I was surprised to find such a lighthearted action-adventure tucked within Ninja Theory’s portfolio—the same studio behind the intense Senua. This title, though rooted in the familiar settings of its era—a ravaged cityscape, linear levels, and mechanical enemies—manages to set itself apart with unexpected charm. Despite its cartoonish character designs, the voice acting is remarkably mature, supported by well-crafted facial animations and a complementary duo dynamic: the classic strongman and sharp-witted heroine. The combat—built on a rhythmic punch-and-roll system—feels distinctly Ninja Theory, while the platforming elements lend a welcome break to the action, injecting just enough playfulness into its otherwise formulaic world.

The story and gameplay are fantastic, but the camera is a major drawback. It's difficult to control, often shifting unexpectedly. The field of view is so narrow that it made me feel seasick. I had to use Widescreen Fixer to be able play for more than 10 minutes.

The first time I tried the game I was very frustrated by the situation the protagonist was forced into, and his attitude to it.
Years later I’ve decided to give it another try and didn’t regret it at all.
It’s a fun game which, from all things, reminded me of Ico. Less mysterious, more linear, and with more action. You know hollywood remakes of asian horrors, where they take everything unique and interesting from the original and replace it with generic tropes? Imagine this but it’s actually good.
What I didn’t get is the sudden change of tone at the last third of the story. At the beginning it all quite serious, maybe with a few jokes here and there, which I don’t mind. But toward the end it turns into a comedy. Why?
The game is not perfect, but I’m glad I’ve given it another try.