Alexandre Perrin’s Post

Musical symmetry and syntax are not new concepts. Research shows how musical syntax is very much related to language syntax. What are the implications for Music therapy practice and training? Here is a short lecture of Leonard Bernstein, speaking about musical symmetry and syntax within the context of Mozart. https://lnkd.in/gMeq7MDc

The invention of MIDI (Musical Instrument Digital Interface) in 1983 revolutionized electronic music production by standardizing communication between musical instruments and computers. #dejagruvband #gruv_media #LiveMusic #musicfacts #TuesdayTrivia #trivia

How to Master a musical instrument ?

Music Publishing Best Practice 👇 When it comes to registering musical works, the best practice is to go through a #CMO after they have been confirmed for commercial release. The key, however, is to do this *before* the final release. Learn more about registering musical works at https://lnkd.in/d7WSqFTD. #goCLIPnow #Music #IntellectualProperty

Music directing is not showmanship. It goes beyond excellent singing and riveting performances, for the sake of applause or in order to wow audiences. It seeks instead to build competence and general musicianship in the choristers and musicians. It's also not about the music director’s versatility with musical instruments, but his ability to direct/conduct the band to give the best expression. #day5 #musicdirector #musicdirectingbootcamp

Energy, vitality, power & surprising warmth: Shostakovich's Symphony No. 10 from Roderick Cox at Royal Academy of Music with Academy Symphony Orchestra. A performance to remember & treasure. My review: https://lnkd.in/et5tEy_m

Music directing is not showmanship. It goes beyond excellent singing and riveting performances, for the sake of applause or in order to wow audiences. It seeks instead to build competence and general musicianship in the choristers and musicians. It's also not about the music director’s versatility with musical instruments, but his ability to direct/conduct the band to give the best expression. #day5 #musicdirector #musicdirectingbootcamp

Beyond the Baton: The Conductor as the Heartbeat of the Orchestra by Adam Scull https://lnkd.in/eqfYcF74 An orchestral conductor stands as a pivotal figure in the realm of classical music, embodying the crucial link between the musical score and its execution by the orchestra. This essay delves into the multifaceted role of the conductor, focusing on how they maintain the pace and harmony of the orchestra through their profound understanding of the music and the deft use of their baton. At the core of a conductor’s role is the interpretation of the musical score. The conductor must not only understand the technical aspects of the score—such as tempo, dynamics, and articulation—but also grasp the emotional and historical contexts that influence the piece. This deep comprehension allows the conductor to make informed decisions about how the piece should sound, which in turn guides their interactions with the orchestra.

"Everything we work on musically can be sorted into one of three broader categories: proficiency, musicianship, and artistry. These three areas are complementary, working together to support musical competence and well-roundedness." In this week's blog post I share what I consider to be the three main areas of musical development. #music #musicians #musicblog #buildamusicallife #proficiency #musicianship #artistry https://wix.to/hleV52Z

There is a way to listen to music so it touches the very core of you as a human being. I was so fortunate to discover this almost 30 years ago through the teachings of the Spanish conductor Jordi Mora. With these five newly made conversations with him, I invite you to a very special journey into this fascinating and deeply moving world of music. His unique teachings creates connections to our life experiences as a human being. I recently I met up with him in Barcelona to once again delve into the fascinating world of phenomenology of music, as this approach is called. The result are these 5 podcast episodes. I hope you will feel inspired after listening to it!  Episode 3: The irreplaceable nature of live music in capturing the true essence of the Here and Now.Musical example will come in Ep 4  SummaryWe explore the dynamic nature of music, consciousness, and human experience. usic is a continuously evolving entity, shaped by sound relationships and human consciousness. We discuss the importance of embracing the present moment in music, cautioning against becoming detached through technology reliance. The conversation also delves into the role of tempo, harmony, and live performances in creating meaningful musical experiences.  The discussion delves into the intricate relationships between sounds, the importance of human consciousness in perceiving music, and the role of harmony in creating meaningful musical experiences. As the conversation progresses, we touch upon the significance of embracing the present moment in music, allowing for spontaneity, rebirth, and unique experiences with each performance. Furthermore, we explore the role of tempo in music and the importance of finding the right balance in pacing to fully grasp the relationships within a piece. Jordi Mora highlight the dangers of becoming detached from the present moment through dependence on recordings, urging listeners to engage fully with music in its live form to truly appreciate its depth and authenticity. The conversation also touches on the challenges faced by symphony orchestras in attracting audiences, especially among younger generations, and the need to reconnect with the profound experiences that live music. JORDI MORA, conductor  Born in Barcelona, he begins his musical studies at the city's Music Conservatory. He graduates at the Höchschule für Musik in Würzburg as an oboist, and graduates in Musicology and Philosophy at the University of Munich with the thesis "Organisation of the vertical functions in the instrumentation of the symphonic work by Beethoven". He studies orchestra conducting and phenomenology of music primarily with Sergiu Celibidache, and he has attended masterclasses and conducting courses at the University of Mainz, the Münchner Philarmoniker in Munich, and other courses in Trier, London, Stuttgart, and Paris. He has been principal conductor of the National Orchestra of Greece and of the Orquestra Simfònica del Vallès. He regul