8K Association’s Post

Cinematic Marvels: Unleashing the Power of the Ultimate Cinema Camera Experience! The Global Cinemas Cameras product market size is USD 315.6 million in 2023 and will expand at a compound annual growth rate (CAGR) of 6.50% from 2023 to 2030 Global Cinema Camera Market Report 2024 Market Size Split by Sensor Type (CMOS, Full Frame, Dual Pixel, Super 35mm, Charged-Coupled Device (CCD)), Lens Type (PL Mount, EF Mount), Video Resolution (4K/8K Resolution, Full-HD Resolution (1080)) Read the Full Report: https://lnkd.in/df2_XAEv Key Players of the Cinema Camera Market : ARRI AGENCY, RED Digital Cinema, Sony Group, Canon Inc., Blackmagic Design, Nikon, Panasonic, FUJIFILM Corporation, Hitachi., JVCKENWOOD , Eastman Kodak Company, Silicon Imaging, Inc., and Others Delivery Includes:- Market Timeline 2019 till 2031, Market Size, Revenue/Volume Share, Forecast and CAGR, Competitor Analysis, Regional Analysis, Country Analysis, Segment Analysis, Market Trends, Drivers, Opportunities, Restraints, ESG Analysis, Porters Analysis, PESTEL Analysis, Market Attractiveness, Patent Analysis, Technological Trend, SWOT Analysis, COVID-19 Analysis, Consumer Behavior Analysis, etc.   #CompetitiveInsights #Research #MarketingConsultants #MarketReports #DataAnalytics #BusinessConsultant #ConsultingServices #MarketInsights #BusinessIntelligence #MarketTrends #CinemaCamera #CinemaCameraMarket

✨ Holographic displays stand out as among the most impressive in the AV toolbox, creating realistic 3D images of both people and objects using only beams of light. 💫 Discover how these mesmerizing displays are transforming imagination into reality, featuring insights from industry expert Inessa Marmashova, CMO of HYPERVSN. From creating lifelike 3D images to redefining the limits of visual storytelling, the world of holograms is taking centre stage. Are you ready to be dazzled? Then read the following article by AV Magazine: 📖🔍 #audiovisual #av #hypervsn #hologram #holograms #holographic #phygital #immersiveexperience #technology #3d

D43 Series from QSTECH, Born for Cinema. To cope with people’s increasing demand for better visual effect of movies, improving cinema’s operating interest, QSTECH launched the D43 Series. The D43 series, distinguished by its DCI certification, offers several notable features: --Immersive Viewing Experience: With brightness ranging from 48 nits to 300 nits, the screen ensures no detail loss in light or dark areas. Each self-luminous pixel is independently driven, maintaining display uniformity and supporting the DCI-P3 color gamut without dimming or color fading. --Ultra High Definition: The 4K resolution delivers precise visual fidelity, enhanced by Dolby Media Block technology. --Longer Lifespan: The screen offers a lifespan of 100,000 hour*, reducing operating costs and improving profit margins. --Compact Footprint: By eliminating the need for traditional projectors, the screen saves space, allowing cinemas to add 2-3rows of seats. --Energy Efficiency: The screen employs a common cathode power supply solution and intelligent power technology, reducing the energy consumption and offering a green, low-carbon operational experience.

Every year at Integrated Systems Europe (ISE), Sony continues to raise the bar, and this year was no exception! With so many amazing products on display, it's difficult to choose a favorite, but I do love love love the Sony SRG-A12 / A40 PTZ auto-tracking / auto-framing cameras. These cameras are by far the best auto-tracking / auto-framing PTZ cameras on the market! The tracking speed, the accuracy, the framing / capture options, you name it, the Sony SRG-A12 / A40 PTZ is the world leader! Sony are also the leaders in virtual production studios, combining their amazing Venice 2 cameras with their incredible Verona Crystal LED to create real-life virtual video productions. But my two favorite products from ISE 2024 were the phenomenal mobile Sony Crystal LED FLUX, and the game changing Sony Deep Black Non-Glare BZ-40 display that that really needs to be seen to believed! This high haze display cuts out all the unwanted glare and reflections that are common in most environments, without the brightness or odd-axis picture quality being affected. In fact. The high haze coating actually has another benefit, deeper blacks, which really make image quality on the BZ-40 range really stand out from the crowd! From education, all the way through to broadcast, Sony really do have every aspect of the AV market covered. Richard Ventura John Garmendi Fred Frisco Nobuyuki Takagi Alexandra Parlour Christopher Mullins Kianna Pompa Elizabeth Pierce Yoichiro Hotta Yuji Kano Mark (The Bearded Tech) Skehan Pete ‘TEC MAN’ Coman The Tech Effect #tecman #petecoman #thebeardedtech #markthebeardedtechskehan #newtech #newtechnology #futuretech #futuretechnology #technology #tech #thetecheffect #avtweeps #ise #ise2024 #av #audiovisual #makeavgreatagain #avixa #avtech #avdesign #avtechnology #avislife #avpeople #av #sony #led #deepblack #nonglare #srg #crystalled #led #lcd

Krafthouse Studio Tip #143 - Stereo Imaging - Use stereo imaging tools to create a wider and more immersive sound field in your mix but use them to avoid a disorienting or unnatural sound.

When searching for the epitome of cutting-edge digital imaging solutions we often look towards Digital Projection, the unparalleled leader in the realm of digital projection technology! 🎥 Their stellar array of ultra-high-performance 3-chip and single-chip DLP® projection systems, set the gold standard for a myriad of demanding applications, from commanding large venues to elevating live-event staging, transforming education to revolutionising medical and scientific research, and from enhancing command and control centers to redefining digital cinema experiences. Digital Projection's projectors stand as the pinnacle of excellence in visual display technology! 💡 🏢 We caught up with Mark Wadsworth to discuss the diverse portfolio spanning commercial entertainment, houses of worship, elite residential entertainment, and beyond, and ask what else was in the horizon for Digital Projection, as they continue to push the boundaries. Check out our video and join the conversation! 🎬 #DigitalProjection #VisualInnovation #DigitalImaging #IndustryLeader #Innovation #VisualDisplay #ProjectionTechnology #DigitalCinema #EntertainmentTech #TechInnovation #AVoIPoE

NAB 2024 NOVITA' Fujinon Duvo™ 14-100mm T2.9 Portable PL Mount Zoom Cinema Lens. Duvo™ 14-100mm is a native PL-mount portable zoom lens that delivers 7.1x zoom, covering 14-100mm, a focal range that is frequently used on set. The use of the built-in expander1 shifts the focal length by 1.5 times to 21-150mm, allowing users to capture even the most expansive environments. At 10.5 inches long (266.9mm) and 5.8 pounds (2.65kg), Duvo™ 14-100mm is compact and lightweight, making it easily portable for all types of live production. It is fully compatible with FUJINON portable broadcast lens zoom and focus demands, and can be shoulder-operated, used on a Steadicam2, or remotely operated from a crane when an extremely high-angle point of view is needed. Like all Duvo™ Series lenses, Duvo™ 14-100mm’s Dual Format construction brings next-level flexibility to any production with its built-in 1.5x expander. Engage it to easily expand the lens’s image circle to cover Large Format digital image sensors, or leave it disengaged for use with Super 35 sensors to work with almost any digital cinema, or broadcast, single sensor camera. Duvo™ 14-100mm boasts a T-stop of T2.9 at the wide end (14mm), making it ideal for low-light concerts, nighttime events, or house of worship production environments that want a shallow depth of field, cinematic bokeh, and Fujinon’s legendary optical engineering.

Interactive OLED with Motion Gesture Technology! Motion gesture interactives are a popular form of technology-driven entertainment that is frequently used at events to engage attendees and create a memorable experience. inquiry@dragontechnova.com These interactive displays allow users to control digital content through their physical movements, providing a unique and dynamic form of interaction. One of the most common forms of motion gesture interactives is the motion tracking system. This system uses sensors and cameras to detect and track the movement of the user, allowing them to control digital content on a display screen with their body movements. For example, at a trade show or exhibition, a user might wave their arms to navigate through a virtual product catalog, or use hand gestures to control a game or simulation. #oledscreens #oled #oleddisplay #interactive #motiongesture #entertainment #artandtechnology #exhibitiontech #eventtechnology #displayexperience #immersivetech #futuretech #oleddisplayscreens

Nikon, a leading #camera manufacturer, has announced its purchase of RED Digital Cinema, a #company that produces high-end digital cinema cameras such as the RED One 4K and V-Raptor X. Nikon hopes to enter this niche #market by using RED’s skills in cinema camera #technology , such as distinctive #image compression and color science. RED’s cameras have been used in many popular movies and TV shows, especially from Marvel Entertainment Studios. Jarred Land, the president of RED, praised the deal, saying that both companies share a common vision to transform the #digital cinema camera industry. This deal comes after RED’s legal dispute with Nikon over #video compression patents, which was settled last year. Although RED tried to branch out into #smartphones with the Hydrogen One, which was a commercial flop, the company continues to focus on its main strength in professional cinema equipment. The collaboration between RED’s creativity and Nikon’s experience in imaging aims to create new possibilities for film and video production. #digitalpakistan #techupdates

"One of the challenges with multi-camera virtual production is ensuring each camera sees its corresponding perspective in the LED volume. We were testing a system that changed the background in the LED volume at exactly the same time as the camera cut. This is an alternative to other systems that interleave the backgrounds for all the cameras in the LED volume simultaneously, with each camera’s shutter speed adjusted so it only sees its intended background. Such systems are elegant, but limited to four cameras, and the people on set see all the backgrounds blended together, which can be distracting. Sony’s new workflow offers seamless real-time switching between multiple cameras regardless of the number of cameras." Source European Broadcasting Union (EBU) #multicam ##virtualproduction Sony #VizRT #icvfx #LED #broadcast Final Pixel WorldBuilders Final Pixel Academy https://lnkd.in/ey7Hcnpp