Amy Kilner’s Post

Some value studies and color roughs I’ve been working on for a project 🐬 #conceptart #conceptartist #animationart #animationlayout #environmentart #environmentdesign #visualdevelopment #2000s

2 seconds of 3D Motion which takes a day of work. Firstly, the computer mouse had to be modeled, textured and lit. Then the images were composited in After Effects and the pixel distortion was added. Then I colour graded and sound designed. #3d #cinema4d #blender #aftereffects #motiongraphics #motiondesign

𝐌𝐀𝐓𝐓𝐄 𝐏𝐀𝐈𝐍𝐓𝐈𝐍𝐆 Matte painting is the creation of imaginary or realistic sets for filmmaking, movies, and video games with digital or traditional painting. It grants access to places that cameras cannot reach and helps build fictional universes. #MATTEPAINTING #vfxworld #cinematicworld #worlddesining #visualgraphics #graphicdesining #postermaking #roto #adobe #creative #spaceworld

One of my biggest fears is having my file freeze and go 'not responding' while I'm in the middle of working. So, I made this :D The color red makes me feel anxious, angry, and intense, and it reminds me of mistakes. I use a lot of red in the middle section to build tension, while using green and lighter colors at the beginning to create contrast. Please comment down below if you have any thoughts or suggestions. I would love to keep polishing this project. #motiondesign #3Dmotion #3dart #motiongraphics #Cinema4D #AfterEffects

Hello, check my next animated scene here. It's the 7th out of 10. Blue Light Series: 07_Tourchmen Each scene shows typical motifs, movements of how closely we are accompanied by our phones, digital media, during our everyday life. The idea of these images was coming from that concept - how strange, surrealistic it would be looking back on these situations from the future when our relationship with these tools has been already consolidated. The characters and their cell phones in most of the pieces are depicted as monumental statues and appear in an alternate reality. By losing their original environments, functions and scale, they are given a new meaning on the digital canvas. Due to their surrealistic features, the images carry questions that originally belonged to the nature of these devices – like the power of influencing, one way communication, cycle looping, etc… Each image is showing currently active phones emitting typical strong blue light and messy noise, and that’s where the title is coming from: Blue Light Series. #conceptart #digitalpainting #animation #illustration #digitalart #surrealism #series #cinematic #3dprop.store #pixoloidstudios

A client wanted a motion design for their Cinema Unternational brand (an indie film group based in NYC). I had fun with play on words in the typography. The #Logo's #motion is designed to be reminiscent of a film projector. Also the eyes were created in #Cinema4d using the #C4D physics dynamic engine. #motiondesign #2dmotiondesign #graphicdesign #animation #2dmotion #logodesign #film #kinetictypography

Here is a sneak peak from a 3D animated video I worked on some months ago. Featuring concepts from an epic science fiction film produced and directed by @StanleyKubrick in 1968, "2001 : A Space Odyssey"🚀🌑. All designs and animations were made with Zbrush and Blender #3d #CGI #3danimation #film #movies #space #filmmaking #movieindustry #Blender #Zbrush

Mastering Color Grading for a Cinematic Look! Color grading can dramatically transform the mood and tone of your videos. Start by understanding the color theory: Complementary colors create contrast, while analogous colors provide harmony. Use software like DaVinci Resolve or Adobe Premiere Pro to adjust the color balance, contrast, and saturation. Create a consistent look by using LUTs (Look-Up Tables) which apply a predefined color grade to your footage. Always ensure your grading complements the story you’re telling—darker tones for intense scenes, warmer tones for uplifting moments. Remember to calibrate your monitor for accurate color representation. #ColorGrading #Cinematic #FilmEditing #VideoProduction #CreativeProcess ---

How many cuts do you need to make in a sequence is well understood? In this project animated by @abigail flores I asked myself this question constantly. We start from the audio of a discussion sequence from the teen Wolf series, where Stiles becomes more and more frustrated because his coach doesn't listen to him. In the live action version, the cut is used as a comedic element every time the coach cuts Stiles. I wanted to take this to its fullest expression, and I was so excited that I got versions with 18 cuts... what I had to discard because it was so expensive to render so many shots. And in the end I got 9 shots which I get the most out of with tense cuts, increasingly pronounced camera anglin to emphasize the instability of the discussion and an aspect ratio what do I know closes on the character when he is most frustrated and what do I finally open when I finally talk at the end of the sequence. In the end I understood that when it comes to cutting, less is more, and that instead of concentrating on the number of cuts, it's better to work with what's inside the painting. Camera motion, angulation, composition and aspect ratio. Besides what less, it's better when we have to face the daunting process of rendering. #3danimation #3d #animation #Storyteller #OpenToWork #connections #thankyou #layout #previs #3dlayout #maya3d #cgianimation #layoutdesign #carreer #cg #roughlayout #finallayout #liveaction #tvseries ##teenwolf