Is Nollywood the new content factory, or are we still pushing the boundaries of creativity? And why does every actor suddenly have a “TV” channel on YouTube like they’re Netflix? 😅 I took a deep dive into the: Mass production VS Creativity debate Check out my latest article where I question if Nollywood is serving us fresh storylines or hitting copy-paste like a keyboard #Nollywood #FactoryVsCreativity #YouTubeMovies #NigerianEntertainment
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R Madhavan: ‘It’s not easy to survive for 25 years in…’ Full Article Link >>> https://lnkd.in/gDCMgPbi Welcome To Latest IND >> Fastest World News Madhavan recenrly opened up about his experience of working in the digital medium and how he still faces the pressure of box office numbers with theatrical releases.Madhavan mentioned that streaming platforms give actors more opportunities to work on stories that focus on characters. He explained that since […] . . Latest IND . . . . #trendingnews #newstrending #trendingtopicnews #lifestyle #business #news #healthylifestyle #smallbusiness #supportsmallbusiness #lifestyleblogger #luxurylifestyle #businessowner #businesswoman #smallbusinessowner #businessnews
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R Madhavan: ‘It’s not easy to survive for 25 years in…’ Full Article Link >>> https://lnkd.in/gEmqyPJ3 Welcome To Latest IND >> Fastest World News Madhavan recenrly opened up about his experience of working in the digital medium and how he still faces the pressure of box office numbers with theatrical releases.Madhavan mentioned that streaming platforms give actors more opportunities to work on stories that focus on characters. He explained that since […] . . Latest IND . . . . #trendingnews #newstrending #trendingtopicnews #lifestyle #business #news #healthylifestyle #smallbusiness #supportsmallbusiness #lifestyleblogger #luxurylifestyle #businessowner #businesswoman #smallbusinessowner #businessnews
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https://lnkd.in/d5zjZ8aa This shows how Global streaming changed the aspect of the US and global viewer. And will encourage other big companies to invest in foreign TV shows and movies as diseny and Netflix did before it. #popcultue
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5 reasons what makes Desperate Lies a good show on Netflix drama Desperate Lies Netflix review Desperate Lies has quickly become a topic of discussion on Netflix, captivating some audiences while leaving others divided. In this blog post, we explore what makes “Desperate Lies” a good show, or what makes Desperate Lies worth watching, entering into the elements that set it apart from other series on the platform. Hope this blog can answer that “Is desperate lies worth watching, based on a honest Desperate Lies Netflix review #DesperateLiesNetflixreview #netflixdrama #desperatelies #JulianaPaes #FelipeAbib #VladimirBrichta #DesperateLiesNetflixplottwist read full article here:-
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Hello! This week's post will be covering the movie, Turtles All the Way Down (2024). If you've already seen it, please check out the link below for my review. #filmreview #newblogpost #newblogpostalert #filmanalysis #filmcriticism #mediareview #media
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The Overwhelming World of Entertainment: How to Manage the Mental Load - CineRecap.com Article Link - https://lnkd.in/diThmwFH When the holiday season rolls around, it’s easy to feel overwhelmed by the endless lists of must-watch movies, binge-worthy TV series, and essential cultural experiences that inundate our feeds. It seems like every publication has a different set of recommendations, each vying for our attention and urging us to consume more and more. But it […] #MovieReviews #WebSeriesAnalysis #StreamingInsights #FilmCritique #EntertainmentNews #StorytellingReviews #OTTContent #BingeWatchGuides #CinemaTrends #FilmAnalysis #StreamingPlatforms #CinematicExperience #MovieRecommendations #SeriesRecap #FilmLovers #StreamingUpdates #MovieInsights #OTTNews #CineCritique #BingeWorthyContent #FilmReviews #OTTUpdates #MovieTrends #StreamingRecommendations #CinematicWorld #FilmDiscussion #SeriesReviews #CinephileCommunity #EntertainmentGuides #MovieExploration
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Netflix discussed the benefits of localized storytelling during their 10 year review of investment in European film and TV show development. #film #TV #filmindustry #jobcreation #artsandentertainment https://lnkd.in/exbAt3qU
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[Mark Duplass] told Deadline, “This is the wave of the future. People who make independent films are going to make independent TV. It’s only a matter of time before people go and make 10 episodes and take it to market as opposed to waiting.” In today's entertainment landscape, indie series creators like myself are embracing Mark's vision of the future: producing independent TV series. With barriers to entry somewhat lowered by streaming platforms, the challenge now lies in finding the perfect home for our shows. As we continue to push boundaries, the era of indie TV is not just a trend—it's the future of storytelling. #indiefilmmaker https://lnkd.in/gfyb2Ctm
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New Post: Netflix horror hit ‘The Platform’ is getting a sequel this year - https://lnkd.in/gEiX3E8f - Netflix have confirmed that a sequel to the hit 2020 Spanish horror-thriller The Platform is heading to the streaming service later this year. READ MORE: ‘The Platform’ review: a shocking, must-see fable for days of panic buying and isolation The new film will return viewers to the dystopian, satirical detention centre known as ‘The Pit’, with Milena Smit (The Snow Girl) taking on the lead role. The film, titled The Platform 2, will hit Netflix on October 4, and you can watch the first teaser trailer below. The synopsis reads: “As a mysterious leader imposes their rule in the Platform, a new resident becomes embroiled in the battle against this controversial method to fight the brutal feeding system. But when eating from the wrong plate becomes a death sentence, how far would you be willing to go to save your life?” The first film became a viral sensation in the early months of the pandemic and introduced the large, towered structure to viewers. Residents on each level of The Pit have to live off a daily dose of food that is lowered from the top of the tower, layer-by-layer. The original story focused on inmate Goreng (Iván Massagué) who tried to make sense of his new environment as he teamed up with a fellow inmate to try to send a message to those running the system. Director Galder Gaztelu-Urrutia spoke about the film’s social message, claiming that it was a criticism of many political ideologies. “We certainly do think that there has to be a better distribution of wealth, but the film is not strictly about capitalism,” he told Digital Spy. “There may be a criticism of capitalism from the beginning, but we do show that as soon as Goreng and Baharat try out socialism to convince the other prisoners to willingly share their food, they end up killing half of the people they set out to help.” “In the end, the problem arises when you try to demand everyone’s collaboration, and you see that there is no big achievement by the end. Goreng does what he set out to do in bringing the panna cotta and the child down to the lowest level, but he didn’t change anyone’s mind about sharing the food.” In a four-star review, NME wrote: “The serendipitous timing of The Platform’s release during the coronavirus pandemic reframes it as a masterpiece of make-u-think moviemaking for every single one of us, whether you’re sitting pretty on a bog roll mountain or staring down an empty cupboard. Consider it prescribed viewing for self-isolation – and remember its message next time you’re ravaging shelves in the supermarket.” The post Netflix horror hit ‘The Platform’ is getting a sequel this year appeared first on NME. - #news #business #world -------------------------------------------------- Download: #Google #Font #Tester
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Not having the time to read everything that comes out on industry wires I only recently read this piece in the link below. Operating in the world of independent entertainment some of the corrections this article mentions is our every day reality: budget constraints drive creativity and collaboration, it demands flexibility and collaboration and more often than not delivers production value on-screen. Not to mention surprise and delight. I am reminded of Cord Jefferson's acceptance speech at the Oscars a short while ago when he said: “This is a risk-averse industry, but $200 million movies are also a risk. Instead of making one $200 million movie, try making twenty $10 million movies, or fifty $4 million movies.” This is true in television as it is in film in my view. Such an approach empowers talent in television, on and off screen, as it does in film. We didn't know how Parasite (Gisaenchung) was going to perform when we acquired it, or that one our most successful films would be the Hungarian made Whisky Bandit (A Viszkis) or that a series made for Dutch audiences, The Adulterer (Overspel) would be a streaming success for CINDIE in Latin America. https://lnkd.in/eWDW2jin
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2moI think it’s the early 2000s again where they mass produce cds and the whole Alaba boys thing. There has always been quality for legacy and low budget for the buck.