPaola:
Face, portrait, mask - using a parameterised system to explore synthetic face space. - Fernanda D'Agostino, Harry Dawson, Bret W. Tobalske:
Motion Studies: an art and science collaboration. - Julie Innes:
Capturing worlds.
Session 13: Art in the digital age
- Lisa Newman:
Flesh for fantasy: the future of sadomasochism and performance art in virtual worlds. - Phil Hawks:
The relevance of traditional drawing in the digital age.
Session 14: Digital understandings of the past
- Stephen Caffey, Robert G. Graf, Charles Culp, Wei Yan, Ehsan Barekati, Matthew Marshall:
Reconstructing the Music Hall Rotunda and Annex at Vauxhall Pleasure Gardens c. 1764. - Martin Crampin:
New light on old stone: recording and reinventing visual culture.
Session 15: Experiencing history
- Wally Smith, Hannah Lewi, Kate Darian-Smith, Jon M. Pearce:
Re-connecting visual content to place in a mobile guide for the Shrine of Remembrance. - Stephen Boyd Davis, Emma Bevan, Aleksei Kudikov:
Just in time: defining historical chronographics. - Tony Longson:
Ideas and influences.
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2024-11-08 20:18 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
