Visual Effects Society

We’re still celebrating the distinguished VFX artists & industry leaders recognized at our 2024 VES Honors event! Our newest VES Fellow – Lisa Cooke, VES - Executive Producer and former Chair of the VES global Board of Directors – shares her perspective on the VES and the dynamic nature of visual effects. Tune in! #VESHonors2024 https://lnkd.in/gvTHfxcD

Let’s continue celebrating our 2024 VES Honors distinguished honorees! We spent some time backstage with new VES Lifetime Member – VFX Producer/Supervisor Reid Paul – give a watch!  #VESHonors2024 https://lnkd.in/gtt9cDDG

After returning to feature animation with Ultraman: Rising, Industrial Light & Magic released its second offering that comes from a franchise that made the VFX company synonymous with the live-action version. #TransformersOne was directed by Josh Cooley, who set the story back when sworn enemies Optimus Prime and Megatron were inseparable, mischievous buddies called Orion Pax and D-16. “One of the good things about ILM is that we have many different varieties of visual effects shows, so our pipeline and assets need to be versatile,” notes Animation Supervisor Stephen King, who divided and conquered the animation with fellow supervisors Rob Coleman and Kim Ooi. Go inside the #VFX in our latest #VFXVoice Web exclusive - https://lnkd.in/gYNA8vNf

We are still reveling in our 2024 VES Honors celebration and our distinguished honorees! Listen to some keen insights & love of our craft and community from our 2024 Founders Award recipient - acclaimed Producer and VFX industry leader Brooke Breton, VES! #VESHonors2024 https://lnkd.in/gq3hndaY

30 seconds long highlights of our VES London event on Project Arena at Garden Studios ! Enjoy!

Congratulations again to all of the distinguished VFX practitioners, innovators and industry leaders we celebrated at the 2024 #VESHonors event! Thank you to everyone who joined us for this festive event recognizing our craft and our global community. The full photo album is up here - check it out! - https://lnkd.in/gdJ69k56

We love a good A Trip to the Moon tribute to Georges Méliès - Halloween-style! #HappyHalloween! 👻🎃💀

🚨 LAST CALL for submissions! The deadline for the 23rd Annual VES Awards is 11:59 PM PDT this Thursday, October 31. 🏆 Submit your entry here: https://lnkd.in/gkfPU-8C #VESAwards #VisualEffects #AwardsSeason #LastCall #VFX

TOMORROW! Get ready for our next dynamic live webcast - Behind the Visual Effects of Season 4 of Prime Video & Amazon MGM Studios #TheBoys - tomorrow, Wednesday, October 30 at 11:00AM (PDT)/1:00PM (CDT)/2:00PM (EDT)/6:00PM (GMT)/7:00PM (CET). Join the interactive discussion featuring - ✅ Overall Visual Effects Supervisor Stephan Fleet, VES Award- and Emmy nominee ✅ Overall Visual Effects Producer Sean Tompkins, VES Award- and Emmy nominee ✅ Special Effects Supervisor Hudson Kenny, VES Award nominee ✅ Industrial Light & Magic Australia Visual Effects Supervisor Anthony Smith, VES Award winner and nominee ✅ PIXOMONDO Toronto Visual Effects Supervisor Tristan Zerafa, VES Award winner and nominee ✅ Moderated by VES Board member Robin Prybil RSVP and get your front row seat now: https://lnkd.in/gUzgjpfC

And from our award-winning #VFXVoice, catch our latest Web exclusive feature on the #VFX of the Netflix sci-fi adventure film #Atlas. Given that computer technology has become an integral component of everyday life, user interfaces and screen graphics can easily be taken for granted, but a lot of thought goes into designing them, as reflected in the work Territory Studio did for the Netflix film Atlas. Atlas required 300 screens, HUDs (Heads Up Displays) for Arc robots, and a way of visualizing the voice and emotional state of an AI entity known as Smith. These tasks were guided by Production Designer Barry Chusid and Visual Effects Supervisor Lindy Wilson De Quattro. Go inside the #VFX here: https://lnkd.in/gEfh9Eu4