Preet Preet’s Post

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Brand Empath • Helping brands enunciate • Brand Development & Positioning | Research & Strategy | Communication

The Turkish Airlines ad is an example of why I believe in the potential of advertising in shaping culture. It’s underwhelming when showcasing the visual branding becomes more important to the communication than the brand story. And underserving a good story is just bad business. #brandstory and #brandidentity aren’t exclusive. They shouldn’t be.

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Karthik Srinivasan Karthik Srinivasan is an Influencer

Communications strategy consultant. Connect with me for corporate workshops on personal branding. Ex-Ogilvy, ex-Flipkart, ex-Edelman. No paid posts - my words are not for sale.

The new ad film to showcase Air India's new branding, made by McCann Worldgroup, uses a standard trope in airline advertising: children's point of view! As soon as the ad started playing and the little girl started seeing things through the magical 'talisman' (in a shape that looks like a plane window, and also has elements of the design element above the new logo), I recalled 2 other outstanding airline ads that use the children's perspective - Turkish Airlines' 2014 ad by Lowe Istanbul, and Aerolíneas Argentinas' 2004 ad by JWT (these ads play below, after the Air India ad). Where the Turkish Airlines and Aerolíneas Argentinas ads worked better is that they had stories with a solid, heartfelt closure:  - In the Turkish Airlines ad, the motley group of children in the village builds a ramshackle runway that gets a nod from a Turkish Airlines plane, much to the children's—and our/viewers'—delight! - In the Aerolíneas Argentinas ad, airline officials take Matias' imaginative perspective very seriously and make him 'release' the plane the way he had 'captured' it! In the Air India ad, the use of the child's perspective and elements of magical realism (seeing other places through the talisman that acts as a portal) are woven imaginatively. When the girl sees an empty field outside her bus window through the talisman, she sees a field of beautiful flowers, an empty flag pole shows her another country's flag, a school cricket match shows her a professional match being played, and bubbles turn in air balloons! But when she drops the talisman to the ground, the ad drops its narrative chops too! The talisman hurriedly grows into a giant structure... cue the Air India logo! The Turkish and Argentina ads included the actual plane/airline officials to render the closure by believing the children's fantastic imagination and doing something about it, however minimal. That is the specific element that elevated those narratives, something that Air India's ad lacks even though it starts on a great note. (3 ads play back-to-back, below - Air India, Turkish Airlines, and Aerolíneas Argentinas, in that order) #advertising #marketing #airlines #creativity #children #magicalrealism 

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