Detroit Sound Conservancy: A Nonprofit Community-Based Music Archive’s Post

Canadian Arts Sector is Struggling to Survive - G&M June 8th Fascinating and detailed analysis related to the Canadian arts sector https://lnkd.in/gV8xQ2YW Post the pandemic the sector has seen surging costs, dwindling audiences, hesitant donors, distracted corporate sponsors & stagnant gov't funding. There is a Need for A New Deal. Factors include howling out of the Middle Income - costs are ourtstipping income - thus the ability to buy tickets to the performing arts. And then there is the Taylor Swift effect - Buy the big ticket and then one can't buy anything else. Programming has to hit the Right Note Donations to the Arts Sector has declined by 45% since 2019.

MUSIC NEWS (THIS IS GREAT!!) The Save the Music Foundation has announced its transition to an independent organization, aiming to broaden its donor base and expand music education programs in schools. Previously supported by MTV, VH1, and Paramount, the foundation will now seek donations from various sources. Executive Director Henry Donahue emphasized the goal of becoming a key national organization for music education. Supported by a $2 million grant from MacKenzie Scott and a $10 million endowment fund, Save the Music aims to provide more extensive resources and support to students and teachers. Founder John Sykes praised the foundation's evolution, emphasizing music education's benefits beyond artistic expression to enhance cognitive skills and academic performance. #MusicNews #MusicIndustry #SaveTheMusic

Grimalkin Records is looking for a QTBIPOC sound engineer to run sound for our 3rd annual festival in Richmond, VA. It's on October 12-13 at Basic City Beer Co. The equipment there isn't great so we were hoping to hire someone who also has equipment to ensure good sound. Last year, Musiq Cultura RVA ran sound for us. Rei was great, but this year they aren't available for both days and we're trying to keep the sound consistent. Rei is going to play the day they're available instead. Ideally, we would like to record it from the soundboard as well. Oct 12 is 4pm-midnight and Oct 13 is 4pm-10pm. I know the manager Alex there and he said we can leave everything securely overnight from the 12th to the 13th. We can guarantee a minimum of $400 per day. We're fundraising and so it depends on if we reach our goal if we can pay more. Last year we guaranteed Rei the same rate, but we were able to pay them $500 a day after we saw what we raised in total after the festival. This may not be great pay. We're a nonprofit and so anything additional could be an in-kind donation. I know that doesn't pay the bills though. If you are interested or know someone who is, please email grimkells@grimalkinrecords.com. Grimalkin Fest is a manifestation of our mission and a celebration of Queer Joy and Resilience through a sharing of music, skills, resources and connections. It also supports, uplifts, and cultivates relationships with musicians, other creatives, community partners, and our communities. Last year, our festival’s budget was $12,600. Over $10,000 went directly to the performers and folks working at and planning the event. That's 86% of our budget going directly to artists and folks working the fest, which is unheard of as far as I know for festivals. Our goal is to raise $26,000 to expand this year’s festival budget. Achieving this goal will allow us to: *Compensate folks for travel *Provide food and snacks *Rent a house for out-of-town performers *Purchase decorations, supplies, posters, and locally silk-screened shirts *Hire a video editor for the virtual live-streamed day *Compensate event planners *Hire a consultant to assist the volunteer coordinator *Rent Starlink equipment to live-stream events happening during the two in-person days *Increase compensation for performers and folks working at the fest Last year, our budget didn’t allow us to compensate travel costs, provide full meals for performers, workers and volunteers, fairly compensate event planners, hire a consultant to assist volunteers, nor rent a Starlink to live stream the in-person days. A budget increase will. https://lnkd.in/emDMDwyJ

Funding Opportunity 📢 Are you passionate about music and looking for funding to support innovative projects for young people? The Youth Music Trailblazer Fund might be just what you need!   This fund offers grants ranging from £2,000 to £30,000 to organisations in England that aim to help children and young people (aged 25 or under) make, learn, and earn in music.   Projects must align with one of the following themes: - Early Years: Initiatives targeting young children. - Disabled, d/Deaf, and Neurodivergent Young People: Projects that are inclusive and accessible. - Youth Justice System: Programmes aimed at young people within the justice system. - Young People Facing Barriers: Initiatives supporting those who face significant challenges. - Young Adults: Projects for young adults transitioning into the music industry. Organisations and the Workforce: Efforts to improve the music sector’s inclusivity, diversity, equity, and accessibility. Application Deadlines: The fund operates in rounds, with the next deadlines being: Round 8: Deadline on 22 November 2024, with notifications by 31 March 2025, for projects starting between April and June 2025. Click on the link to find out more: https://lnkd.in/ewE4dbc7 #BHPfundingfriday #whyBHP #charity #notforprofit Laura Masheder - Audit Partner and Head of Not-for-Profit Lesley Kendrew Nicola Adams Neil Baldwin FCCA DChA

Spotify has canceled all of its Grammy week events, including its annual Best New Artist showcase. “We’ve decided that the most impactful approach is canceling all our Grammy Week events, including our annual Best New Artist party, and redirecting funds to support efforts to reach local fans and charitable organizations,” Spotify’s Global Head of Music Partnerships & Audience Joe Hadley wrote in an announcement. Universal Music Group, one of the big three major record labels, has canceled all of its Grammy-related events. Those include its annual artist showcase, held on Saturday, and its after-party on the Sunday of Grammy week. Instead, it will redirect those funds to wildfire relief. BMG will no longer host its pre-Grammy party and a representative for Warner Music Group confirmed to The Associated Press that the major label will not host a party this year and are instead “redirecting funds to support efforts.” Earlier this week, WMG and the Blavatnik Family Foundation Social Justice Fund pledged $1 million to Los Angeles area fire relief and rebuilding efforts.

Performing Arts Organizations and vital arts-based businesses had a hard enough time getting these grants. But artists like Lil’ Wayne and Chris Brown were able to get millions while these smaller orgs got pennies. The inequities and rule bending by the SBA shows how jacked up that system was. When I worked at the The Unity Council, I got to pilot a new division of their community services department aimed at catering small businesses as they navigated the pandemic shutdown. The department helped hundreds of businesses apply and they would get turned down. Their applications were valid and followed the guidelines to the T. These included arts nonprofits, artists, and performers. But mega rich artists like Chris Brown and Lil’ Wayne and republican senators also got these grants and loans?! This article provides further insight. It’s disgusting but not surprising that government sponsored programs bend the rules for those who have money and influence.

Grimalkin Records Inc. is looking for a QTBIPOC sound engineer to run sound for our 3rd annual festival in Richmond, VA. It's on October 12-13 at Basic City Beer Co. The equipment there isn't great so we were hoping to hire someone who also has equipment to ensure good sound. Last year, Musiq Cultura RVA ran sound for us. Rei was great, but this year they aren't available for both days and we're trying to keep the sound consistent. Rei is going to play the day they're available instead. Ideally, we would like to record it from the soundboard as well. Oct 12 is 4pm-midnight and Oct 13 is 4pm-10pm. I know the manager Alex there and he said we can leave everything securely overnight from the 12th to the 13th. We can guarantee a minimum of $400 per day. We're fundraising and so it depends on if we reach our goal if we can pay more. Last year we guaranteed Rei the same rate, but we were able to pay them $500 a day after we saw what we raised in total after the festival. This may not be great pay. We're a nonprofit and so anything additional could be an in-kind donation. I know that doesn't pay the bills though. If you are interested or know someone who is, please email grimkells@grimalkinrecords.com. Grimalkin Fest is a manifestation of our mission and a celebration of Queer Joy and Resilience through a sharing of music, skills, resources and connections. It also supports, uplifts, and cultivates relationships with musicians, other creatives, community partners, and our communities. Last year, our festival’s budget was $12,600. Over $10,000 went directly to the performers and folks working at and planning the event. That's 86% of our budget going directly to artists and folks working the fest, which is unheard of as far as I know for festivals. Our goal is to raise $26,000 to expand this year’s festival budget. Achieving this goal will allow us to: *Compensate folks for travel *Provide food and snacks *Rent a house for out-of-town performers *Purchase decorations, supplies, posters, and locally silk-screened shirts *Hire a video editor for the virtual live-streamed day *Compensate event planners *Hire a consultant to assist the volunteer coordinator *Rent Starlink equipment to live-stream events happening during the two in-person days *Increase compensation for performers and folks working at the fest Last year, our budget didn’t allow us to compensate travel costs, provide full meals for performers, workers and volunteers, fairly compensate event planners, hire a consultant to assist volunteers, nor rent a Starlink to live stream the in-person days. A budget increase will. https://lnkd.in/e39VtTXB

A Falmouth recording studio has launched a nonprofit to make professional studio recording accessible to students and under-resourced musicians in southern Maine. https://ow.ly/oZWO50Uyk4x

You're proud of your orchestra's rich history, diverse programming, and community impact. But when patrons visit your website, are they greeted with a symphony of clarity or a cacophony of confusion? Your website is often the first impression potential audience members, donors, and partners have of your organization. Yet, in your eagerness to showcase everything, you might be inadvertently creating barriers to engagement. Ask yourself: Is your website trying to be everything to everyone? Are you burying key information under layers of well-intentioned but overwhelming content? Your patrons don't need to know everything about your orchestra at once. They need clear pathways to the information that matters most to them right now. The mistake many arts organizations make is treating their website like a comprehensive brochure rather than a dynamic tool for engagement. You might think you're being thorough, but you're actually diluting your message and potentially losing opportunities. What you really want is a website that effortlessly guides visitors to take action – whether that's buying tickets, making a donation, or signing up for your mailing list. Simplicity is the ultimate sophistication, even in the world of classical music. I know what you're thinking: "But we have so much to share!" Remember, your website is a gateway, not a final destination. Focus on creating clear entry points that invite further exploration. Isn't it time your website worked as harmoniously as your orchestra? Here's how to fine-tune your online presence: 1. Identify your top 3 desired visitor actions and make them unmissable. 2. Ruthlessly edit your content. If it doesn't directly support those key actions, consider moving it elsewhere. 3. Use white space, clear hierarchies, and intuitive navigation to guide the eye. 4. Ensure your mobile experience is just as polished as desktop – many patrons will visit on their phones. 5. Regularly analyze your site metrics to understand what content resonates and what might be creating friction. Your orchestra creates beautiful music through the collective effort of many instruments. Apply that same principle to your website – let each element play its part in perfect harmony, rather than competing for attention. What's one thing you could simplify on your website today to create a more powerful impact? Share in the comments, and let's orchestrate some positive change together. #orchestralmarketing #artswebdesign #nonprofitstrategy #performingarts #userexperience

🎉 UQ Giving Day is just around the corner! 🎉 On 16 October, The University of Queensland community comes together to support initiatives that make a real difference. While you’ll see many worthy causes highlighted, I want to share three that I am personally contributing to. And remember, donations of $2 or more may be claimed as a tax deduction—so you can give a little and make a big impact! 🎶 Support the School of Music (in UQ Humanities, Arts and Social Sciences) Music has the power to unite, heal, and inspire. By supporting UQ’s School of Music, you’re investing in the next generation of talented musicians, like Saxon, a Bachelor of Music (Honours) student. Thanks to a scholarship, Saxon was able to cover essential living costs and access crucial music supplies. Your generosity can help more students pursue their passion, overcome financial barriers, and enrich our community through their art. 🌈 Empower our LGBTQIA+ Community 🌈 The UQ LGBTQIA+ Bursary offers vital support to students facing unique challenges, providing them with the stability they need to thrive. Last year, 12 students applied for this life-changing bursary, and our goal is to raise $12,000 to support next year’s applicants. Your donation can help students like Meab, who found a new sense of community and support during her studies. Let’s ensure everyone has the opportunity to succeed! 💡 Revolutionise Cancer Treatment at Australian Institute for Bioengineering and Nanotechnology AIBN💡 Imagine a world where cancer treatment is as unique as you are. AIBN researchers are using mRNA technology to develop personalised cancer vaccines, tailored to target and eliminate cancer cells. Your support can accelerate this cutting-edge research, offering safer, more effective treatments. It’s an investment in a future where no one faces cancer alone. Every donation, big or small, makes a world of difference. Let’s come together this UQ Giving Day to support these causes and make a lasting impact! 💙 #UQGivingDay #SupportUQ Donate here ➡ https://lnkd.in/grkfXFnC