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2020 – today
- 2022
[j17]Sergio Canazza
, Giovanni De Poli, Alvise Vidolin:
Gesture, Music and Computer: The Centro di Sonologia Computazionale at Padova University, a 50-Year History. Sensors 22(9): 3465 (2022)- 2020
- [j16]Niccolò Pretto, Edoardo Micheloni, Silvia Gasparotto, Carlo Fantozzi, Giovanni De Poli, Sergio Canazza:
Technology-Enhanced Interaction with Cultural Heritage: An Antique Pan Flute from Egypt. ACM Journal on Computing and Cultural Heritage 13(2): 8:1-8:20 (2020)
2010 – 2019
- 2019
- [j15]Sergio Canazza, Giovanni De Poli:
Four Decades of Music Research, Creation, and Education at Padua's Centro di Sonologia Computazionale. Comput. Music. J. 43(4): 58-80 (2019) - 2015
- [j14]Sergio Canazza, Giovanni De Poli, Antonio Rodà:
CaRo 2.0: An Interactive System for Expressive Music Rendering. Adv. Hum. Comput. Interact. 2015: 850474:1-850474:13 (2015) - 2014
- [j13]Antonio Rodà, Sergio Canazza, Giovanni De Poli:
Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane. IEEE Trans. Affect. Comput. 5(4): 364-376 (2014) - [j12]Giovanni De Poli, Sergio Canazza, Antonio Rodà, Emery Schubert:
The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts. ACM Trans. Appl. Percept. 11(4): 22:1-22:20 (2014) - [c29]Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Sergio Canazza, Giovanni De Poli, Marta Sandri:
How blue is Mozart? Non verbal sensory scales for describing music qualities. ICMC 2014 - [c28]Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza:
Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same? ICMC 2014 - 2010
- [j11]Luca Mion, Giovanni De Poli, Ennio Rapanà:
Perceptual organization of affective and sensorial expressive intentions in music performance. ACM Trans. Appl. Percept. 7(2): 14:1-14:21 (2010) - [j10]Sergio Canazza, Giovanni De Poli, Gian Antonio Mian:
Restoration of Audio Documents by Means of Extended Kalman Filter. IEEE Trans. Speech Audio Process. 18(6): 1107-1115 (2010)
2000 – 2009
- 2008
- [j9]Luca Mion, Giovanni De Poli:
Score-Independent Audio Features for Description of Music Expression. IEEE Trans. Speech Audio Process. 16(2): 458-466 (2008) - 2007
- [j8]Nicola Laurenti, Giovanni De Poli, Daniele Montagner:
A Nonlinear Method for Stochastic Spectrum Estimation in the Modeling of Musical Sounds. IEEE Trans. Speech Audio Process. 15(2): 531-541 (2007) - [c27]Luca Mion, Giovanni De Poli:
Music Expression Understanding Based on a Joint Semantic Space. AI*IA 2007: 614-625 - 2005
- [j7]Antonio Camurri, Gualtiero Volpe, Giovanni De Poli, Marc Leman:
Communicating Expressiveness and Affect in Multimodal Interactive Systems. IEEE Multim. 12(1): 43-53 (2005) - 2004
- [j6]Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Alvise Vidolin:
Modeling and control of expressiveness in music performance. Proc. IEEE 92(4): 686-701 (2004) - 2003
- [j5]Patrick Zanon, Giovanni De Poli:
Estimation of Parameters in Rule Systems for Expressive Rendering of Musical Performance. Comput. Music. J. 27(1): 29-46 (2003) - [j4]Balázs Bank, Federico Avanzini, Gianpaolo Borin, Giovanni De Poli, Federico Fontana, Davide Rocchesso:
Physically Informed Signal Processing Methods for Piano Sound Synthesis: A Research Overview. EURASIP J. Adv. Signal Process. 2003(10): 941-952 (2003) - [c26]Damien Cirotteau, Giovanni De Poli, Luca Mion, Alvise Vidolin, Patrick Zanon:
Recognition of Musical Gestures in Known Pieces and in Improvisations. Gesture Workshop 2003: 497-508 - 2002
- [c25]Sergio Canazza, Giovanni De Poli, Gian Antonio Mian, Alessandro Scarpa:
Comparison of different audio restoration methods based on frequency and time domains with applications on electronic music repertoire. ICMC 2002 - [c24]Sergio Canazza, Giovanni De Poli, Antonio Rodà, Giulio Soleni, Patrick Zanon:
Real Time Analysis of Expressive Contents in Piano Performances. ICMC 2002 - [c23]Patrick Zanon, Giovanni De Poli, Alessandro Dorigatti:
Time-varying estimation of parameters in rule systems for music performance. ICMC 2002 - [c22]Roberto Oboe, Giovanni De Poli:
Multi-instrument virtual keyboard - the MIKEY project. NIME 2002: 23-28 - 2001
- [c21]Sergio Canazza, Guido Coraddu, Giovanni De Poli, Gian Antonio Mian:
An Objective and Subjective Comparison of Audio Restoration Systems. ICHIM (2) 2001: 273-281 - [c20]Sergio Canazza, Alvise Vidolin, Giovanni De Poli, Carlo Drioli, Antonio Rodà:
Expressive Morphing for Interactive Performance of Musical Scores. WEDELMUSIC 2001: 116-122 - 2000
- [j3]Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Alvise Vidolin:
Audio Morphing Different Expressive Intentions for Multimedia Systems. IEEE Multim. 7(3): 79-83 (2000) - [j2]Gianpaolo Borin, Giovanni De Poli, Davide Rocchesso:
Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems. IEEE Trans. Speech Audio Process. 8(5): 597-605 (2000) - [c19]Andrea Bari, Sergio Canazza, Giovanni De Poli, Gian Antonio Mian:
Improving the Extended Kalman Filter Method for the Restoration of Electro-Acoustic Music. ICMC 2000 - [c18]Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Federico Zamperini:
Real-Time Morphing Among Different Expressive Intentions in Audio Playback. ICMC 2000
1990 – 1999
- 1999
- [j1]Augusto Sarti, Giovanni De Poli:
Toward nonlinear wave digital filters. IEEE Trans. Signal Process. 47(6): 1654-1668 (1999) - [c17]Sergio Canazza, Giovanni De Poli, Riccardo Di Federico, Carlo Drioli, Antonio Rodà:
Expressive Processing of Audio and MIDI Performances in Real Time. ICMC 1999 - [c16]Marco Bezzi, Giovanni De Poli, Davide Rocchesso:
Sound Authoring Tools for Future Multimedia Systems. ICMCS, Vol. 2 1999: 512-517 - [c15]Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin:
Adding Expressiveness to Musical Messages. ICMCS, Vol. 2 1999: 518-523 - 1998
- [c14]Sergio Canazza, Giovanni De Poli, Gianni Di Sanzo, Alvise Vidolin:
A Model To Add Expressiveness To Automatic Musical Performance. ICMC 1998 - 1997
- [c13]Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin:
Analysis by synthesis of the expressive intentions in musical performance. ICMC 1997 - 1996
- [c12]Augusto Sarti, Giovanni De Poli:
Generalized adaptors with memory for nonlinear wave digital structures. EUSIPCO 1996: 1-4 - [c11]Sergio Canazza, Giovanni De Poli, Stefano Rinaldin, Alvise Vidolin:
Sonological Analysis of Clarinet Expressivity. Joint International Conference on Cognitive and Systematic Musicology 1996: 431-440 - [c10]Sergio Canazza, Giovanni De Poli, Alvise Vidolin:
Perceptual Analysis of the Musical Expressive Intention in a Clarinet Performance. Joint International Conference on Cognitive and Systematic Musicology 1996: 441-450 - 1994
- [c9]Roberto Bresin, Giovanni De Poli, Giovanni U. Battel, Alvise Vidolin:
Neural Networks vs. Rules System: Evaluation of Test of Automatic Performance. ICMC 1994 - [c8]Antonio Camurri, Giovanni De Poli, Roger B. Dannenberg, Julius O. Smith III:
Instruction of Computer Music for Computer Engineering Students and Professionals. ICMC 1994 - [c7]Piero Cosi, Giovanni De Poli, Paolo Prandoni:
Timbre Characterization with Mel-Cepstrum and Neural Nets. ICMC 1994 - 1993
- [c6]Giovanni De Poli, Paolo Tonella:
Self-organizing Neural Network and Grey's Timbre Space. ICMC 1993 - 1992
- [c5]Roberto Bresin, Giovanni De Poli, Alvise Vidolin:
Symbolic and Sub-Symbolic Rules Systems for Real-Time Score Performance. ICMC 1992
1980 – 1989
- 1989
- [c4]Gianpaolo Borin, Giovanni De Poli, Augusto Sarti:
A Modular Approach to Excitator-Resonator Interaction in Physical Models Synthesis. ICMC 1989 - 1984
- [c3]Giovanni B. Debiasi, Giovanni De Poli, Graziano Tisato, Alvise Vidolin:
Centro Di Sonologia Computazionale C. S. C. University of Padova. ICMC 1984 - [c2]Giovanni De Poli:
Frequency Dependent Waveshaping. ICMC 1984
1970 – 1979
- 1978
- [c1]James Dashow, Giovanni De Poli, Graziano Tisato, Alvise Vidolin:
Computer Music at University of Padova. ICMC 1978
Coauthor Index
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