Framestore

The 2025 D&AD Awards have announced their lineup of jury presidents, with Framestore's Chief Creative Officer, Mike McGee, selected to lead the Visual Effects category. This year’s jury presidents feature a diverse group of top creative leaders from global brands and agencies, setting the stage for the upcoming D&AD Festival and Awards Ceremony which will take place from May 21-22 in London. #dandad25 #dandad #awards #vfx #creativeindustry #adindustry #design #adagency

A beautifully shot film brought to life by our VFX team! Collaborating with Director Marcus Ibanez of new-land, and Oppenheimer’s DOP Hoyte van Hoytema, we simulated an artistic representation of the EX90 LiDAR safety system’s view of the world, creating scenes of “Volvo vision”. From fully CG shots based on LiDAR data to character performances recorded with volumetric capture and 3D animation, every detail was designed to create a powerful visual and emotional experience. Find out more at here: Agency: Stendahls Creative Director: Oscar Plasidius AD: Mattias Berg, Henrik Gustafsson, Klas Andén Production Company: new—land Director: Marcus Ibanez DOP: Hoyte van Hoytema, ASC, FSF, NSC EP: Erik Torell Producer: Moa Looft VFX: Framestore Creative Director: Kamen Markov VFX Supervisors: William Laban, Matthew Thomas CG Supervisor: Cosku "Joshku" Ozdemir Concept Art: Jonathan Opgenhaffen Senior Compositors: Kamen Markov, Matthew Thomas, Jon Uriarte, Suzanne Jandu Flame: Guy Lubin Executive Producer: Anna MacDonald Junior Producer: Chloe Dunn Colour: Company 3 Senior Colourists: Jean-Clément Soret, Matthieu Toullet, Greg Fisher Executive Producer: Ellora Soret Senior Producer: Edwin Elkington #VFX #LiDAR #3Danimation #Innovation #CGI

Framestore Pictures director Anh Vu brings holiday magic to life in Target’s first spot from the seasonal campaign, "Happier Holidays from Target," hitting the bullseye in capturing the joy and wonder of a Target run. 🎯✨ To enhance Anh’s directorial vision of a fantastical “Tarzhay” winter dreamscape, our NY VFX team delivered a mix of visual effects, from the CG creatures to falling snow and starry night sky replacements – set to a rendition of "Pure Imagination," performed and co-produced by Griff. Credits Agency: Mythology Production Company: Framestore Pictures Director: Anh Vu Managing Director: Jennifer Siegel Executive Producer: Brittney Walker Head of Production: Hayley Diaz Associate Producer: Grace Kenney Line Producer: Brian Etting DP: Alice Brooks VFX: Framestore Executive Producers: Brittney Walker, Nick Fraser Senior Producers: Tierney Farrell, Nathan Niamehr Associate Producer: Rebecca Schmidt Creative Director: Vicky Osborn, Alex Thomas Additional VFX Supervision: Rebecca Teichner, Luca Pelegatta 2D Leads: Karch Coon, Corrina Wilson CG Leads: Andy Zazzera, John Montefusco CG Asset Leads: Jessica Söderström, Sarah Van Alstyne Pre-Visualisation: Framestore Pre-Production Services (FPS) Visualisation Creative Director: Vincent Aupetit Visualisation Supervisor: Luis Acedo Assets Supervisor: Margherita Balestri Visualisation Head of Production: Stephen Nixon Visualisation Associate Producer: Rachael Gordon Visualisation Artists: Alican Serbest, Antoine Gallouin, Chris Dawson, Edwin Leeds, Mya Mistry Editorial: Uppercut Editor: Alex Hagon Color: Rare Medium Composition Song: Pure Imagination Vocals: Griff #director #production #creativeadvertising #visualeffects #vfx #FPS #preproductionservices #postproduction #holidays #Target

"As ever, working with the team at Framestore was a delight from start to finish. Mat Krentz and Dan Booty led a magnificent team in Vancouver ensuring the highest quality throughout. They shone brightly with creativity and their enthusiasm never dimmed. They also provided peace of mind because you could be sure that their work would be nothing less than exemplary. Navigating a descent into the afterlife together was a joy. I’d invoke them anytime. Framestore Framestore Framestore!" Angus Bickerton - Production VFX Supervisor Our team delivered invisible VFX, completing 253 shots that augmented the film's unique aesthetic and brought a Burtonesque cast of creatures to life. These included a creepy Baby Beetlejuice, a dismembered Delores, Charles Deetz bitten by a shark and CG snakes, all the while partially building and extending the iconic attic model. Working closely with Production VFX Supervisor, Angus Bickerton, puppeteers, costume designers, and other crafts, our team—led by VFX Supervisor Mat Krentz and VFX Producer Daniel Booty —seamlessly integrated CG enhancements with practical elements and effects, preserving the film's throwback and handcrafted feel while using contemporary technology. Learn more about the work here: https://lnkd.in/eNgSbBJf #BeetlejuiceBeetlejuice #VFXbyFramestore #CGI #creatures

Congratulations to the team behind The Crown Season 6 on their nomination for the 2024 RTS Craft & Design Awards in the Effects - VFX category. Our teams meticulously crafted and enhanced the environments, buildings, and iconic scenery featured in Season 6, recognisable worldwide, whilst maintaining the perfectly hidden VFX seen in Framestore’s work across four previous seasons of the renowned show. Find out more about the work here: https://lnkd.in/dZ7rSe_y #TheCrown #VFX #awards #royaltelevisionsociety #rts #invisiblevfx #netflix

Framestore’s Pre-Production Services (FPS) supported every stage of the filmmaking process for Marvel Studios’ Deadpool and Wolverine. Led by Senior Visualization Supervisor Kaya Jabar, the team delivered over 900 shots as the sole pre-production service provider, covering previz, on-set support, techviz, and postviz. Through a detailed visual roadmap, FPS brought Deadpool and Wolverine’s intense, irreverent tone from concept to final execution, seamlessly transforming vision into action. Previz allowed the production team to experiment with shot composition, timing, and camera angles before stepping onto the set, creating a sandbox to refine ideas. For on-set support, FPS worked closely with the camera and stunt teams to ensure complex scenes were executed safely and precisely. The team also delivered over 89 minutes of postviz, bridging the gap between live-action footage and VFX to guide decisions with a clear vision of the final look. FPS’s hands-on, iterative approach provided a seamless workflow, aligning creative goals with technical execution from planning through post-production. Watch the full visualisation reel here: https://lnkd.in/dM7ASaZp #Marvel #DeadpoolWolverine #previs #postvis #techvis #vfxbreakdown #behindthescenes

"Paddington in Peru makes a persuasive case that awards-bestowing bodies need to start recognizing the achievement of visual effects-generated 'performances.' " - The Hollywood Reporter Our small bear has made a big impact based on these early reviews for #PaddingtonInPeru. Huge congratulations to Alexis Wajsbrot, Pablo Grillo and our VFX and Animation teams, as well as Framestore Pre-Production Services (led by Vincent Aupetit and Michelle Blok) and our Art Department. Catch all the adventure on the big screen in the UK from 8th November. #VFX #Animation #CGI #ConceptArt #PreProduction #Paddington #artdepartment

Paddington adds 'cover model' to his resume as he graces the cover of Esquire magazine. The pint size Peruvian also appeared in Variety and the Radio Times, as the entertainment press takes a deep dive into the making of the film. The pieces features Production VFX Supervisor Alexis Wajsbrot and Animation Director Pablo Grillo, alongside Director Dougal Wilson and Co-Producer Rosie Alison. The filmmakers explore the collaboration between production design and visual effects, while Wajsbrot and Grillo discuss what makes Paddington Paddington. They also explore creating the immersive environment of his homeland - a process that united our Art Department, Pre-Production and Visual Effects teams. Read the full Esquire article: https://lnkd.in/eWxr94er Paddington in Peru opens in UK cinemas on Friday 8th November. #PaddingtonInPeru #Animation #VFX #CGI #preproduction #artdepartment

Steeped in a gritty, documentary-style sense of realism, VFX played a key part in helping bringing the world of Civil War to life. From amplifying on-set footage to huge-scale CG builds, Production VFX Supervisor David Simpson and our team of artists, producers and technologists delivered stunning work from beginning to end. Today the work was nominated for a BIFA in the 'Best Effects' category - congratulations to everyone involved, and fingers crossed for December 8th! #vfx #BIFA2024 #filmmaking #vfxproduction #compositing #animation #cgi #bifa #visualeffects

VFX Supervisor Matt Twyford and Senior Visualization Supervisor Kaya Jabar spoke with Animation World Network about how our team brought some of Deadpool & Wolverine's most unforgettable moments to life—from previs and techvis to postvis and final VFX. Read the full interview here: https://lnkd.in/e2eapiGW #VFXbyFramestore #CGI #Marvel #previs #postvis #DeadpoolandWolverine