We’re pleased to share our latest collaboration with National Portrait Gallery 🎉
In response to The Time is Always Now: Artists Reframe the Black Figure exhibition we are honored to have been invited to curate this month’s Youth Late event. ✨
Join us this Thursday 28th March for an in conversion with Director & filmmaker Basma Khalifa and co-founder of TAG AgencyTumisha Balogun, on navigating the creative industry through the lens of Black women.
📍NATIONAL PORTRAIT GALLERY, ACROSS GALLERIES
🗓️THURSDAY 28TH MARCH, 7PM GMT
#NPGYouthLate#BGFxNPG
Fashion and style. Glamour optional. In entertainment, one or more is always present.
My music career leans on the marriage of fashion and jazz. After all, they're both art.
#jazz#style#fashiondesigner#musicbusiness
Director of Marketing at Arlington Cultural Affairs
My new essay was published by The Metropolitan Museum of Art on #internationalwomensday ! In conjunction with their inclusion in the exhibit "Women Dressing Women" (which alas closes today), the essay celebrates the five year collaboration between designer Zelda Wynn Valdes and entertainer Joyce Bryant.
“Transparency between community-based arts organizations and their communities is a growing concern for many practitioners, especially where concerns range from public funding accountability to modern discussions on diversity and equity. This overview of documented knowledge explores contemporary notions of transparency which are often linked to issues of trust, emphasizing how it can enhance an organization's credibility but also pose challenges if not managed appropriately. This document aims to provide an understanding of transparency, its various dimensions, implications, and potential benefits, by outline trends, examples of strategies, methods, accountability considerations, effects, and costs associated with transparency.” #Transparency#ArtsOrgs
New Publication! Check out "Transparency In Community-Based Arts Organizations: Overview Of Documented Knowledge" by Summer Resident Danny Maggs: https://ow.ly/lLQT50Q9yWK#creativegeneration#publication
Image: White text on a pink background that reads, "Transparency In Community-Based Arts Organizations: Overview Of Documented Knowledge," with a white Creative Generation logo in the corner.
As a Black woman cinematographer, it feels like a slap in the face to attend events curated for Black women in Creative/Media Roles and not see Black women behind the camera. It has become a norm and a huge issue for myself, other women, and non-binary creatives to see the lack of representation at events for us.
Before you comment, "It's who you know," "It's the references," or "It's the agencies we hire.”, do know that the excuses are unacceptable. With the number of different agencies and communities centered on getting women, specifically Black women with cameras, hired, it seems that these brands only think we are good enough to market to but not hire.
What is the reason? Is it all a facade? How do you claim you are "For the culture and community," but your hiring seems to tell a different story? Let's talk about it.
Also, let me shout out a few of my favorite organizations and production houses that have a goal of placing BIPOC women and non-binary creatives in these roles and can be a great resource on this journey. Feel free to share other organizations & production houses we should know about!✨
Black Women Photographers
Made In Her Image
third & wonder production houseLadibug Studios
If anything America and the World needs now, it is healing
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Usually healing begins with an acknowledgement and apology of a action that has negatively impacted a person or group of people.
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But how can a community truly heal in absence of changed behavior, attitude, or policies?
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Healing through language doesn't always necessitate an apology. Instead, it embraces the strength of acknowledgment, understanding, and EMPATHY. It's about creating spaces where voices are heard and validated without the weight of unnecessary remorse.
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Moreover, it entails using words that acknowledge pain, validate struggles, and offer genuine EMPATHY. It's about creating a safe environment where individuals feel heard, seen, and understood without the burden of expecting an apology for their feelings or experiences.
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And sometimes saying, “I Apologize, please forgive me” can go a long way.
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Award-winning marketing consultant, entrepreneur, social influencer and community leader
Cincinnati's 4th Annual National Day of Racial Healing will be held on Jan. 16. Hear the state of racial healing in Greater Cincinnati as well as several visual and performing arts. Register today!
I enjoyed writing this article, exploring and interconnecting the importance of the arts and policy.
"The arts contribute more to communities than public displays for residents to admire. Art and policy intertwine past the artistic realm and can be an investment into a community’s economic, social and educational vitality. The arts can take many forms and depict many themes, voices and faces, as well as bring awareness to issues."
https://lnkd.in/e7GAwMTG
Check out my latest blog as I reflect on where we are with efforts to derail commitment to advancing racial equity. “This is a critical moment and time in our history, and I believe what we decide to stand for as evaluators and as a field is vital for our country’s history and future. So, let’s be bold and courageous together!”
Leon Andrews, President & CEO of Equal Measure, reflects on a powerful visit to the National Civil Rights Museum. Join him exploring how we can collectively bend the arc toward justice. Read his insightful blog post here: https://lnkd.in/gyawNxXD
I am often asked what is art for or what is the role of the artist? I think this quote from one of the greatest thinkers and writers of the 20thC, James Baldwin, sums up perfectly what it means to be an artist and their duty to society:
''The artist is distinguished from all other responsible actors in society — the politicians, legislators, educators, and scientists — by the fact that he is his own test tube, his own laboratory, working according to very rigorous rules, however unstated these may be, and cannot allow any consideration to supersede his responsibility to reveal all that he can possibly discover concerning the mystery of the human being. Society must accept some things as real; but he must always know that visibile reality hides a deeper one, and that all our action and achievement rest on things unseen. A society must assume that it is stable, but the artist must know, and he must let us know, that there is nothing stable under heaven. One cannot possibly build a school, teach a child, or drive a car without taking some things for granted. The artist cannot and must not take anything for granted, but must drive to the heart of every answer and expose the question the answer hides.''
CasildART Contemporary is a not-for-profit art gallery. We place contemporary Black art in corporate spaces to showcase and celebrate the talent and creativity of Black artists. If you are interested in creating a more inclusive and welcoming environment for your employees, clients and visitors, please get in touch @info@casildart.com#diversity#inclusion#equity#artforchange#corporate#culturalchange#transformation#BHM2024#reclaimingnarrtives#artrentals#representation#duty#purpose
As the 50th anniversary of so many landmark events is upon us, historians, culture critics, and musicologists want to know — what was unique to the 70s? What was the confluence of events that led to music being politicized, to women joining hands to fight for their rights?
My upcoming book, Outside Voices: A Memoir of the Berkeley Revolution, examines these events, detailing how women, disabled, and Black communities rose up, learned to use the media and demanded change.
Outside Voices will be released January 2024. Learn more and pre-order here: https://lnkd.in/gFQJS4iw
Digital Experience Executive @ Hyve Group plc & Events Manager @ We Members. Driving and Optimising Luxury and Retail Content
5moLooking forward to it 🤩