Architectural Record

A sleek concrete house with sculptural timber windows transforms a narrow Saskatchewan lot into a series of private courtyards. https://lnkd.in/gTah3WNw

A low-slung form and dark materials allow the architect’s first solo project to fade into its sylvan setting. https://lnkd.in/gcp9YbEF

The Pompidou’s final architecture exhibition before it closes for renovations displays a career-spanning trove of the mischievous Austrian’s highly varied output, which runs the gamut from radical provocations to PoMo puckishness. https://lnkd.in/gYgunfkV

Designed to support aging in place, this flexible, single-level dwelling is defined by raw materials and circular motifs. https://lnkd.in/gGabVmAz

Read the original 1969 review of Paul Rudolph’s landmark chapel at the historic Alabama university, which is the subject of an exhibition at the Yale Architecture Gallery. https://lnkd.in/gwFtwHyV

'The Tuskegee Chapel: Paul Rudolph × Fry & Welch' at the Yale Architecture Gallery explores the design evolution of Rudolph, Louis Fry, Sr., and John Welch’s landmarked Tuskegee Chapel (1960–69) on the campus of Tuskegee University, a historically Black institution in Alabama. Curated by Yale School of Architecture alumna Helen Brown Bechtel, in partnership with Kwesi Daniels and Roderick Fluker at Tuskegee University and Timothy Hyde and Carrie Norman at the Massachusetts Institute of Technology, the exhibition was planned to overlap, in part, with the Met’s show. “The university is a steward of his legacy in some ways,” says Bechtel. “Yale and New Haven have had no shortage of content about Paul Rudolph, so it was a challenge and an imperative to find something that we hadn’t done before. It felt like a wonderful alignment of timing and topic that seemed relevant on a number of scales.” Read more here: https://lnkd.in/gpECwMVe Words by Leopoldo Villardi Photos courtesy Helen B. Bechtel (1-2) by Benjamin Piascik (3-4)

We agree. What a fun and interesting conversation between Jonathan Mallie and Architectural Record's DESIGN:ED host, Aaron Prinz. The Buffalo Bills will be the envy of the league.

Jonathan Mallie of Populous joins the DESIGN:ED Podcast to discuss the design of the new Highmark Stadium for the Buffalo Bills and the use of multimedia to enhance architecture.https://https://lnkd.in/gi4QsQ68

“This is a building with no facade!” proclaims Dominique Perrault gleefully as he ushers a gaggle of journalists around his latest achievement, the gargantuan Gare de Villejuif-Gustave Roussy. A major interchange on the Grand Paris Express, the French capital’s new suburban metro network, the station currently serves the extended Line 14, which now links the center to Orly Airport. Once the orbital Line 15 comes into service next year, an estimated 100,000 passengers daily will change trains here. ⁠ Located in the southern suburb of Villejuif, in the middle of a new public plaza connecting the Institut Gustave Roussy (a hospital specializing in cancer treatment) to the Parc des Hautes-Bruyères, the station is indeed bereft of a facade in the accepted sense, appearing above ground like a candidate for London’s annual Serpentine Pavilion commission. Raised up high on steel poles, two rings of metal-mesh brise-soleils provide a minimum of weather protection as they draw travelers in toward the entrances, with turnstiles sandwiched between steel-and-glass cabins containing shops and station facilities.⁠ Read more here: ⁠⁠https://lnkd.in/ggpn8u8g Words by Andrew AyersPhotos © Michel Denance/Dominique Perrault Architecte, ADAGP #infrastructure #paris #publictransportation

Landscape Forms Scenic design reimagines courtyards and rooftops into dynamic hubs that foster connection and relaxation. With smart features like adjustable roof louvers and customizable panels, Scenic effortlessly adapts to diverse needs. It's not just an installation; it's an invitation to embrace the outdoors as an essential part of everyday living. #Ad #ArchitectureProducts #Landscape #MultifamilyHousing https://lnkd.in/g_zJgUBy