Artist Uprising™’s Post

Transforming urban landscapes with art isn't just about aesthetics—it's about community engagement and identity. Discover the intricate process behind our public art installations at Artist Uprising. From vibrant murals to monumental sculptures, each project tells a unique story. How does art impact your business environment? Let's start a conversation. 🔗 Read more about our approach: https://lnkd.in/g-is9Cgs

Inside Out: Representing the Romantic Museum is a collaboration between Sophie Thomas, Rhys Juergenson, and Erin McCurdy of the Toronto Metropolitan University and York University Communication & Culture- Joint Graduate Program at Toronto Metropolitan University & York University The exhibition examines how #museum spaces were conceptualized and visually represented in two-dimensional media forms, drawing examples principally from metropolitan #London. Many of the museums of the late eighteenth and early nineteenth century no longer exist. However, prints and paintings, often reproduced in #gallery guides, #periodicals, and ephemera, are valuable sources of information about the objects that they contained: from oddities and marvels to natural history specimens and revered #artworks. Such images also document the arrangement of objects and the display strategies employed by collectors and museums, as well as the visual idioms—and aesthetic categories—they used to capture and ‘frame’ their interiors. The contents of collections, and the manner in which they were presented to the world, closely reflect predominant paradigms for the organization of knowledge, which were undergoing significant change in the #Romantic period. The exhibition explores how public institutions and independent #collectors, in both public and private exhibition spaces, represented natural history, human biology, emerging technologies, and #archaeological discoveries, and how these displays were, in turn, represented by #artists. https://lnkd.in/gDGumeFa

FADA Gallery invites you to the exhibition titled,  IN/VISIBLE The 2024 Creative Output exhibition “In/Visible” offers a useful register with which to engage an array of current works by staff of the Faculty of Art, Design & Architecture (FADA). It’s generally taken for granted that the production, appreciation and dissemination of art – via channels such as books, galleries, museums and the internet – is primarily predicated on notions of the visible, the visual and the tangible. There’s nothing wrong with this assumption. Indeed, without multiplicities of visuality, the world of art would stand to lose a great deal. As important as the visible may be, the invisible is a critical and easily overlooked layer for the thinking and making of art and its attendant provocations.  

private view Andreas Greiner Studio Andreas Greiner Game of Life on view through 17. Feb 2024 "One really basic problem that we have as humans is that we came up with this idea or this concept of dichotomy between human nature and non-human nature. We are humans, and we do culture. We are intelligent. Everything else that is there on the planet is not intelligent. Everything on the planet is nature, and we are kind of excluded. And this led to a kind of misunderstanding or a kind of misperception of this planet where we are living on, where basically, in the end, everything is interconnected." The above excerpt is from the exhibition video for our current solo show Game of Life by Andreas Greiner, on view through 17. Feb 2024. Greiner is known for integrating art and science in intricate, multi-disciplinary presentations and an artistic practice that often extends beyond gallery confines to encompass projects in public spaces and the natural environment. Video, art/beats @artbeatsberlin #andreasgreiner @dittrichschlechtriem #DittrichSchlechtriem

FILM ARCHIVE MUSEUM | CONCEPTUAL DESIGN BY ME In a city where history and art converge, the Film Archival Museum stands as a stunning testament to architectural innovation. This unique museum preserves old films and art pieces, capturing the milestones and memories of the past. The design embodies a dual purpose: serving as a National Museum representing its geographical roots and as a Film Archive Museum safeguarding cinematic heritage. Inspired by the wavy shapes of film reels and the elegant gestures of the Hsinbyume Pagodas, the architects fused these elements into a harmonious design. This fusion created a structure with dual DNA, reflecting both the fluidity of time and the solidity of heritage. As a happy accident, the design also represents two timelines, blending the cinematic past with the present. The Film Archival Museum is more than a building; it is a living memory, a beautiful blend of time and place that invites visitors to celebrate and experience history and art in one breathtaking form.

Whether objects are at home or in a gallery, in storage or on display, there are a few simple steps collectors can take to ensure the art is preserved for generations to come.

Whether objects are at home or in a gallery, in storage or on display, there are a few simple steps collectors can take to ensure the art is preserved for generations to come.

Whether objects are at home or in a gallery, in storage or on display, there are a few simple steps collectors can take to ensure the art is preserved for generations to come.

Whether objects are at home or in a gallery, in storage or on display, there are a few simple steps collectors can take to ensure the art is preserved for generations to come.

Whether objects are at home or in a gallery, in storage or on display, there are a few simple steps collectors can take to ensure the art is preserved for generations to come.