The God Hermanubis Hermanubis is known from a handful of #epigraphic and literary sources, mostly of the #Roman period. Plutarch [ΠΛΟΥΤΑΡΧΟΣ] cites the name as a designation of Anubis in his underworldly aspect [De Is. et Os. 375e], while Porphyry [ΠΟΡΦΥΡΙΟΣ] refers to Hermanubis as composite, and half-Greek [De imaginibus fr. 8, p. 18.1–2 Bidez]. It is clear that the name is a result of the assimilation of the #Egyptian god #Anubis to the #Greek god #Hermes, which is well attested in a number of #literary, #epigraphic, and artistic sources. Although #Hermes was traditionally equated with the #Egyptian Thoth, his function as psychopompos encouraged his association with #Anubis given the latter's comparable funerary role in #Egyptian religion as embalmer and guardian of the dead and as leader of the deceased to the tribunal of #Osiris. This assimilation resulted in widespread Greco-Roman representations of the canine-headed #Anubis with attributes of the #Greek #Hermes, such as the distinctive staff known as the kerykeion or winged sandals. In #Roman #Alexandria there emerges a new iconographical type, well represented in coins and sculpture, in which a fully anthropomorphic young god is flanked by a dog and holds the same attributes as the said #Anubis, in addition to wearing the kalathos headdress. It is this type that art historians have traditionally labelled Hermanubis. https://lnkd.in/d97yFPVu
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The God Hermanubis Hermanubis is known from a handful of #epigraphic and literary sources, mostly of the #Roman period. Plutarch [ΠΛΟΥΤΑΡΧΟΣ] cites the name as a designation of Anubis in his underworldly aspect [De Is. et Os. 375e], while Porphyry [ΠΟΡΦΥΡΙΟΣ] refers to Hermanubis as composite, and half-Greek [De imaginibus fr. 8, p. 18.1–2 Bidez]. It is clear that the name is a result of the assimilation of the #Egyptian god #Anubis to the #Greek god #Hermes, which is well attested in a number of #literary, #epigraphic, and artistic sources. Although #Hermes was traditionally equated with the #Egyptian Thoth, his function as psychopompos encouraged his association with #Anubis given the latter's comparable funerary role in #Egyptian religion as embalmer and guardian of the dead and as leader of the deceased to the tribunal of #Osiris. This assimilation resulted in widespread Greco-Roman representations of the canine-headed #Anubis with attributes of the #Greek #Hermes, such as the distinctive staff known as the kerykeion or winged sandals. In #Roman #Alexandria there emerges a new iconographical type, well represented in coins and sculpture, in which a fully anthropomorphic young god is flanked by a dog and holds the same attributes as the said #Anubis, in addition to wearing the kalathos headdress. It is this type that art historians have traditionally labelled Hermanubis.
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🛡️Talismans for protection: past and present One of the main symbols of protection in the history of European civilization is the Celtic Cross. It has a rich history and many meanings. The Celtic cross originated in Ireland and other Celtic regions, probably in the 6th-7th centuries. It combines elements of Christianity and pre-Christian Celtic symbols. 🔗 Why the cross and the circle? The cross symbolizes the Christian faith, and the circle can represent the sun, eternity or infinity, which emphasizes the connection between heaven and earth. In Celtic mythology, the cross could symbolize the connection between the world of the living and the dead, as well as serve as a protective sign against evil spirits. 🪬 The Celtic cross continues to be a popular symbol among people interested in Celtic culture and spirituality. It is often used in jewelry, tattoos and decorative elements, embodying protection, faith and connection with ancestors. 🧿 Based on the ancient symbols of the Scandinavian tradition, we at Metacharms create innovative digital amulets. Their drawings are drawn by masters of esoteric, people with strong energy and pure thoughts. Therefore, they are as powerful as physical talismans. Look for digital incarnations of ancient mascots for protection in our collection: https://apple.co/45mPbNy #celtic #symbols #talisman #nordic
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Since its inception in antiquity, elemental magic has impacted almost all magical and esoteric traditions. The history of Elemental Magic dates back to the medieval alchemy of the Middle Ages and several ancient civilizations, such as Ancient Egypt and Greece. The four elements of air, fire, water, and earth were thought to have been used in the creation of the universe in ancient Greece. When the Greeks felt a connection to the Divine, they worked with the elements and created amulets, talismans, paintings, and potions as part of their own spiritual practices. (More article in comments.) #elementalmagic #fourelements #magic
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Category manager Ancient Art & Natural History at Catawiki * Journey through time with our Archaeology and Natural History auctions - where every lot tells a unique story!
This Ancient Egyptian Stone Heart Scarab is one of the lots from the Ancient Art Auction (Expert Highlight) on @Catawiki/#catawiki It is dating from Late Period 664 - 323 B.C. The heart scarab was used by referring to Chapter 30 from the Book of the Dead and the weighing of the heart, being balanced by Maat, goddess of truth, justice, order, wisdom, and cosmic balance. The function of the heart scarab was to bind the heart to silence while it was being weighed in the underworld to ensure that the heart did not bear false witness against the deceased. As in many current religions, the individual had to show 'worthiness' to achieve the afterlife. The heart was extremely important to ancient Egyptians as the seat of intelligence and the storehouse of memory. It was the only organ left in place during mummification. Heart scarab amulets were meant as substitutes for the heart should the deceased be deprived of the organ in the afterlife. For example, when a person died, a heart scarab was often placed on their heart and bound underneath the bandages of the mummy. This was to ensure that it could not be physically removed from their person. Discover all the lots featured in the Ancient Art Auction (Expert Highlight): https://lnkd.in/e6dvXDZ3 #archaelogy #culture #history #art
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The Symbolism of Precious Stones in Genesis: From Creation to Revelation Explore the significance of precious stones mentioned in Genesis and their connection to the Holy City in Revelation. Discover how these gemstones serve as symbols throughout the Bible. Dive into the mystery and beauty of these stones across Scripture. #SymbolsOfGenesis #PreciousStones #BiblicalSignificance #GenesisToRevelation #GemstonesInBible #BibleMysteries #SymbolismInScripture #HolyCityGemstones #BiblicalSymbols #BibleStudy
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Nothing inspires more awe about the great ancient Egyptian civilization than the Great Pyramid at Giza. It was built over 4,600 years ago as an eternal house for King Khufu's body after death. By most estimates, over 2.3 million limestone blocks were used to construct this magnificent monument. The blocks were of varying sizes, some weighing as much as 20 tons. At an initial height of 147.5 meters, the Great Pyramid remained the tallest man-made structure anywhere in the world for over 3,800 years. "We must face the possibility, difficult though it is for us to comprehend, that the gigantism of the pyramids was the product of religious fervour, rather than of royal egomania conscripting a servile multitude. The Egyptian nation evidently did not regard these funeral works of their Horus-king as expressions of a private whim but as public works of compelling importance, which had a direct bearing on the future well-being of all. In this sense Egypt was a collectivist society of a very rigorous kind. The King personified the collective. If he passed safely into eternity as a fully-fledged god, then the immortal status of his entire people - serving him in the next world as they had served him in this - was somehow also guaranteed. It was therefore vital to all that the funerary arrangements of their Horus should be on the most ambitious scale and satisfy any possible celestial requirements. We must assume, then, that the craftsmen and labourers of Egypt worked on the pyramids as though their eternal lives depended on it. Tombs of the kings they may be but we should also see them as collective cenotaphs of the people." ― Johnson, Paul, The Civilization of Ancient Egypt, HarperCollins Publishers, New York, USA, 1999. Photo: Mikhail Nekrasov/Shutterstock
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Exploring the Enigma of Ancient Statues The video transcription discusses the mysterious and unexplained phenomena found in the world, particularly focusing on ancient stone carvings and statues. These creations, modeled after strange beings, suggest the existence of powerful entities and gods. The transcript mentions how entire civilizations were built around these gods, only to vanish without a trace. The origins of these beings and the civilizations they influenced remain shrouded in folklore and legend, leaving behind only stone relics as silent records of their existence. The transcript highlights the enigmatic nature of these ancient artifacts and the questions they raise about our past. #MysteryMonday #AncientAliens #UnexplainedPhenomena #FolkLegend #GiganticCreations #StoneCarvers #FlamingChariots #Civilizations #StrangeBeings #vizard
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The plaque is featuring Apollo and Artemis as children, each with a serpent, is a fascinating piece of ancient art that would indeed be significant. Apollo and Artemis are twin siblings in Greek mythology, and they are often depicted together in various forms of art. Apollo is the god of the sun, music, and prophecy, while Artemis is the goddess of the hunt, wilderness, and childbirth. Heraclea Lyncestis is an ancient Greek city located in what is now the Republic of North Macedonia. Founded by Philip II of Macedon in the middle of the 4th century BCE, it was an important strategic and economic center. The city is known for its well-preserved ruins, including a theater, thermal baths, and beautiful floor mosaics. Artifacts like the one you mentioned are valuable as they offer insights into the religious practices and artistic expressions of the time. Depictions of deities as children are less common than their adult representations, making such a find particularly interesting. The presence of serpents might relate to ancient Greek religious symbolism or myths surrounding the deities.
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EXPLORING THE VARIETY OF THE ICONS OF THE ANNUNCIATION The narrative of Annunciation of the Most Holy Theotokos has been present in Christian iconography since the times of early Christianity, starting from the catacomb frescoes of ancient Rome. While the majority of the catacomb frescoes were allegorical, depictions of the Annunciation were among the few examples of a more naturalistic style. Depictions of the Theotokos — from the Simplest to the Lavish The first depictions of the Annunciations were distinct in their simplicity and paucity of detail. They featured only two characters – the Virgin Mary and the angel who brought her the good news. Interestingly, these two characters acquired multiple new details over time. This evolution was not spontaneous. The iconography of the Annunciation advanced in the overall context of church life, and the changes in the depiction of the Annunciation visibly illustrate the underlying principles of iconography. When the third ecumenical council established the title Theotokos to underline the dignity of the Queen of Heaven, artists began to depict the Virgin Mary in lavish royal costumes sitting on a richly decorated throne. Naturally, all these details were included in the depiction of the Annunciation. One characteristic example of this trend is the mosaic from the old Roman church of Saint Mary Majore. To be continued. #StElisabethConvent #obitelminsk #themostholytheotokos #theotokos #annunciationoftheholytheotokos #minsk #obitelminsk #belarus #orthodox #god #faith #spirituality #soul #church #praying #godbless #jesus #jesuschrist #christian
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This image depicts a bas-relief carving from the Temple of Hathor at Dendera, Egypt. The intricate details and vibrant colors, though faded by time, offer a glimpse into the rich artistic and religious traditions of ancient Egypt. The central figures are the deities Horus and Hathor, easily recognizable by their distinctive headdresses. Horus, the falcon-headed god, is often associated with kingship, protection, and the sky, while Hathor, with her cow horns and sun disk, is linked to motherhood, love, joy, and music. The surrounding areas of the carving are filled with hieroglyphic inscriptions, conveying sacred texts and narratives related to the deities and their mythology. The presence of other symbols, such as birds and flowers, further enriches the scene, reflecting the Egyptians' deep connection to nature and the divine. This artwork serves as a testament to the skill and artistry of the ancient Egyptians, offering valuable insights into their worldview and cultural heritage.
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