Praeludium: How can immersive sound, digital patterns and colours foster the perception of classical music for a wide audience? The experimental installation Praeludium uses sound, light and emerging technologies to enhance the particularities of a musical recording, such as its timbre or texture. Comprising a 3D sound system with a double ring of loudspeakers, eight luminous steles and a digital music stand, it makes it possible to emphasise musical texture through patterns, timbre through colours associated with emotions, and different groups of instruments through the acoustic device. Developed by the EPFL+ECAL Lab, in collaboration with RTS - Radio Télévision Suisse and the association #Acousmatik in Fribourg, Praeludium involves experienced musicians to offer a new form of mediation with the public. Discover this immersive installation at the International Festival of Sacred Music in Fribourg, from June 29 to July 7, 2024. More about the project on https://lnkd.in/edcP_YVU #epflecallab #praeludium #classicalmusic 📸 EPFL+ECAL Lab / Marvin Merkel
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The virtual orchestra is playing Mozart's music: from the sound of music to the Sound of Science. Digital twins - sophisticated virtual models of real-world counterparts - are transforming the industrial world. But what if their focus was applied to the world of music; to digitising sound itself? Wonderful, deep-dive article from Thomas Macaulay at TNW, from Salzburg's prestigious Großes Festspielhaus, exploring how technology is allowing musicians to explore and manipulate the acoustics of a concert hall before ever setting foot inside. "By simulating sounds within the virtual domain, the twin reveals the sonic workings of the physical realm." This opens possibilities for a new era in acoustic simulation, transforming how we experience sound. https://lnkd.in/d9i88H3y Anne Kinalzyk Dennis Schmidt-Bordemann Ophelie Janus Caroline Carpenter Florian Martini Charlie DiPasquale
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RETUNING THE UNIVERSE: EXAMINING THE COSMIC SIGNIFICANCE OF SOUND FREQUENCIES, MUSIC AND HUMAN PERCEPTION ABSTRACT The article discusses the relationship between sound frequencies, music, and human perception, focusing on the debate surrounding the tuning standard used in music. The paper begins by questioning the metaphysical and religious implications of sound as a creative force. It then delves into the physics of music and human hearing and continues emphasizing the role of frequencies in shaping tonality and timbre. The significance and effects of different tuning standards, particularly comparing 432Hz tuning to the more commonly used 440Hz standard, have also been reviewed. Additionally, the historical context and potential motives behind the adoption of the 440Hz tuning standard, suggesting military and commercial interests, have been investigated. By examining these aspects, the article aims to deepen our understanding of the effects of different musical tunings on human well-being and perception, calling for further research. Ultimately, the article serves as a call to action for further research in the field. https://lnkd.in/ecNPPBBr
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Entrepreneur, CEO Modern Drummer, Immersive Audio, CEO Frangioni Media Studios, IDA Artist Development, Technologist, Frangioni Foundation, Passionate Collector, AI, & Atmos Mixing Engineer/Producer
Do you have questions about how #AI affects audio and recording studios? Here are your answers. Watch my full speaking session at the Music Tech Conference in Florida. Innovative Harmonies: AI-Driven Music Creation and Workflow Transformation: https://lnkd.in/epzH-Ew3
DavidFrangioni | Innovative Harmonies: AI-Driven Music Creation and Workflow Transformation
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