Digy Udaan Media

How many cars are too many cars? #digyudaan We have all seen those iconic Mini car chase scenes—from The Italian Job (1969) to The Bourne Identity (2002). When we think of the Mini, it feels like the ideal car that adapts to any scenario, and this ad proves just that. In a minute of adrenaline-pumping action, the Mini speeds through a bustling city, showing off its ability to squeeze through tight corners of the city and handle sharp turns effortlessly. It’s a clever, fast-paced demonstration of how the Mini’s unique size and design make it perfect for urban landscapes, adapting smoothly to its surroundings. With a playful soundtrack adding to the getaway rush and the movement choreography that makes the city come alive, this ad is a surly (not so mini) ride from start to finish. Brand: Mini Cooper

Sometimes, all it takes is a shared gaze through the binoculars to find a connection. #digyudaan This four-minute ad captures a moving connection between a lively young girl and her reserved, recently widowed grandfather. Sean Meehan, who directed this ad with an artful touch, shared that he wanted to capture the “gentle unfolding of a bond”—an approach that allows the audience to feel the story rather than just watch it. The ad steers away from traditional insurance messaging, choosing instead to focus on life’s tender moments, asking viewers to ‘stay focused on what matters.’ By grounding the story in real emotions, AXA reminds us all that sometimes the most meaningful relationships are born from the smallest shared experiences. Well, when you take a closer look, quite literally, a simple moment can spark a deep connection. Country: France Year: 2022 Brand: AXA Group Agency: Publicis Conseil (@publicisconseil) President in charge of creation: Marco Venturelli (@marcoventurelli77) Global creative director: Steve O’Leary Copywriter: Marc Rosier Art director: Jean Marc Tramoni (@jmtramoni) Strategic planner: Antoine Collignon (@antoine_collignon) Assistant Art director: Constance Prodhomme Production: Prodigious (@prodigiousparis) Producers: Armelle Sudron & Sophie Bouyer Production Company: Superette Director/DP: Sean Meehan (@sean1meehan) Producer: Frederika Mathivet Line producer: Karine D’hont Production coordinator: Marthe Heitner Editing Company: Everest (@everest_studio) Post producer: Pauline Marie-Louise Editor: Olivier Gajan Assistant editor: Julie Gaufreteau Post Production House: @prodigiousparis Post producer: Sophie Garel Colorist: Mathieu Caplanne (@mathieucaplanne) Flame artist: Sebastien Delecourt After Effects: Julien Barthelemy Colorist (director’s cut): Eric Whipp (@eric_whipp) Music & Sound Design Company: @prodigiousparis Sound Designers: Christophe Caurret, Boris Nicou, Carsten Kruger Composer: Sam Thompson Sound engineer: Laurent Lavaud Sound Mixer: Martin Jelovšek (@avian25

When life gives you ice, dive in for Stella! #digyudaan This black-and-white film, directed by Jonathan Glazer, takes us on a humorous journey to a frozen lake in Poland, where a flock of priests prioritise beer over each other. With a striking monochrome treatment reminiscent of the 1920s, the ad captures the hilarity of a young priest tumbling through the ice, only for his companions to rush to save the sinking crate of Stella Artois instead of him. This playful twist is in line with Stella’s iconic ads, like the famous Guinness ‘Surfer’ spots, showcasing how humour often goes hand in hand with their branding. The spot transforms a freezing misadventure into a charming tale of devotion–and we are here for its deadpan humour that will linger in our minds for a long time to come. It’s not just about Stella Artois—it’s about the absurd lengths people go to for what they love. Tell us what you think about this ad! Country: United Kingdom Year: 2005 Brand: Stella Artois (@stellaartois) Agency: Lowe London (@mullenlowe_uk) Creative Director: Ed Morris (@morrisism) Copywriter & Art Director: Vince Squibb Planner: Jennifer Wirth Account Handler: Ben Sareen Brand Manager: Kerry Collinge Agency Producer: Sarah Hallatt Production Company: Academy (@academyfilms) Director: Jonathan Glazer DOP & Gaffer: Dan Landin Producer: Simon Cooper (@scoopcooper66) Editor: Paul Watts (@pauly_watts) Sound Designer: Johnnie Burn (@johnnie_burn) & Peter Raeburn (@peteraeburn) Music Company: Soundtree Music (@soundtreemusic) Music Arranger: Peter Raeburn

Take a walk down memory lane with MTV’s musical balloon fest—where every pop tells a story! #digyudaan MTV Brazil celebrated its 21st anniversary with the enchanting ‘Balloons’ ad, where party balloons became the stars of a whimsical stop-motion animation. Directed by Dulcidio Caldeira and produced by Paranoid Brazil, this playful tribute weaves together iconic moments and characters from MTV’s vibrant past, reminding us that ‘The music never stops.’ To bring the visuals to life, the production team set up a 200-metre-long rail system and popped 10 balloons per second to simulate fluid motion, equivalent to 600 balloons per minute. The intricate process took nearly 24 hours of continuous shooting to capture all the necessary frames. This ambitious project used laser-guided technology to align the balloons, ensuring smooth transitions between frames. The ad not only captivated audiences but also sparked conversations across the internet. Isn’t it amazing how every balloon pop rewrites music history, proving that with MTV, the beat truly goes on? Country: Brazil Year: 2011 Brand: MTV Brasil (@mtvbrasil) Agency: Loducca São Paulo Creative: Duldicio Caldeira, Andre Faria, Guga Ketzer Creative Director: Cassio Moron, Marco Monteiro, Pedro Guerra General Creative Director: Guga Ketzer Executive Creative Producer: Sid Fernandes, Ana Luisa Andre RTV: Karina Vadasz Production: Paranoid (@paranoid_br) Director: Duldicio Caldeira Photography: Alexandre Ermel (@ale_ermel) Animation/Illustration: Daniel Semanas Executive Producer: Egisto Betti (@egisto) Final Art: Sindicato VFX Sound Track: Hilton Raw (@hiltonraw

How fast is fast? The ‘Chrome Speed Tests’ campaign, created by BBH New York and Google Creative Lab, offers a playful yet innovative answer. #digyudaan Instead of merely stating Google Chrome’s speed, the campaign pits the browser against ultra-fast elements: a potato gun, sound waves, and lightning. These tests aren’t just stunts—they’re meticulously crafted experiments captured in slow motion, turning what could have been a dull performance metric into an engaging visual experience. The makers shot everything without CGI, ensuring the authenticity of the experiments. For instance, one sequence shows a potato being blasted through the air by a cannon, only to arrive too late—Google Chrome had already loaded the webpage. Another test releases paint via sound waves, but once again, Chrome is faster. This campaign didn’t just create buzz; it resonated with audiences and contributed to Chrome overtaking Apple Safari as the second most popular browser at the time. By using real-time slow-motion shots, it visualised speed in a way that was as entertaining as it was convincing—ensuring viewers couldn’t look away. If you were curious to see a potato cannon in action alongside one of the fastest web browsers of its era–well, here you go! Country: USA Year: 2010 Brand: @google Agency: BBH, NY, USA / Google Creative Lab Chief Creative Officer: Kevin Roddy Executive Creative Directors: Pelle Calle Sjoenell (@pellesjoenell) & Robert Wong Art Direct: Steve Peck (@stevepeck) Copywriter: Jared Elms (@jrrrrrrrrrd) Production Company: 1st Avenue Machine (@1stavemachine) Director: Aaron Duffy (@dufslam) Conceptual Fabricator: Bob Partington (@bobpartington) Executive Producer: Sam Penfield Line Producer: Michael Solomon (@thecinesol) Editorial Company: Lost Planet (@lostplanetpost) Editor: Charlie Johnston Assistant Editor: Chris Huth Executive Producer: Krystyn Wagenberg Producer: Meagen Carroll (@deathbyaltoids)

It’s less like an ad, and more like a short story that keeps you hooked and makes you root for the characters. Bonus? The seamless weaving in of Canva and all that it offers. This is Canva’s first brand campaign in India. And they 100% understood the assignment! @canvaindia #Collab #Canva #FarewellWithCanva #DesignedWithCanva #dilsedesigntak

The unbreakable relationship between car and a man 🛻 Follow (us) @digy.udaan for more such creative ads ❤ Title: Unbreakable Brand: Toyota Product Toyota Hilux Art Director: Jon Burden , Simon Cox Copywriter: Jon Burden Director: Adam Stevens Production Company: Robber’s Dog, Auckland Ad Agency: Saatchi & Saatchi, Sydney Country: Australia Year:2012 #toyota #toyotahilux #truck #car #unbreakable #creativeads #igtrends #igreach #igfeed #explorepage #viralreel #australia

Behind the muscles and wild hair, Jason Momoa’s just a guy who just wants to unwind at a place where he can truly be himself - his home. Rocket Mortgage’s 2020 Super Bowl ad takes a hilarious twist, showing that home is where we can truly let down our guard and how they can help you finance that dream. Agency: High Dive #Creativeads #Creativeideas #Creativity #funny #trending #viral #digyudaan #reelsinstagram #ideas

In the symphony of silent conversations, every nod counts. @nimulidstrong’s latest campaign celebrates the quintessentially Indian art of nodding—a subtle yet powerful form of expression. And extending on this observation, their call to action is simple but clever: Neck pain ki wajeh se apne shabdon ko mat roko. Choose Nimulid Strong, aur apni baat bina ruke, effortlessly jaari rakho. #NimulidStrong #digyudaan #PainFree #NeckPain #GardanHilaateRaho #2xDiclofenac #Collab #creativeads #trending #linkedin #socialmediamarketing #sendible

A brilliantly deceptive approach was used to showcase the world’s fastest saloon car. They delivered their message clearly and left everyone amazed. The ad cleverly grabs attention with an imposing motor vessel, making it seem invincible. Just when you’re convinced, the real star, the M5, is revealed at the forefront! How did you like it? Comment. #Creativeads #Creativeideas #ideas #creativity #funny #trending #viral #digyudaan #marketing #linkedin #sendible #socialmediamarketing