#soloshow #exibition #aterniger #aternigerproject #february2024 #ATERNIGER #BlackInArt #ChromaticExploration #AbstractArt #TheColorBlack #ArtisticExpression #ContemporaryPainting #MeaningsOfBlack
#UrbanArt #AbstractInterpretations
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ATERNIGER 2 exhibition, Bistrița-Năsăud Museum Complex.
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Black is strong, silent, and elegant; it is matte black, glossy black, introspective, and mysterious. It is sober, balancing, and can be the starry sky on restful nights; black is a color that has undergone many changes over the centuries, as Michel Pastoureau noted. Black asserted itself as a color at the famous exhibition at the end of 1946 at the Maeght gallery in Paris, where 25 works by artists such as Pierre Bonnard, Henri Matisse, George Braque, Georges Rouault, Henry Van de Velde, Pierre Soulages, and others were exhibited.
For me, it is a haiku, embodying all the meanings perceived through the eyes of the beholder.
The ATERNIGER exhibition explores the depths and expressive dimensions of black, offering viewers a captivating journey through diverse stylistic approaches, placing them center stage, in the heart of the piece, or in the universe, exploring it.
By integrating works done in a realistic style, I aimed to bring a personal and introspective element to the entire project.
Thus, the realistic achievements become a window to my own self-representation, bringing to the forefront elements of identity and human experience that harmoniously merge with the abstract language of black. This juxtaposition creates a profound connection between abstract and real, inviting viewers to explore the subtle nuances of artistic expression in a vast spectrum of interpretations and emotions.
In this dialogue, dynamic images are the connecting and transitioning element, elements from the real space that overlap and juxtapose, enveloping and unveiling urban exploration areas that have triggered over time in my conceptual and then real studio, today's project on display, entitled ATERNIGER.
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