Last night, the Museum celebrated the opening of its latest exhibition, “Night Train to Nashville: Music City Rhythm & Blues Revisited,” which explores the significance of Nashville’s pioneering R&B scene and its important role in the city becoming a world-renowned music center. This twentieth-anniversary edition of the acclaimed 2004-2005 exhibit includes many of the same items and themes, as well as newly discovered artifacts and photographs. The exhibit is included with admission and runs through September 2025. To mark the opening of the exhibit, meet at the Museum on Saturday, April 27, at 2:30 PM for a panel discussion about Nashville’s groundbreaking television series "Night Train." Participants will include performers Jimmy Church and Frank Howard, who appeared regularly on the show, along with Katie Blackwell (wife of late "Night Train" creator and host, Noble Blackwell) and Tracye Blackwell (daughter of Katie and Noble Blackwell). The discussion will be illustrated with video clips from "Night Train." Reserve tickets: https://lnkd.in/eS55tb5H All photos by Terry Wyatt and John Shearer/Getty Images for the Country Music Hall of Fame and Museum.
Country Music Hall Of Fame and Museum’s Post
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Experienced Executive Assistant | Administrative & Talent Manager | Hospitality Enthusiast | Global Creative Support Professional
Title: Tyla’s Soaring Success: A Journey from “Water” to Billboard Charts South African artist Tyla has taken the music industry by storm, and her rise to prominence reached new heights with the chart-topping single “Water.” This track not only showcases her musical prowess but also solidifies her position as a formidable force in the industry. Water’s journey to the top of the Billboard charts reflects not just the song’s catchy beats and Tyla’s unique vocal stylings but also the artist’s ability to connect with a global audience. The fusion of diverse influences in her music, from Afrobeat to contemporary R&B, has garnered widespread acclaim and contributed to the track’s chart success. Tyla’s rise is more than a musical triumph; it’s a story of determination and originality. Her artistry goes beyond the studio, with her distinctive fashion sense and engaging presence on social media platforms capturing the attention of fans worldwide. In the aftermath of the success of “Water,” Tyla’s influence has transcended borders. Collaborations with international artists and recognition from industry peers underscore the impact she has made on the global music scene. Her ability to seamlessly blend cultural elements into her music has not only resonated with her South African fan base but has also drawn in listeners from diverse backgrounds. Beyond the music, Tyla’s success signals a new era for South African artists on the international stage. As she continues to evolve and explore new creative territories, there’s no doubt that Tyla is poised to leave an enduring legacy in the world of music. In conclusion, Tyla’s journey from the release of “Water” to Billboard chart success is a testament to her talent, innovation, and the global appeal of South African music. As fans eagerly await her next musical offerings, one thing is certain: Tyla’s star is still on the rise.
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94 categories: Grammy time last week The Grammys were awarded last week. That's a US music award, honoring the most important artists over the last 12 months. Simplified, the winners are determined by a process of nominations from record companies and others, screening sessions of 350 experts, a first round of voting to arrive at nominations (5 per category), followed by a second round of voting of ~12.000 members to finally award the Grammy. Currently, there are 94 categories in 11 fields from Gospel & Contemporary Christian Music to the General Field, the latter including Record of the Year or Best New Artist. And yes, of course you can argue about the merits of Tayler Swift to become the first artist with four awards for Album of the Year … But from a data perspective, it is even more interesting to look at music awards in other countries and compare the respective processes. In Germany, there used to be the Echo, awarded in more than 100 categories (before being ended in 2018 as a result of controversial awards for songs said to promote antisemitic and homophobic views). Especially in the most popular Pop categories, the Echo was awarded based on sales figures – not creative performance. In the UK, the Brit Awards winners were long suspected to reflect the goodwill of the music industry, so the nomination and voting process was adapted over time to better reflect the diversity and breadth of the music industry with currently around 1,200 annually refreshed members of a voting academy. In France, there are different awards from Diapason and Victoire de la Musique to the Grand Prix du Disque. The latter is awarded by an academy consisting of 50 permanent members, possibly reflecting the more elite system in France. Bottom-line: there is no single “correct” way to determine the Album of the Year. For any individual music lover, this will always be a strictly personal choice neither determined by the number of streams nor an academy or panel of experts … #music #media #datadriven
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The Latin music scene has a rich history that has been celebrated worldwide. From Ricky Martin to JLo, Latin artists have made a significant impact on the music industry. I'm excited to watch "The Latin music Revolution: A Soul of Nation Presentation," which premiered on Sep 15 on Hulu and ABC. This documentary promises to take us on a journey through the evolution of Latin music and its cultural significance. Have you watched it yet? https://lnkd.in/eeiwR5Er
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I just ordered this book from Shain Shapiro PhD This Must Be the Place explores how music can make cities better. This Must Be the Place introduces and examines music’s relationship to cities. Not the influence cities have on music, but the powerful impact music can have on how cities are developed, built, managed and governed. Told in an accessible way through personal stories from cities around the world — including London, Melbourne, Nashville, Austin and Zurich — This Must Be the Place takes a truly global perspective on the ways music is integral to everyday life but neglected in public policy. Arguing for the transformative role of artists and musicians in a post-pandemic world, This Must Be The Place not only examines the powerful impact music can have on our cities, but also serves as a how-to guide and toolkit for music-lovers, artists and activists everywhere to begin the process of reinventing the communities they live in. SEE LESS
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[PART 2] 🎤 After being in the music industry for 31 years, extraordinary artists like Alicia Keys, H.E.R., Jermaine Dupri, Lil Jon, and Ludacris were brought up on stage with Usher to also have their time performing at the Super Bowl; a lifelong goal of so many artists. He also brought up those who don’t have fame to their name, like the Jackson State University marching band, giving an HBCU band a national stage to perform on. He provided space for pole dancers to be seen and respected and professional dancers. Naima Cochrane, a culture journalist and professor at NYU’s Clive Davis Institute of Recorded Music said “I don’t think it’s so much a renaissance moment as it is a validation moment,” [2] as she touches on the methodical nature and cultural significance of masterpiece performances such as this. Usher used his platform to lift up so many people. He understood the cameras would be on, and delivered a memorable and historic performance. One that allowed Black culture to be seen as the cornerstone of American pop culture. 📢 This LinkedIn post cannot cover the entire performance and how each song, each note, each piece of clothing, each placement of light and band member was methodically picked to represent a piece of history. However, there are many articles out there that do just exactly that. I encourage you to read into the cultural significance of masterpiece performances such as this. [2] ❗ Please remember to always look below the surface. Always seek to understand “why” ❗ Resources: [1] https://lnkd.in/dWgw-5mC [2] https://lnkd.in/dt-ckHET
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Nashville's Music Community Needs Your Voice! #Nashville is more than just a city; it's the heart of music innovation and creativity. But as we grow, it's crucial that no note goes unheard, especially from those who make our city sing. The Nashville Industry Fund is launching the Greater Nashville Music Census – a landmark survey to tune into our music community's needs, challenges, and aspirations. Whether you're strumming a guitar in your garage, writing the next hit song, or keeping the spirit of live music alive, your experiences are the melody we need to shape a harmonious future for all. Why Participate? - Ensure your voice is heard in shaping the future of Nashville's music scene. - Highlight the struggles and successes of working-class musicians and independent venue operators. - Inform policies and initiatives that support artists at all stages of their careers. Who Else is Behind It? A symphony of stakeholders, including the Music Venue Alliance of Nashville, Belmont University, AFM Local 257, the Broadway Entertainment Association, and the Community Foundation of Middle Tennessee, supported by Sound Music Cities. Join the Chorus Spread the word, share your story, and let's make sure every chord and melody contributes to a brighter future for Nashville's music industry. The survey is being launched soon. Stay tuned for details on how to participate. Let's harmonize our efforts to keep music the heartbeat of Nashville. Your voice. Your music. Our future. www.musiccitycensus.com #NashvilleMusicCensus #YourVoiceMatters #MusicCityUnity #NashvilleMusicScene
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OPPORTUNITY FOR MUSICIANS 🎶🎼🎸 Two new Sound NSW grants are now open for applications! Create NSW are launching $3 million in funding to support artists and industry professionals hit the road and make great new music. The Touring and Travel Grants are quick response grants that will support artists and artist managers to be globally competitive, develop industry networks and connect with new audiences locally and internationally. This grant offers up to $2,500 per person for domestic activity and $7,500 per person for international – with a two-week turn around! The Recording and Promotion Grants will support artists to record and release new original work including singles, EPs and albums. NSW artists can apply for grants of: ✔️ Up to $25,000 for short-form releases, such as a single or EP ✔️ Up to $50,000 for long-form releases, such as an album ✔️ Up to $25,000 matched funding for artists signed to a major label. Learn more: https://lnkd.in/gsCHwExY
Sound NSW
nsw.gov.au
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Recording Academy Member | ForbesBLk | Techie | Chief Music Officer Music & Entertainment Council | Strategist | Human & Civil Rights Advocate | Equity Equality Advocate | Pianist | Producer
Grateful for this mention and the work of the Music and Entertainment Council MEC — Thank you Mayor Skip Henderson !!! 🎹💫🎼🎸🎧🎤🥁🎸 There are some pressing things happening in our State Legislature ‼️ Music is EConomy and Forever!! I am in support of House Bill 549 and Senate Bill 396 (HB549 and SB396) We need a statewide Music Office!!! 💫☀️ Establishing a statewide music office within the Department of Economic Development recognizes the significant economic impact of the music industry in Georgia.❤️ Over 70,000 Georgians employed in music: The bill acknowledges the vast number of individuals employed in various music-related roles statewide, underscoring the need for focused support and promotion.✅ Addressing a Gap in Current Structure: Currently, there is no specific office within the Department of Economic Development focused solely on music, unlike the existing Office of Film, Music, and Digital Entertainment. Having a dedicated point person is essential.🔥
Special Thanks to Mayor Skip Henderson for mentioning our Chief Music Officer Arreasha Z Lawrence and MEC in the February 20, 2024 State of the City address! What we have built is not only recognized on a state level, but also globally! We appreciate our ties and partnerships with Georgia Music Partners, the Recording Academy / GRAMMYs, Georgia Entertainment News, Sound Diplomacy and other entities locally and nationally. Right Now quality of life can be enhanced even the more in Columbus with your support as we collectively push for a statewide music office. “A vibrant music economy drives value for cities in several important ways: job creation, economic growth, tourism development, brand building. A strong music community has also been proven to attract other industrial investment, along with talented workers who put a high value on quality of life, no matter their profession." GMP Creating a dedicated Georgia Music Office will help us develop the strategy, marketing and focus needed to make us the #1 State for Music Business. HB549 and SB396 has the support of over 200 businesses, organizations, municipalities across the state that recognize that Music is Economic Development. Columbus Georgia Friends and Citizens contact your local State Senators and Representatives and encourage them to support these bills! W.R."Randy" Robertson Senator Ed Harbison Rep. Teddy Reese, Esq. Rep. Carolyn Hugley Rep. Vance C. Smith, Jr. Geniece Granville Ashley Becker, MSOL, SHRM-CP Adrian Chester, REALTOR® Akear Mewborn, Ed.S. Tacara Hemingway Oz Roberts Shante' Paige, p.g.a. Melanie Slaton Teresa Pike Tomlinson Teresa Whitaker Sherricka Day Shain Shapiro PhD Mala Sharma Erica Walker Gary DeLoach, Ed. S. Councilman Walker Garrett Councilman Tyson Begly Judge Bobby Peters Peter Peter Bowden VisitColumbusGA RiverCenter for the Performing Arts Amy Askew Bryan EElevates Kendall Williams Na’Dstasha Porter
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Always happy to give my $.02 to NPR - there are so many sustainability issues with respect to music/musicians. this issue that SoundExchange has been fighting the good fight on for some time is a big one. obviously, there are other pressing issues - Spotify’s moral bankruptcy, companies building enterprise value on the back of musicians’ work w/o anywhere near appropriate compensation or consideration, entrepreneurs with no concern for artist sustainability with respect to AI etc…. all that - doom and gloom - said, there is still hope. For instance, a new Bandcamp is there for the taking for someone who presents an artist-centric approach; and new technologies, whether AI or web3, do not have to be detrimental to artists, and in fact can be hugely positive sum for artists and entrepreneurs. certainly been my bias/life’s work.
Sadly, what Berklee College of Music professor of Music Business George Howard tells NPR is 100% true. But it doesn’t have to be – Join musicFIRST in urging Congress to pass the American Music Fairness Act (AMFA)! Read the full article: https://lnkd.in/e7ZBCsgJ Take action to pass AMFA: https://lnkd.in/gugnjhNW
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Agreed 100% and it's just a wonderful bonding experience all around. It costs you a few minutes to take a quick listen and give your honest appreciation. It takes hardly ANY effort to promote someone you believe in-- and why wouldn't you anyway? That's why, when I take just 5 minutes to listen to an artist's work (or see, if it's visual) I always have something emotional to say about it, because it evokes emotion in me. 5 minutes could produce a lasting bond-- lifelong friendship, and camaraderie like you've never had before. You could be experiencing this on the regular-- so why not start now? Of course, follow Mike for giving the start 👉 Mike Warner.
▶︎ •၊၊||၊|။||||၊|။|||၊၊|• Streaming Music | Music Education | Self Published Author | Independent Artist | Speaker | Previously Believe & Chartmetric
Congratulate an artist that just released new music. That track you listened too may have taken days, weeks, months or years. Not only that but there’s a chance they almost didn’t put it out. The music industry can be a lonely place, artists make many sacrifices. Let’s celebrate each other, celebrate music and share our discoveries with others.
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Former Product Manager at Ingram Entertainment
2moI remember the first one.