Audi Australia’s Post

Love this from Lee Marshall and the team at ITVX and how visibility on customer behaviour drove double-digit increases across conversion within their onboarding flow. Also, this data-augmented decision-making is now part of "the fabric of the teams". As Lee states it: Invest in ... Behavioural analytics capability Transforms ... Growth product culture & behaviours Leads to ... compounding growth innovation #growth Amplitude #productgrowth #productanalytics #OTT #media #dataanalytics

🎥 “Carry-On” – A Reel Take on Real-Life Security The new movie Carry-On, starring Taron Egerton, Jason Bateman, and Sofia Carson, tells the gripping story of a TSA agent navigating a high-stakes crisis. While it’s Hollywood drama at its finest, it highlights an important reality: the responsibility that security professionals shoulder every day. For those working in aviation security, the stakes are always high – though less cinematic, the challenges they face are just as critical. Detecting threats, ensuring safety, and managing countless variables are all part of the job. At NeuralGuard, we understand the weight of this responsibility. That’s why we’ve developed EyeFox – our AI-powered solution for X-ray machines. EyeFox enhances threat detection, reduces human error, and empowers security professionals to make split-second decisions with confidence. While Carry-On may be fiction, it’s a timely reminder to appreciate the real heroes working tirelessly behind the scenes to keep the skies safe. Want to enhance your X-ray screening operations with advanced AI? DM us or reach out at info@neuralguard.com to learn more. #Security #Aviation #ThreatDetection #AI #XRay #NeuralGuard #EyeFox #CarryOnMovie #TSA #Innovation #Netflix https://lnkd.in/dMAu-NfX

A Shifting Landscape? A Snapshot of Independent and Hollywood Films - Are cinemas globally increasing the proportion of independent or international titles that they showcase? In this new data series we will begin to take regular snapshots of showtime information to see what the data tells us. 🔗 Read more: https://hubs.la/Q02CfhLc0 #Audience #Analytics #Automation #Technology #Future #Growth #FilmIndustry #MovieMarketing #MovieDistribution #FilmDistribution #InternationalFilm #IndependentFilm #MovieStudio #MajorStudios #FilmPromotion #Data #Innovation #SaaS #KnowYourAudience

Mr. Bean Introducing SONY colour TV 1980s ads The 1980s Sony color TV commercials, featuring the comedic brilliance of Mr. Bean, showcase not only humor but also the dawn of a new era in home entertainment. The ad playfully highlighted how 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 𝐜𝐚𝐧 𝐞𝐧𝐡𝐚𝐧𝐜𝐞 𝐞𝐯𝐞𝐫𝐲𝐝𝐚𝐲 𝐥𝐢𝐟𝐞, bringing vivid, colorful imagery into homes that previously experienced only black-and-white television. Through Mr. Bean's quirky antics, the message is clear: technology, no matter how advanced, can be made accessible and enjoyable for everyone. he thoughtful takeaway from these 1980 ads is that 𝐢𝐧𝐧𝐨𝐯𝐚𝐭𝐢𝐨𝐧 𝐢𝐬𝐧'𝐭 𝐣𝐮𝐬𝐭 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐩𝐫𝐨𝐝𝐮𝐜𝐭 𝐢𝐭𝐬𝐞𝐥𝐟, 𝐛𝐮𝐭 𝐡𝐨𝐰 𝐢𝐭 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐬 𝐰𝐢𝐭𝐡 𝐩𝐞𝐨𝐩𝐥𝐞'𝐬 𝐞𝐦𝐨𝐭𝐢𝐨𝐧𝐬 𝐚𝐧𝐝 𝐝𝐚𝐢𝐥𝐲 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞𝐬. Sony was at the forefront of this change, emphasizing 𝐬𝐢𝐦𝐩𝐥𝐢𝐜𝐢𝐭𝐲, 𝐚𝐜𝐜𝐞𝐬𝐬𝐢𝐛𝐢𝐥𝐢𝐭𝐲, 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐣𝐨𝐲 𝐨𝐟 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐢𝐧𝐠 𝐬𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐧𝐞𝐰 - aloes that continue to resonate in today's rapidly evolving tech landscape. #SonyTVAd #MrBean #80sCommercials #VintageAds #RetroTV #ClassicCommercials #ColorTVRevolution #SonyInnovation #TechNostalgia #EntertainmentHistory #TelevisionEvolution #80sTech #ThrowbackAds #mrbean #millionaire

Talking Canon Inc. cameras for Adorama TV! This was the first of 3 videos I did for Adorama, along with an article I wrote about the Canon Rebel SL3. #host #informativevideos #oncamerapresenter

"If 2024 was the year of blockbusters, 2025 will be the year of milestones. Cinema isn’t just a screen; it’s a powerful stage for storytelling and brands alike." 2024 witnessed some incredible cinematic moments that brought audiences to theatres in droves. But hold on—2025 promises to be even bigger, bolder, and more impactful for movies and brands. Let’s make 2025 the year where your brand stars in front of millions. 🎥✨ #PowerOfCinema #CinemaAdvertising #Blockbusters #AudienceEngagement #UnforgettableExperiences

Late to the ALEXA 35 Live party, but after some requests from industry practitioners, here are some musings as I take my ARRI hat off and put on my "Broadcast Cam op who grumbles about the early call for a useless 3rd rehearsal after wrapping late the night before" hat. To get it out of the way, Super 35 broadcast is going full steam ahead. Expect to see more tech riders, tenders and requests for S35 format spec with PL Mount lenses for big budget events. Concerts, talk shows, stand up comedy, important panel discussions, certain types of sports, house of worship. The list of live production genres where S35 excel will keep growing as more S35 lenses gets released into the market. Speaking of lenses, will my Japanese/German friends please help a little bit with a 40x PL box? :P Wishlist: 40x PL box lens 35-1400/T4....5 maybe. IS.... can current tech handle such large pieces of glass? Not sure. 35mm is abit tight yes, but compromises must be made for 1400mm. Will it be too big/heavy? No idea, but the Vinten 750 payload is 75kg :) The faster the lens, the better. But compromises must be made. Ok back to cameras. 1. The experience of S35 broadcast has an impact that is hard to replicate with other formats. Slow-mo gets incredibly intense due to the separation. CU facial emotions will hit audiences harder. 2. Will focus get harder? Yes. Can it be done? After talking to operators, the answer I got from them was: Likely yes if it isnt golf or anything that involves fast tiny objects in large open spaces. Football might be the limit. We will find out. 3. With the ALEXA35's REVEAL colour science, high saturation color lights are handled much more naturally. This coupled with the dynamic range allows for greater freedom in lighting the stage as the 35 has that ability to handle the very large contrast as well as the high saturation LED color lights that are delightful to the eye but a total nightmare for cameras. I have not tested other S35 camera systems extensively enough to comment on their performance in this regard but I wont be surprised if they all exceeded their B4 predecessors in this aspect regardless of manufacturer. 4. For slower songs and performances, I believe after some testing that slow half mixes will be more effective as a tool with S35 systems due to the separation and the softness of the bokeh. Please see comment 1 which I will post a picture as an example even though it isnt a song or performance and in still form. 5. The live production and cinema worlds are converging. From an investment POV, dockable S35 systems might present some interesting cost efficiencies for large broadcasters and rental owners (both cinema and broadcast rentals). 2 in 1 systems often have compromises somewhere but my belief is we are heading towards a point where such compromises will be tolerable for the efficiencies such systems will bring both technically and economically. And I am at Linkedin's character limit so thats it for now!

It's crucial to grasp the changing dynamics of our society when examining movie attendance patterns. While some link the drop in viewership to Marvel's prominence, the truth is more intricate. Let's delve deeper into how our evolving society shapes entertainment preferences. #MovieIndustry #SocietyTrends

Blackmagic URSA Cine 12K LF Gets Netflix Approval 👨💻 The Blackmagic Design URSA Cine 12K LF has officially joined the list of Netflix-approved cameras. 🎥 This achievement highlights the camera’s ability to meet the rigorous technical requirements that Netflix sets for its Original productions. Read more: https://buff.ly/40vGxvc #8ka #URSA12KLF #NetflixApproved #CinematicInnovation