Post de Hybride VFX

Retour sur la Journée CST "De nouveaux enjeux" Le 20 mars 2024, la CST (Commission supérieure technique de l'image et du son) organisait à La Fémis une journée d'échanges autour des enjeux techniques du secteur cinématographique. Les thèmes de réflexion abordés étaient, en résumé, "Écologie et salles de cinéma", "Accessibilité et inclusion dans les salles", "Ratios et cinéma numérique", "LEDs, résultats de tests". Nous proposons de voir deux vidéos reflétant la partie de cette journée liée à l'image. Ratio, grandeur et décadence Le (...) - Rencontres et Journées de la CST / #La Cst

9 years ago, the Quebec VFX industry was generating 200 million dollars. Now it's around 1.4 billion. Back then, they realized that keeping a solid position was more profitable, and they were 1.2 billion right! Today... In the middle of the entertainment industry's biggest crisis in more than 100 years, cutting up to 28% of the incentive is going to have a devastating effect that could wipe out all the gains we made. This will affect around 5000 high-paid jobs that will be displaced around the world. That alone might equate to around 250 million in lost income taxes for Québec. With the help of those incentives, we built one of the strongest VFX platforms in the world. It's true that VFX's honeymoon phase is over; we have seen the peak. The market is shifting, and we need all the help we can to stay relevant in this highly competitive global market. It's not the first time Québec backpedal on a topic like that. Now is the time to take a big, long breath and sit down with the Québec government to double-check those numbers, shall we?

Are you using AI in content creation?

Selon les estimations du Centre national du cinéma et de l'image animée (CNC), la fréquentation cinématographique atteint 15,61 millions d’entrées au mois de mai 2024, soit une hausse de +13,5% par rapport à mai 2023

Check out Cléments creative game project made by his students. His games have a particular touch, you can tell it has an element of design by Clément. How can I tell? He has worked for +10 years on a board game, written a book and I used to like watching his pixel art animations on his homepage! Try out the adventure in New York below!

Selon les estimations du Centre national du cinéma et de l’image animée (CNC), la fréquentation cinématographique atteint 15 millions d’entrées au mois de mars 2024, soit une baisse par rapport à mars 2023 (-4,8%).

A grifter named Ripley living in New York during the 1960s is hired by a wealthy man to bring his vagabond son home from Italy. https://lnkd.in/daigH9e2 Duración 1h (60 min) 7h 30min (450 min) (entire series) Mezcla de sonido Dolby Digital Color Black and White Relación de aspecto 1.78 : 1 Cámara ARRI Alexa LF Laboratorio Company 3 Formato negativo Codex Proceso cinematográfico ARRIRAW(4.5K, source format) Digital Intermediate (4K, master format)

➡️🟦🆕📍🇩🇿 Législation cinématographique 🆕 ➡️🟦🆕Loi 24-07 du 29 avril 2024 relative à l’industrie cinématographique. ➡️🟦🆕Production cinématographique : processus de réalisation d’un film parti de l’idée initiale ou du scénario en passant par le financement, le rassemblement des équipes artistiques et techniques, la préparation du projet, le tournage, les opérations post-production jusqu’à la concrétisation de l’œuvre finale présentée au public. Il englobe, également, les aspects artistiques, techniques et commerciaux. ➡️🟦🆕Industrie cinématographique : ensemble des opérations de production et de service intégrées et interdépendantes, qui concourent à la réalisation des films cinématographiques. ➡️🟦🆕L’exercice des activités de production, de distribution et d’exploitation de films dans les salles, multiplex de salles de cinéma et espaces de projection publics, est soumis à l’obtention d’une autorisation délivrée par les services concernés sous tutelle du ministère chargé de la culture et à l’immatriculation au registre de commerce. ➡️🟦🆕La production cinématographique regroupe l’ensemble des activités de production et de coproduction, exercées par toute personne physique ou morale détentrice de l’autorisation d’exercice des activités y afférente prévue par la présente loi. 🟩➡️Pour Lire la Suite⬅️🟩 ➡️🟦🆕 Voilà le document complet 🆕 ↪️ Bonne lecture ⤵️

🚨 Yesterday we had the opportunity to participate and sponsor again the most important event for the video game sector in France, the #Pégases2024 🎮awards of Académie des Arts et Techniques du Jeu Vidéo 🎮 Why is this event important in France?  Let's find out what is beyond a video game, or rather, what is inside a video game and what it means to produce it.  👉 Video games (for consoles, PCs and phones) have become one of the most popular leisure activities in the world, in which France plays a very important role as a world reference, not only in development but also in distribution and training. ✌ Annual figures for the video games industry are reaching record levels: the European market will grow to 24.5 billion euros by 2022. In France, the turnover in 2022 will exceed 5.6 billion euros. Already in the 1980s, France, with entities such as Infogrames Entertainment, SA and Ubisoft, and the UK with its Rockstar Games, have been at the origin of this industry. Right now in Europe, the France-Germany-Poland axis is a source of employment, which makes this sector strategic for Europe, generating some 110,000 jobs, of which 20,000 are in France. In France, we have around 700 development studios and some 1,200 companies dedicated to video games, which are the main source of employment in the sector.  👌 This sector, which mixes many disciplines (design, scenography, soundtrack, cinema,...) is closely linked to technological evolution, which places it at the forefront of all digital revolutions. Despite being an industry that in all studies speaks of permanent growth and is linked to the latest generation of technological development, where Artificial Intelligence plays a key role in the technological disruption in which we find ourselves, there are still few public funds that specifically support its development. It is worth noting that the European Commission Programme Horizon Europe , within the @Creative Europe programme (Media ) https://lnkd.in/dgHnr6nU, has only allocated 6 million euros (data from 2022) to video games out of a total budget of 385.6 million. This is not an alarmist figure because there are many other funding alternatives that our FI Group Group helps to define and manage. 🖐 I would like to close this post with the profile of the gamer in France, which as a first impact affects all genders and all ages. The average age is 39, 47% are women and 19% of regular gamers are retired. Don't forget that in addition to the Pegasus awards of L'Académie des Arts et Techniques du Jeu Vidéo with which I started this post, which are the most important in France, there are other big EVENTS like this world-wide The Game Awards, or like the eSPORTS competitions, or the NETFLIXATION of many of these games. Abbas DJOBO Solenne DESPREZ BRAUN Raphael Guglielmi Joaquin Medrano Cobas Sergio Caldeira François Jaouen TIEV Bernard #Pégases2024 #JeuVidéo #innovationtechnologique #innovation

Le festival de Cannes, la prochaine sortie de Wicked (adapté d’un roman paru chez Bragelonne) et l’organisation des rencontres Shoot the Book sont une bonne occasion de se rappeler combien le livre nourrit l’audiovisuel et le cinéma. Selon l’étude du CNL parue en juin dernier, près d’1 œuvre cinématographique ou audiovisuelle sur 5 sorties en France est adaptée d’une œuvre littéraire (20% pour les films de cinéma ; 17% pour les productions audiovisuelles). Et la France est le pays qui puise le plus dans ce formidable terreau.