Post di Socialbooth

Our "Classic & Beyond: Secret Societies" concert at Theatre of Digital Art demonstrated how classical music can be reimagined for modern audiences through strategic collaboration. Here's why partnering with us makes business sense: 1. Targeted Audience Reach: Tap into a diverse, high-engagement audience using our proven digital and event marketing strategies. 2. Brand Visibility: Position your brand within cultural milestones, elevating your image through direct event and media integration. 3. Cultural Impact: Align your business with meaningful cultural contributions, showcasing social responsibility and creative leadership. 4. Exclusive Collaborations: Long-term partnerships designed to create value through creative projects that resonate with both local and global markets. 5. Sustainable Growth: Join a movement with a scalable, long-term vision, ensuring your brand grows alongside us as we expand. By investing in cultural projects, you're not only contributing to the arts but also aligning with progressive, value-driven initiatives that foster deeper connections with your audience. Let's create lasting impact together. #UAEPhilharmonic #CulturalStrategy #BusinessGrowth #CollaborateForImpact #SponsorOpportunity

La Musica di Giulia Ecco le principali notizie riguardanti la musica 25 novembre 2024 - 1 dicembre 2024 #lamusicadigiulia #musicindustry #musicbusiness #musicindustrynews #music #musica #industriamusicale #industriadiscografica

Recondite harmony. Educating to music to educate to life (orig.: Recondita armonia. Educare alla musica per educare alla vita) #ADV #harmony. #Recondite #Educating #music #to 🛒🤓👉 https://amzn.to/4eYxzMe

La Musica di Giulia Ecco le principali notizie riguardanti la musica 21 ottobre 2024 - 27 ottobre 2024 #lamusicadigiulia #musicindustry #musicbusiness #musicindustrynews #music #musica #industriamusicale #industriadiscografica

BookMyShow Live has partnered with Indian Railways to introduce a dedicated local train service for Coldplay's Music of the Spheres World Tour in Mumbai. The special train will run during the concerts on January 18, 19, and 21, 2025, providing fans with a smooth, eco-friendly way to reach the venue. READ: https://lnkd.in/d4RzcGBQ BookMyShow Indian Railways #Coldplay #MOTSWT #BookMyShow #liveentertainment #anilmakhija #owenroncon #skyfullofstar #musicnews #musictour #musicconcert #indianrailway #cityflo #India #mumbai #indianmusicindustry #concertvenue

La Musica di Giulia Ecco le principali notizie riguardanti la musica 23 dicembre 2024 - 29 dicembre 2024 #lamusicadigiulia #musicindustry #musicbusiness #musicindustrynews #music #musica #industriamusicale #industriadiscografica

La Musica di Giulia Ecco le principali notizie riguardanti la musica 17 giugno 2024 - 23 giugno 2024 #lamusicadigiulia #musicindustry #musicbusiness #musicindustrynews #music #musica #industriamusicale #industriadiscografica

GOOD EVENING WITH MUSIC OF KHATIA BUNIATISHVILI KHATIA BUNIATISHVILI CONCERTO NO 11 IN D MAJOR ON PIANO Khatia Buniatishvili Joseph Haydn Piano Concerto No 11 in D major, Hob XVIII 11 https://lnkd.in/eWQ2MvQw https://lnkd.in/gfFUbNRp I am so thankful to Western Classical Music for discovering Khatia Buniatishvili. Many thanks for discovering this gem. I've never seen it or heard of it. KB's performance is a refreshing change from the run-of-the-mill performances one usually hears of this piece. Unfortunately, Richter's performance is another example of the norm - heavy and ponderous - right from his initial entrance in the first movement you can feel the imposed force of gravity trying to give weight to a piece which doesn't need it. We rarely get to hear Khatia play Haydn and this is the first time we have had a live recording of her playing Haydn's Piano Concerto No 11 in D major, Hob XVIII-11. Because this is a rare gem I have let Khatia go first, but we still get to compare her performance with Sviatoslav Richter's version. Khatia's recording was with the Chamber Orchestra Kremerata Baltica and Richter's with the Minsk Chamber Orchestra. J. Haydn - Piano Concerto No. 11 in D major, Hob. XVIII/11, 1. Vivace https://lnkd.in/eDygngHN 1 Vivace 2 Un poco adagio 3 Rondo all'ungarese Khatia's performance, by contrast, is fluent and free from unneeded gravitas. The music floats on air, unimpeded by any unnecessary weight. KB's performances reveal, however, a possible negative influence on her playing - her technical ability is so great, that sometimes it's possible to detect a certain glibness in her playing, a feeling of condescension towards the material. I may be off base here, but this is a problem which one can detect in musicians with her extraordinary technical faculty. This was a problem with Gould, for instance, one which he never fully resolved, in my opinion. At times I can detect signs of it in KB, a feeling of superiority in relationship to the music. This attitude can cause a severe limitation in deepening the understanding of the music of a composer like Haydn, whose surface simplicity conceals an underlying complexity. It will be interesting to see how Khatia deals with this in the future. Thanks Khatia !! God Bless you !! Sudhanshu

La Musica di Giulia Ecco le principali notizie riguardanti la musica 2 settembre 2024 - 8 settembre 2024 #lamusicadigiulia #musicindustry #musicbusiness #musicindustrynews #music #musica #industriamusicale #industriadiscografica

In the Concerto in G major K 216, the notable step forward made by Mozart and the detachment, the result of maturation, compared to the two previous concerts becomes evident. The inspiration and compositional technique are placed, here, on a higher level; here Mozart achieves, for the first time, a perfect balance between the instrumental panache required by a concert and the contained expressiveness of the music. The solo instrument is placed in the right emphasis, without however giving too much virtuosity. The bravura passages never go to the detriment of musical ideas, the high register is used sparingly, double string passages and other artifices of violin technique are almost completely missing. Also significant is the fact that the Concerto, like the two subsequent ones K 218 and K 219, ends with a piano, without making any concession to the exhibitionist ambitions of the soloist; in the final rondo the violin does not even take part in the last reprise of the ritornello. The brilliant instrumental effects, which are not lacking, are never an end in themselves, but rather subordinated to the quality of the musical ideas. https://lnkd.in/ecy6e_7G