Te enfrentas a posibles problemas de sonido e iluminación en un evento en directo. ¿Cómo se puede evitar que se intensifiquen?

Always plan for the worst case scenario! If it is an outdoor event and it starts to pour? Is the power supply safe to use? Are equipments covered or placed in a functional position? What can we do to avoid power outages? Can the event still run without it? Because when you’re prepared for it, you already have place B, C, D in place. Ensure you triple check with seasoned technicians, partners or fellow comrads of the industry to ensure you have everything covered

The production is the central element of your live event. It is the "control room" aka the brain of the event operation. If it is in the domain of multimedia installations or music festivals, then it levels up further. Like humans taking care of our mental well-being, do these to take care of your production controls: 📌 Do intensive research and background check to pinpoint the best potential suppliers of equipment. 📌 No matter the scale of the event, have rounds of meetings - be clear with expectations vs delivery. 📌 Discuss multiple layers of backup details. NO compromise. Extra units of microphones don't cost you much, the real cost is when you have hundreds of people waiting for a speech and the mic fails - you're in the spotlight!

Ein Notfallplan ist dein Sicherheitsnetz. Er fängt dich auf, wenn etwas Unerwartetes passiert. Meiner Meinung nach gehört es zum "Handwerkszeug" eines Veranstaltungstechnikers, ein "Back-Up Set" standardmäßig parat zu haben, in dem eine Powerbank, ein Multitool mit Cutter, Batterien, Adapter, Ersatzmikrofon, Ersatz Präsentations-Klicker und - in so vielen Fällen schon "Lebensretter" gewesen: Gaffer Tape! Und für das persönliche Wohl: Pflaster. Wobei man da natürlich wieder auf das Tape zurückgreifen könnte, falls man Pflaster vergessen hat :-). Da haben wir`s wieder: Tape ist einfach unverzichtbar...hat jemand damit auch gute Erfahrung gemacht?

When it comes to sound and lights production, you should always be utilizing professional technicians. Even though many live events experts have some knowledge on managing production elements, the reality is we have a passing knowledge that doesn't typically help when things go south. Hiring skilled technicians to run your sound and lights will ensure they are running optimally and in the case of something malfunctioning, they are going to be able to solve the problem much quicker with less disruption to the event and audience than the average event professional. It's important to remember their skill comes from repetition, chances are whatever your issue is, they have dealt with it before.