DePaul College Prep’s Post

Taking the combination of art and technical expertise to another level!

When you can sell anytime. That makes fleet and asset management A LOT easier!

major sports competitions like the olympics or other international events like world youth day bring tons of people to cities they’d potentially wouldn’t visit otherwise. i remember seeing museums in rio with open doors to everyone during wyd, especially, and i strongly believe this is one of the best ways to spread the word of arts & culture. unlocking cultural experiences should be mandatory in any plan for big events. populating museums and galleries with art that is not “accessible” to the main audience, creating special exhibitions focused on the interests of this particular group visiting and having spaces open for free or during more hours are a few initiatives that can change a lot. #olympicgames #paris2024 #opendoors #bigevents #culturalmanagement

When human mockery is an art: https://lnkd.in/dQz77hcb In the background of this: https://lnkd.in/dmrgnrWK

Link to auction website in comment below.

Like the catalogs of a particular auction firm? Have an established bidding account with an auction firm already? Like the way a firm does business? Watch Video #24 to learn about the BASIC EXTENDED FEATURES - AUCTION FIRM FINDER on StampAuctionNetwork. Follow this URL to watch the video: https://lnkd.in/d-tS7Npn #stampcollecting #topicalphilately #stamps #philately #philatelycollection #stampshow #stampauctionnetwork #stampauction

Like the catalogs of a particular auction firm? Have an established bidding account with an auction firm already? Like the way a firm does business? Watch Video #24 to learn about the BASIC EXTENDED FEATURES - AUCTION FIRM FINDER on StampAuctionNetwork. Follow this URL to watch the video: https://lnkd.in/eYfPpyi2 #stampcollecting #topicalphilately #stamps #philately #philatelycollection #stampshow #stampauctionnetwork #stampauction

Looking at the Next Phillips sale – (the afternoon session today on 15th May 2024), there are 142 lots in this sale. I have selected 14 works I think are wonderful and they are listed below. I usually drill down further and identify 5 lots I really wanted to acquire. If I had a catalogue I would mark up these lots on my catalogue, I note my starting bid price and my maximum bid price too. I work out all the potential costs, so I know exactly what I am in for.   I do my research ahead of any sale and look at typical pricing of the artists works and try to gauge how the artists are performing in the market, by researching the artists’ auction history and familiarising myself with the galleries that represent the artists and the typical sales prices for those types of works. I drill down into the specific artworks being offered and read the catalogue notes, see the works in person and ask for condition reports. For works outside of my specialist knowledge area I speak with specialists/experts and try to get their views on the quality of the works I am interested in. A lot of research is normally done ahead of any buying decision and participation in an auction, including due diligence on the specific piece. Here is one of my favourite works in the sale: TITUS KAPHAR Pushing Back the Light Estimate US$120,000 - 180,000 271.8 × 195.6 × 16.5 cm oil and tar on canvas See it here: https://lnkd.in/ek3x7Cdp To find out more about how to buy art, keep following Vitruvian. Our specialism is helping clients buy bluechip art in auction, galleries and privately.   343 ANISH KAPOOR Random Triangle Mirror Estimate US$400,000 – 600,000   341 BARBARA KRUGER Untitled (Money Talks) Estimate US$250,000 – 350,000   342 WADE GUYTON Untitled Estimate US$250,000 – 350,000    344 TONY CRAGG Red Figure Estimate US$200,000 – 300,000   349 PAT STEIR Small Waterfall Estimate US$200,000 - 300,000   321 TITUS KAPHAR Pushing Back the Light Estimate US$120,000 - 180,000   306 SALVO Al mattino Estimate US$100,000 - 150,000   307 KEHINDE WILEY After Memling's Portrait of Jacob Obrecht Estimate US$80,000 - 120,000    352 AMOAKO BOAFO Untitled Estimate US$80,000 - 120,000   309 JEFFREY GIBSON (CHOCTAW/CHEROKEE) MAKE ME FEEL IT Estimate US$40,000 - 60,000   302 JESSE MOCKRIN Weary from the chase Estimate US$40,000 - 60,000     358 DEREK FORDJOUR Untitled (No. 92) Estimate US$30,000 - 50,000   305 ALFIE CAINE Hastings Old Town Estimate US$20,000 - 30,000    301 CALIDA RAWLES Pillar Estimate US$20,000 - 30,000 #bluechipart #artcollector #artcollectors #artinvestor #artinvestors #artinvestmentfunds #privateequity #familyoffice

Millions of dollars worth of items. But more than that, is the richness of each item. The history. The story. The connection. Tiferet Auction House. The Judaica items that pass hands there etched in the heart of time. Heirlooms. Antiques. Pieces of the past. How do you capture that in one simple tagline? How do you tell people what lies before them? How do you tell the buyers that it's up to them to carry it through to the next generation? We focused on the power they hold. Tiferet Auction: A legacy, in your hands. Strong. Powerful. And even literal.

Prices are peaking in American numismatics and important coins, which haven't been seen in the commercial market in decades, are flooding the market as it undergoes demographic turnover and the elderly liquidate or 'rightsize' their hordes as part of estate planning. Coins are very much different than stamps. American numismatics, in particular, continue to appreciate at greater than the rate of inflation while the stamp collecting market collapsed decades ago and stamps more than a half century old are used for postage: American USPS unused stamps, like Federal Reserve currency, never lose their printed value.