Adobe’s Post

Film distribution is evolving rapidly. New strategies have emerged that enable filmmakers to reach audiences more directly and efficiently. Here are some of the most current and effective film distribution strategies: https://lnkd.in/eCm8t4bC

Brian Newman Column This is a must-read for anyone who makes #films, wants to make them, or has friends who do. —Dana Harris-Bridson, Editor-in-Chief “Theatrical has never been more important, or interesting Many of the better and curated arthouses say that audiences are showing up for strong narratives, and there’s a growing sense that the theatrical window is becoming more important than ever before. If a film can make it past that first week and be doing well, the word of mouth can spread. In addition, younger audiences are coming back to theaters, especially for repertory cinema and special events. There’s a bit of a problem in getting screens — it’s a crowded marketplace in arthouse land (not the case with the megaplexes right now). If you’re not a U.S. filmmaker, this sounds crazy, but it’s still true So, your sales agent might take a deal from a tiny U.S. distributor for a very low minimum guarantee, and guess what — your film won’t perform well here, but you’ll close those other deals and be on to your next film. But if you raise some funds, you could do a service deal with a distributor or booker in the U.S., and keep your rights, get a better release, build your fanbase and audience, and maybe come out ahead. That’s much better than getting no distribution in the U.S. or very poor distribution in the U.S. This is a tough one, I know, but humor me — it even pays for international filmmakers to think about doing this, because it can be better for your film and your career. This works better if you are making a film for a very specific, sizable, underserved audience In all of these cases, the #filmmakers identified a core audience that was not being served by the media; their niche was not small, but quite large, and it was begging for good films. I always tell people: Make a film that’s film festival- and distributor-proof. Meaning: It doesn’t matter whether you get into any film fest, or if no distributor buys your film, because you have such a sizable potential audience that is hungry for your film that you can go directly to them and succeed.” Read the full article: IndieWire I got just a few inserts, but you should read the whole article; it is worth your time. #IndependentFilm #FilmAdvice #FilmIndustry

🎬 Challenges of Running an Independent Film Studio 🎥 Running an independent film studio is a rewarding yet challenging venture. 💼🎞️ From securing funding to navigating distribution channels, indie studios face unique obstacles that test creativity and resilience. Discover the key challenges filmmakers encounter and how they overcome them to bring their visions to life. Explore the realities of the indie film industry and the perseverance required to succeed. #IndependentFilm #FilmmakingChallenges #CreativeResilience #FamousTimes https://lnkd.in/dmxXDmvg

The bubble burst long ago. Platforms like Tubi, which have amassed 50,000 film and television programmes, and so many like the one I recently made, are licensed for no upfront fee in return for a tiny percentage of the advertising based on who watches. Mine is a documentary that the Guardian voted No17 Best Film in the UK of 2021 out of just over 1,000 new films. Despite all the glowing reviews and a subject not covered before, there was no outlet or distributor willing to pay an advance in North America. Still, I am very pleased they are screening GETTING AWAY WITH MURDER(S), as I made it to be watched, not sit on a shelf, so thank you, Tubi for giving this subject matter an airing. Channel 4 licensed it in the UK, which was very satisfactory, and they screened it twice on Holocaust Remembrance Day 2023 and 2004 without any commercials. Amazon also has it in North America, but it is on the same shared revenue deal. If the cost of living crisis continues, AVOD will soon dwarf standard subscription streamers because it is free to consumers. Given the glut of films, the film industry is in for a very bumpy ride, but no one ever addresses this fact - oversupply. Also, Ireland is becoming slightly more attractive than the UK as producers do not face EU quotas for films. Some people in the film industry actually voted for Brexit.

🎬 Calling all aspiring filmmakers! Ready to share your short film with the world? Here are some top platforms to submit your masterpiece: 1. Film Festivals : Showcase your talent on the big screen by submitting to renowned film festivals like Sundance, Tribeca, or Cannes. You can also go to local, smaller, or more niche film fests to get your work out there! It's not just about exposure; it's about connecting with fellow filmmakers and industry professionals. 2. Online Streaming Platforms : Reach a global audience by uploading your short film to platforms like Vimeo, YouTube, or even Amazon Prime Video. If these platforms seem far-fetched to you, try Tubi! It’s incredibly easy to get your film on there. Don't underestimate the power of online distribution in today's digital age. 3. Short Film Websites : Explore dedicated short film websites like Short of the Week, FilmShortage, or Short of the Month. These platforms specialize in promoting short films and can help you gain visibility among film enthusiasts. 4. Social Media : Use the reach of social media platforms like Instagram, TikTok, or Twitter to share teasers or snippets of your short film. You never know who might stumble upon your work and give it the recognition it deserves. Remember, the journey of a filmmaker doesn't end with production; it's about sharing your story with the world. So, seize every opportunity to showcase your creativity and passion! #ShortFilm #Filmmaking #FilmDistribution #Indiefilmmaking

Learn from the top professionals in the entertainment business in a new webinar series from Christie aimed at the next generation of industry professionals. Read more → https://hubs.li/Q02P08720 #Christie #filmmaking #webinar #entertainment

One thing I hear regularly ‘aren’t you worried you’ll lose work to all these big studios being built?’ On the contrary, I think our stages are the perfect size for the future of production and our team are nimble and adaptable. If a job is too big, we can always hire the bigger stages as and when we need them - there’s so many to choose from (that are all empty at the moment). This article sums it up well.

🎬 Types of Film Distribution Deals 📽️ For independent filmmakers, securing the right distribution deal is crucial to getting your film in front of audiences and turning a profit. One of the first ways we secured an agreement was by attending film festival markets. Simply visiting distributor stands, discussing our work, and leaving behind pitch materials opened doors for us. This approach led us to partner with Indie Rights Distribution for our first film and later with Gravitas Ventures for Dark Beacon. Here are the key distribution deals you need to know: 🔑 Types of Distribution Deals: All Rights Deals: 🌍 The distributor handles distribution across all platforms and territories globally. When Indie Rights signed our first film, they took on worldwide distribution, allowing us to focus on new projects. Limited Rights Deals: 🎯 These involve splitting rights between platforms or territories. At film festivals, we explored limited rights deals to target specific markets without losing control over all aspects of distribution. Self-Distribution: 🎬 You retain all rights and manage distribution yourself. While it offers control, it requires significant resources. We considered this for a documentary but ultimately partnered with a distributor. Hybrid Deals: 🤝 A mix of traditional and self-distribution. With Dark Beacon, we partnered with Gravitas Ventures for wide distribution, while retaining control over certain marketing aspects. 💬 Have you navigated distribution deals before? What challenges did you face, and what strategies worked best for you? 📖 Read the full blog for a deeper dive into film distribution strategies: https://lnkd.in/e4usgS2f 🎥 Join the conversation on the Future Film Academy Community Forum to share your experiences and connect with fellow filmmakers:  https://lnkd.in/ehrby97h #FilmDistribution #Filmmaking #IndieFilm #FilmDeals #FilmBusiness #FutureFilmAcademy #DistributionDeals

What the US needs for film production to STAY HERE! Many years ago, I had a million dollar production.. and the tax incentives were honestly the single most effective lure for my company to do business in the states. In fact, those who may remember the Elizabeth Smart story wasn’t made in Utah… it was in Canada. That wasn’t my show, but you get the gist. Any one else out there looking for tax credits in the states who’ve had difficulty? If so, in which state? And - which state is the BEST for show production (or the WORST!) It can be above the line or below.. and specify if it was episodic, film or what. #content #film #television #production.

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