Artist Uprising™’s Post

'I believe that we are all connected by these invisible threads, the shared sinew amongst all living things, that includes humans, plants, animals, what have you, and that what art is, is the lighting up, making those invisible threads visible. … It doesn't really explain in that analogy what art is, but it certainly speaks to the way it functions and why it should matter to society : why arts should matter.' In this episode, Robin Sokoloski (she/her) discusses her recent experiences and current work in the arts research sector with a focus on how the arts community can have meaningful impact on climate change and on community-engaged arts, emphasizing the importance of relationships and collaboration in creating impactful art that resonates with communities. Robin has been working in the arts and culture sector for over twenty years. I remember her coming to us while I was working at Canada Council for the Arts | Conseil des arts du Canada with this crazy idea for Mass Culture / Mobilisation culturelle and 20 years later it is wonderful organization where she is Director of Programming and Research of Mass Culture, where Robin is working with academics, funders and arts practitioners to support a thriving arts community by mobilizing the creation, amplification and community informed analysis of research. My last conversation with Robin Sokoloski was https://lnkd.in/geDe2Z52 in 2021. This time we focused on the end of the world as we know it and the role of art came up, including how to use tools such as the Living Climate-Impact Framework for the Arts project, (see https://lnkd.in/gnA-z9B6 for details) and how to better mobilise the arts sector around climate change. After our conversation, I wrote to a friend that ‘Robin is one of the holders of key knowledge for the future of the arts in this country’ and I think she’s just getting started. * Sections of the podcast (generated by AI and reviewed by Claude Schryer) Welcome back to conscient podcast Introduction The Climate Crisis and Art’s Role Living Climate Framework for the Arts Barriers to Engagement in the Arts Community Engaged Arts The Future of Arts in a Changing World Arts as Meaning Makers Recommended Reads and Resources Shannon Litzenberger Kelly Langgard Kelly Wilhelm #ClimateAction #CommunityEngagedArts #Sustainability #CulturalLeadership #ArtAndEcology #MassCulture #ArtForChange #EnvironmentalChallenges #ArtCommunity #Storytelling

Did you know that? The collaboration and exchange of ideas within artistic communities fuel innovation and creativity, driving cultural enrichment and societal progress. See the first comment to order your book now! #drjimraughton #hopefornewport #artandculture #transformationjourney #inspiringstories #communityresilience #legacyofart #artistsofhope

During the Concepts of Time: How Do They Shape Our Future? panel, Anne Beate Hovind delves into the crucial role of art and culture in future planning. #MuseumoftheFuture #DubaiFuture #FutureForum24 #DFForum2024

🎨 Reflecting on our Arts Impact Frameworks: A Key Update from Mass Culture’s Research in Residence initiative 🎨 Over the past year, Mass Culture has been working closely with arts organizations and researchers to assess the practical applications of arts impact frameworks. Through a series of use-case studies, we’ve explored how these frameworks can help arts organizations measure and enhance their civic impact. In this latest installment of our Reflection Series, we’re featuring Vicki Stroich, Artistic and Environmental Programs Manager at Caravan Farm Theatre. Vicki discusses what they learned by applying Emma Bugg’s Living Climate-Impact Framework for the Arts, which allows one to evaluate to what degree environmental consciousness is integrated into artistic practices. This approach not only shifted Caravan Farm Theatre’s organizational strategies but also led to deeper engagement with artists and audiences, fostering a more sustainable and impactful creative process. Curious to know how these frameworks can be applied in your own organization? Read Vicki’s full blog article: https://lnkd.in/gAvhsTxf Let’s continue the conversation on arts’ civic impact and evaluative thinking! #ArtsImpact #CivicEngagement #ArtsResearch #Sustainability #LivingClimateArts #CreativeLeadership #ArtsOrganizations #CivicImpact #ResearchAndDevelopment

#techism is the new culture. We are here...great interview with Krista Kim and how tech and art contribute to vitality, both mental and physical, in a digital age.

Excited to share my story, Becoming Giants, created for my Digital Journalism class! Covering the Museum of High Art’s ‘Giants’ Exhibit by Alicia Keys and Swizz Beatz was inspiring and a lot of fun. 🌟 From asking visitors what being a 'Giant' means to them to exploring lessons they'll carry forward, this project was a powerful reminder of art's impact. Tap in and check it out! :) #BecomingGiants #DigitalJournalism #MuseumofHighArt"

Here is an opportunity to learn more about GR River Park projects and to voice your preferences in development! Read all about it, or go directly to the questionaire: https://lnkd.in/gr4Mh6kg A fascinating read!

Subscribed to Jordan C. Medley's "Comments on Arts Culture" Substack this morning. What a great read, especially his article "Disrupting the Narrative: Moving Beyond Archaic DEI Models in Arts and Culture." Subscribe below for Jordan's: - In-depth essays and thought pieces on leadership in the arts, cultural equity, and systemic change. - Analysis of trends and challenges in creative industries like Broadway, nonprofit arts, and beyond. - Insights into how we can foster more inclusive, sustainable, and innovative spaces for creative professionals https://lnkd.in/e_G7Puae

I'm in the middle of the fantastic seminar 'Playing the decolonial: Humor, art & tech', which started at 'Forsøgsstationen' in Copenhagen yesterday, and continues at ITU today. I loved how Britta initially stated that they had tried, but 'luckily not succeeded' to separate the artistic and more traditional academic contributions. The seminar raised so many important questions and discussions on the capacity of art, humour and play to open spaces for conversations, to disarm volatile, intimidating situations, to allow us to explore other possible worlds together across our differences. One thing that really stood out to me was my own affective experience, as I was repeatedly deeply moved by the courage and heart demonstrated by the people on stage. I was teary-eyed on several occasions, and my words were stumbling. In contrast to the widespread ideals of Western Modernity and the persistent belief in the rational, autonomous individual, these experiences pointed towards a different way of relating and becoming that I have been slowly, reluctantly starting to embrace. I now believe that if we always approach each other as rational, independent beings, and expect others to do the same, we perpetuate colonial structures. Letting go of that control, allowing ourselves to be deeply affected and even transformed by encounters with both humans and more-than-humans might be one small step towards more pluralistic democratic conversations and a more diverse world respectful of a multitude of becomings. This seminar is another reminder that decolonising is a task for us all, everyday, as we strive to make other worlds possible, to cultivate a 'pluriverse' where other ways of knowing, being and becoming are nourished and appreciated. A huge thank you to Britta Timm Knudsen and Miguel Sicart for organising this wonderful event; so far, one of the best things I have attended in a long time. Now I should get going for the second day! https://lnkd.in/gHGuv5_X