Company 3

‘Batman: Arkham Shadow’   Batman: Arkham Shadow is an action-adventure video game developed by Camouflaj and published by Oculus Studios. The second virtual reality game in the Batman: Arkham series and a narrative sequel to Batman: Arkham Origins, Shadow is now available to play for Meta Quest 3 and Meta Quest 3S. Players can expect an immersive experience featuring dynamic combat and stealth mechanics set against a richly detailed Gotham City, brought to life with a striking color palette that enhances the dark, atmospheric tone of the game.   Color | Jean-Clément Soret Color EP | Ellora Soret Color Producer | Edwin Elkington Director | Johan Renck DP | Erik Messerschmidt Agency | Alto New York https://lnkd.in/gSYUv57F

‘Your Monster’   After her life falls apart, soft-spoken actress Laura Franco finds her voice again when she meets a terrifying, yet weirdly charming Monster living in her closet. As they navigate their unconventional relationship, she learns to embrace her emotions and confront her fears. A romantic-comedy-horror film about falling in love with your inner rage, graded by Senior Colorist Joseph Bicknell, now playing exclusively in theaters.   Color | Joseph Bicknell   Finishing Editor | Josh Perault   Color Producer | Laura Hickerson   Director | Caroline Lindy   DP | Will Stone Editors | Daysha Broadway, Jon Higgins   Production Design | Brielle Hubert 

Senior Colorist Siggy Ferstl recently spoke with LBBonline - Little Black Book to break down some of his favorite projects depicting worlds that are far from our reality 🧙 Learn more about Ferstl's color contributions to Netflix's 'Avatar: The Last Airbender,' Amazon's 'The Boys' and most recently Blizzard's teaser for the release of 'Diablo IV: Vessel of Hatred.'   Check out the full story here 👉 https://lnkd.in/eGAue-RX

Senior Colorist Jill Bogdanowicz recently shared her insights with postPerspective in a roundtable discussion on virtual production! 🎥✨ She explored how colorists are navigating this evolving landscape, tackling challenges, and enhancing collaboration with VFX teams to elevate the filmmaking process.   Curious about how early involvement in pre-production can make a difference? Don't miss her valuable takeaways! Learn more: https://lnkd.in/ed2q8bFf

'Venom: The Last Dance'   Tom Hardy returns as #Venom, one of Marvel's greatest and most complex characters, for the final film in the trilogy. Eddie and Venom are on the run, hunted by both worlds. With the net closing in, the duo is forced to make a devastating decision that will bring the curtains down on Venom and Eddie's last dance. Witness the epic conclusion, graded by Senior Colorist Stefan Sonnenfeld, now playing exclusively in theaters.   Color | Stefan Sonnenfeld     Additional Color | Adam Nazarenko, Joel McWilliams   Finishing Editors | Matthew Johnson, John Diesso    Color Production | Erik Rogers, Jack Molitor    Trailers | Carl McKay, Levi Hawkinson, Behnood Behjoo   Director | Kelly Marcel    DP | Fabian Wagner, ASC BSC  Editor | Mark Sanger, ACE BFE    Production Design | Sean Haworth, Chris Lowe

Company 3 collaborated on 15 films at this year's AFI Fest, taking place from October 23-27 in Los Angeles, California. Our teams provided color grading, finishing, dailies, or sound services to support a wide range of projects featured in various categories, enhancing each story's visual and emotional impact. Among the highlights is A24's upcoming thriller, Heretic, graded by Senior Colorist Stephen Nakamura.   Our 2024 lineup includes: Heretic | Stephen Nakamura The Shrouds | Billy Ferwerda, Christian T. Cooke, Mark Zsifkovits The Fire Inside | Joseph Bicknell Unstoppable | sean coleman Devo | Stefan Sonnenfeld The Order | Tom Poole Under The Volcano | Joseph Bicknell Color Book | Justin White Eephus | Miles Kula Sister Midnight | James Slattery Rat! | Kath Raisch The Hicks Happy Hour | Bryan Smaller Bajo La Tierra | Jenny Montgomery Dead Girl | Matt Wallach When Big People Lie   Explore our full AFI Fest collaboration here: https://lnkd.in/enM-v2bt

For many Canadians, Fubar and Fubar: Balls to the Wall introduced an unforgettable cast of characters led by Dean (Paul Spence). Now, Deaner ’89 offers a fresh take on the iconic headbanger, blending comedy with a nostalgic nod to the ’80s rock scene. Senior Colorist Aurora Shannon collaborated with Director Sam McGlynn and Cinematographer Samy Inayeh to craft a vintage look for the film. From hockey rinks to hard rock, her work shines in every frame. 🎸 🤘   Learn more about Aurora’s role in bringing Deaner ’89 to life: https://lnkd.in/ec9jS-_V

Don’t miss Season 2 of The Lord of the Rings: The Rings of Power! We at Company 3 are so excited to have worked on this epic series that has been a huge success with viewers around the world. All episodes are available for streaming now, only on Prime Video!   #theringsofpower #PrimeVideo

Our Colorist, Parker Jarvie, has moved from the Company 3 Los Angeles studio to our Atlanta location. This shift capitalizes on Atlanta's booming film scene, aptly nicknamed the "Hollywood of the South." On relocating, Parker said, "I'm incredibly excited to embark on this new chapter at Company 3 Atlanta. The Atlanta market is flourishing with creativity, and I look forward to collaborating with the talented team there and contributing to the city's vibrant post-production scene." Check out the full story here 👉 https://lnkd.in/dZsU7dG6

Cinematographer Lawrence Sher and Senior Colorist Jill Bogdanowicz worked closely on 'Joker: Folies à Deux' to push its visual boundaries. "The musical numbers open up the look and involve much more color separation," says Bogdanowicz, reflecting on their unique approach to balancing the film’s gritty tone with vibrant moments.   Read more about their creative process: https://lnkd.in/e8Q-V_5c