Federal Court of Australia’s Post

Examples for short clip footage: https://lnkd.in/gahm8izJ

TBILVINO Filmed: Canon M50 Lens: 22mm Edited: Premier Pro

The Cinematograph Amendment Act 2023 aims to combat piracy by prohibiting unauthorized recording and exhibition of films, receiving praise for its efforts. However, it falls short in addressing the complexities of online piracy, leaving loopholes such as mirroring servers and jurisdictional challenges unresolved. To tackle these issues effectively, Aliza Khatoon recommends comprehensive legislative amendments, encompassing judicial, legislative, and international reforms. While the 2023 Act is a step in the right direction, it does not serve as a complete solution to the ongoing problem of piracy. Read here: https://lnkd.in/gPqjQZ26

Lexop 🤝 Member Solutions These ducks know the power of teamwork—just like us! Need help with your collections?  Let’s dive in together! #Collections #CreditUnions #MemberEngagement

I did a comprehensive review of the Paramount Indiana Jones 4K UHD release with all of its issues and revisionism. Virtually every effects shot has been manipulated and screwed with, there’s no original audio presentation, the discs have major compression and encoding issues plus zero effort put into the set contents. Changing film visuals, effects and sound is just plain wrong. https://lnkd.in/dnMbgSbJ

Light, camera, gear! 📷 With endless options and budget considerations, choosing the right equipment can be a filmmaker's biggest challenge. 🎬 But fear not, we've curated a comprehensive guide breaking down the top gear in 5 categories. From cameras and lenses to audio and lighting equipment, and support gear - we've got you covered. 🎥 #indiefilmmakers #essentialgear #filmmakingtips

Watch how the MOOD changes between these next 2 guys talking...this link should start playing at 11:01s. The first guy (blue shirt) is fully lit in a high-key shot...meaning it's bright. The 2nd guy's lighting in the racing suit is more captivating. Why? Low-key lighting (darker) draws the viewer INTO the screen...watch. But, with run-and-gun shooting style where you can't take too much the subject's time (unless they've hired you) means you have to work with ambient light...mainly. You might carry a kicker or two to fill in some shadows, but it's available-light only. So, I've found the best way to get great shots is to move the subject around the space and study the shadows...how sharp they are, and how smoothly they fall off. Once the shadows are behaving, you can work on exposure and background by lens/aperture choice....plus, all the magic that can be done in editing today. Obviously, while capturing, you can't blow out your highlights...you gotta have at least SOME information there when editing...and that's where getting to know your camera's chip in the various modes comes into play. Anyway, the sudden contrast between the two shots caught my attention, and make me think. How do you capture moods when shooting your social media content? https://lnkd.in/gP-ZSdCB

In recent years, I've learned that a lot of people need this 2-part lesson. View for free, pass it on and share it. We can make the world a better place for filmmakers, editors, and film lovers. The moral of the story is: "If you want a different perspective, you have to be in a different place." #endthejumpcut #movethecamera Part 1: https://rb.gy/4cov1 Part 2: https://rb.gy/oixc4

Conducting test shots and audio checks before the shoot helps identify and address any potential issues. Learn more in comment link below.

https://lnkd.in/dRHCncRp Honest question for my image- and video-processing fellows: can anybody figure out what happened with this 55yrs old recording around 6:00 and 7:00?