In my latest story for Elephant Magazine, I wrote about how the art system still favours the rich and what can – and should – be done to make it a truly equitable place for everyone. Huge thanks to Collective Ending’s co-founder #BillyFraser for the many insights and relatable observations.
It is a rainy November afternoon when I jump on a Zoom call with Billy Fraser, the serious multitasker and self-professed workaholic behind Collective Ending – the Deptford-based, artist-led studio and gallery complex he co-founded with a group of fellow young artists, writers and curators in 2019. A graduate of Chelsea School of Art and Design, Fraser stood out to me for his wholeheartedly collaborative and can-do approach to being part of London’s creative scene; one which sets him aside from many of this industry’s stakeholders, particularly from the greedy galleries and artist studio providers blatantly profiting off emerging artists’ sweat and tears.
Three months fast-forward from that virtual chat, the points raised by Fraser during our conversation are as relevant as ever: “artists are taken advantage of in as many capacities as possible by the gallery ecosystem,” he says. “They are cannon fodder: this scene is designed for you to believe that, as an artist, you are only going to say something out of turn to collectors.” Afraid of any missteps, artists, explains Fraser, engage in gallery representation because it is meant to look after their best interests. With gallery commissions traditionally falling anywhere between 30 and 60 percent of an artwork’s total sale price, it is hard to imagine how creatives in the early days of their career could pay the bills with the remaining proceeds. But gallerists aren’t the only ones playing it dirty.
When it comes to studio spaces, “artists are just at a very rock bottom,” Fraser says. All you get nowadays is “a one-year lease for a damp room with a leak, no guarantee of tenure and a one-month eviction clause” – a grim prospect made even drearier by the British capital’s growing cost of living and exponential rental crisis. Despite the establishment of Mayoral initiatives such as the Creative Land Trust, which since 2019 has helped workspace providers secure long leases, and Creative Enterprise Zones, a programme aimed at designating areas wherein local councils are invited to promote new spaces, the sector is still struggling to meet artists’ demand for long-term, secure and affordable studios, a recent survey by UK charity #Acme finds. Based on the results of a quick search on the London Artist’s Studio Finder database, the average price ranges from £115 a month for a 45 sqft art booth in Hackney Wick to £695 pcm for a 285 sqft bright floor unit in Willesden Junction. […]
#art #class #inequality #UK #london #culture #housing #costofliving #artiststudios
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7moSo excited to see this amazing project come to life!