🏆The British Independent Film Award goes to… Last night at the BIFAs Marianne Jean-Baptiste won Best Lead Performance for Mike Leigh’s Hard Truths and Thea Sharrock’s Wicked Little Letters was also awarded Best Ensemble Performance by the BIFA jury. This follows the craft award announcements which saw Ben Fordesman win Best Cinematography for Rose Glass’ Love Lies Bleeding. Congratulations! 🎉 🎉 “Congratulations to Mike Leigh’s Hard Truths, Thea Sharrock’s Wicked Little Letters and Rose Glass’ Love Lives Bleeding. These films represent the broad range of bold, original, independent filmmaking coming out of the UK, and Film4 is thrilled to have backed them. “Mike Leigh is one of the very best filmmakers working today, and it’s wonderful that the incomparable Marianne Jean-Baptiste has been recognised for her tour de force performance. Thea Sharrock’s smash hit comedy Wicked Little Letters captivated audiences with its winning ensemble cast, so it’s fabulous news the jury has chosen to reward these expert performances.” - Ollie Madden, Director of Film4 & Channel 4 Drama
Film4 Productions’ Post
More Relevant Posts
-
Horror film sound design is basically the most fun ever.
Yummy, yummy! Sushi time. 🍣 AFTRS Master of Arts Screen short Sushi Noh is streaming on Alter! The film tells the story of a girl’s nightmares coming to life when a strange kitchen appliance haunts her lonely uncle. After its world premiere at the Encounters Film Festival in the UK, Sushi Noh has screened at more than 30 events around the world, including international film festivals in Seattle, Atlanta, Palm Springs, and Prague. In Australia, it screened at both the Sydney and Melbourne international film festivals and won Best Screenplay at the Flickerfest International Short Film Festival. Congratulations to the incredible crew behind the film! Written and directed by Jayden Rathsam Hua, line produced by Mimi Rosenbaum, with music by Scott Majidi, cinematography by Sam Steinle, editing by Gus O'Brien Cavanough, production design by Calum Wilson Austin, art direction by Eirena Sapounas, and sound supervising by Sean Doyle and Samuel Grimshaw. Watch here. https://lnkd.in/gp-Q5p7S
To view or add a comment, sign in
-
Discover Why Bill Hader Calls This Animated Film His Top Pick of 2024 - CineRecap.com Article Link - https://lnkd.in/dEPYRAGB Overall, the review of the movie Flow is very positive. The reviewer mentions that actor Bill Hader named it as his favorite film of the year and that it has been impressing audiences and critics alike. The story follows a black cat who finds himself in a post-apocalyptic world after a tsunami, joining a group […] #MovieReviews #WebSeriesAnalysis #StreamingInsights #FilmCritique #EntertainmentNews #StorytellingReviews #OTTContent #BingeWatchGuides #CinemaTrends #FilmAnalysis #StreamingPlatforms #CinematicExperience #MovieRecommendations #SeriesRecap #FilmLovers #StreamingUpdates #MovieInsights #OTTNews #CineCritique #BingeWorthyContent #FilmReviews #OTTUpdates #MovieTrends #StreamingRecommendations #CinematicWorld #FilmDiscussion #SeriesReviews #CinephileCommunity #EntertainmentGuides #MovieExploration
To view or add a comment, sign in
-
I usually don’t use LinkedIn for TV shows reviews, but since this really was filmmaking at its finest. Ripley: The latest installment, Ripley, on Netflix, stands out as one of the finest shows I've come across in recent memory. Firstly, the acting across the board was simply stellar. While the lead actor delivered an exceptional performance, it was the entire ensemble cast that elevated the series to an extraordinary level rarely witnessed. Secondly, the cinematography was nothing short of remarkable, likely to become a staple in film education for years to come. It unquestionably ranks as the finest I've witnessed in a series, if not in cinema itself, in quite some time. While it draws inspiration from the legendary Italian artist Caravaggio, many have attempted to emulate his style to no luck; however, Ripley succeeds in capturing its essence like none before. Lastly, the narrative itself was a marvel. Spanning eight captivating episodes, it meticulously depicts the evolution of Tom Ripley in a truly remarkable manner. Simply put, Netflix hit a home run. In a world where redos, revamps, and reruns drives streaming services. Ripley is a reset.
To view or add a comment, sign in
-
Farewell to a Talented Director: Remembering the Legacy of Charles Shyer - CineRecap.com Article Link - https://lnkd.in/dEHzP5tF The article provides a detailed overview of Charles Shyer’s career as a filmmaker, particularly highlighting his collaborations with his second wife, Nancy Meyers. It discusses their successful projects, such as "Private Benjamin," "Father of the Bride," and "The Parent Trap," as well as their personal and professional dynamics. The article also delves into the challenges […] #MovieReviews #WebSeriesAnalysis #StreamingInsights #FilmCritique #EntertainmentNews #StorytellingReviews #OTTContent #BingeWatchGuides #CinemaTrends #FilmAnalysis #StreamingPlatforms #CinematicExperience #MovieRecommendations #SeriesRecap #FilmLovers #StreamingUpdates #MovieInsights #OTTNews #CineCritique #BingeWorthyContent #FilmReviews #OTTUpdates #MovieTrends #StreamingRecommendations #CinematicWorld #FilmDiscussion #SeriesReviews #CinephileCommunity #EntertainmentGuides #MovieExploration
To view or add a comment, sign in
-
New Post: Who is Payal Kapadia, whose film earned worldwide fame, now in the news with 2 nominations at the Golden Globe Awards 2025 - https://lnkd.in/e4yW8hhz New Delhi: The 82nd Golden Globes 2025 has started. All eyes are on this awards night, one of the biggest events of Hollywood. Everyone is waiting for the list of prestigious winners of the Globes but the eyes of Indian fans are on Payal Kapadia who had created history by getting two nominations. Actually, the filmmaker's film 'All We Imagine as Light' has received nominations in two categories. Payal has received a nomination for Best Director. She is the first Indian to get nomination in this category. Apart from this, the second nomination has been received for Best Motion Picture in Non-English Language category.Who is Payal KapadiaDirector Payal Kapadia is an Indian filmmaker, whose short film Afternoon Clouds was the only Indian film selected for the 70th Cannes Film Festival in 2017. In 2021, he won the Golden Eye Award for Best Documentary Film at the 74th Cannes Film Festival for his first feature film, A Night of Knowing Nothing. Whereas before the Golden Globes 2025 Awards, he has been given the Best Director Award by the National Society of Film Critics. Films including Nickel Boys and A Real Pain also received this honor. NSFC has more than 60 critics, who vote for categories like Best Film, Director, Actor, Actress and Cinematography.What is the story of the film?Talking about the film 'All We Imagine as Light', it is an Indo-French co-production movie. In which Kani Kusruti, Divya Prabha and Hrudu Haroon are in lead roles. The story revolves around a nurse named Prabha who struggles with personal struggles and how her roommate Anu tries to fulfill her dreams during a trip to a seaside town. The film made history as the first Indian entry in the Cannes Film Festival competition section in 30 years to win the prestigious Grand Prix. Source link
To view or add a comment, sign in
-
A micro budget filmmaker won Cannes' biggest prize. His first four films range in budgets from $3,000 to a couple hundred thousand. His Palm d'Or winning film only had a $6 million budget. Prior to that film, Sean Baker made a career out of making micro budget films. Pushing and challenging himself creatively and technically to get his films made. I have been a fan of Sean Baker's commitment to getting his films made no matter the hurdles, especially the lack of budget. Many people have never heard of him. Most people probably haven't seen his films. That's okay because he's making the films he wants to make. The most notable film that he has made that probably has the widest audience viewership is The Florida Project. His SIXTH feature film. Before The Florida Project, his most talked about and recognized film was Tangerine which he filmed on an iPhone5s with a crew of no more than 6. With a budget of only $100,000, him and his team set out to make film with an unknown cast for Tangerine, filming on sidewalks, using a bicycle as a dolly, and “stealing” shots. Then his next two "bigger" budget films The Florida Project and Red Rocket where made for $2MM and $1MM. With Willem Dafoe casted in The Florida Project. Besides Willem Dafoe, Sean Baker casts unknown actors, often times people he just meets or finds online - that aren't even "actors". At 53 years old with his 8th feature film Sean Baker won the biggest film festival prize in the world. There is no right way! Make the films you want to make. Tell the stories you want to tell. So many people will tell you how things SHOULD be done or they will tell you what CAN'T be done. Only take advice that will help you and ignore the rest. If you can't get financing, if you can't find investors, if you can't find a known cast ... Ask yourself, what can I do? Figure out ways to make it happen. Sometimes the best ways to do that is to collaborate with like minded people. And ask questions. Learn from where you can. Create, collaborate, and learn more. If you do it enough, eventually someone somewhere will notice and that may just be the thing to get you to the next step. There is no right way to go about it But there is no way if you don't just start and try. In my weekly newsletter The Movie Revolution I send out weekly articles to help filmmakers with insights and tips to get their films made. You know how to make your film (the creative), I like to try to help you get it made (the business). https://lnkd.in/ddgwQHjC
To view or add a comment, sign in
-
-
Review of the Documentary Film "Blink" (2024) The documentary film "Blink," directed by Edmund Stenson and Daniel Roher, is a poignant story about the Pelletier family, who embark on an extraordinary journey around the world to experience the beauty of life before their children lose their vision due to a rare genetic disorder. The film premiered at the 51st Telluride Film Festival on August 30, 2024, and had its nationwide release on October 4, 2024. Themes and Message The film focuses on the emotional journey of a family trying to savor every moment despite the uncertainty of the future. As the family discovers breathtaking views and experiences unforgettable moments, viewers witness their mutual love, perseverance, and ability to marvel at life. "Blink" not only showcases the beauty of the world but also emphasizes the value of family and the strength that can be found in difficult times. Style and Form Directors Stenson and Roher masterfully blend documentary elements with personal stories, making the film not only visually stunning but also deeply moving. The production, supported by National Geographic Documentary Films, features high-quality cinematography that captures the diversity and beauty of the places visited by the family. The narration flows smoothly, and emotional moments are perfectly balanced with visual experiences, making the film incredibly engaging. Reception and Critique The film received positive reviews from critics, achieving an 87% approval rating on Rotten Tomatoes with an average score of 7.0/10. The consensus on the site highlights that "Blink" is an extraordinary adventure tinged with heartbreak, transforming the travelogue format into a moving testament to family. Metacritic assigned the film a score of 69 out of 100, indicating "generally favorable" reviews. Summary "Blink" is a film that not only captivates visually but also prompts reflection on the value of life and family. It is a touching story of love, hope, and courage in the face of uncertainty. It is definitely worth watching to experience this extraordinary journey and to be inspired by the strength of the human spirit. This film is not just a documentary about travel; it is also a profound study of emotions that lingers in the memory long after the credits roll.
To view or add a comment, sign in
-
-
As professionals in the film industry, we often dissect various elements that contribute to a successful scene, and one exceptional example is found in the film 'Conclave,' directed by Edward Berger. In a recent discussion, Berger took the opportunity to narrate a pivotal sequence featuring the renowned actor Ralph Fiennes, providing valuable insights that are applicable not only within film but also in broader narrative forms. In this particular scene, Berger showcases his ability to blend visual storytelling with deep character development. The sequence is designed to convey the underlying tension and gravitas surrounding the election of a new pope, which inherently involves high-stakes drama and intricate emotional layers. Berger emphasizes the importance of setting the right atmosphere, which is achieved through meticulous attention to lighting, sound, and framing. Ralph Fiennes’ performance is a masterclass in the balancing act of subtlety and intensity. It’s fascinating to observe how the actor approaches the character, embodying the weight of centuries of tradition and expectation while also revealing the vulnerabilities that make him relatable. The director discusses how each choice made during filming—from dialogue delivery to body language—plays a significant role in portraying the character's internal struggle. Furthermore, Berger illustrates the importance of collaboration in crafting a scene. From the cinematographer’s choices in lens and angles to the production design that creates an authentic backdrop, each contributor adds a unique layer that enriches the viewer's experience. This level of collaboration speaks to a broader lesson in any creative endeavor: great outcomes are often the result of collective effort. For those interested in the mechanics of storytelling, examining Berger's approach alongside Fiennes' performance can yield insights into pacing, emotional resonance, and the meticulous craft of scene construction. It encourages us to reflect on our own projects, considering how we can enhance our narratives through careful planning and collaboration with our team. In sum, 'Conclave' serves not only as a potent film but as a rich case study in the art of filmmaking. As we dissect and analyze such works, we gather perspectives that can inform our own practices, ultimately striving for that level of excellence in our respective fields. Embracing the lessons from industry leaders like Edward Berger could be the key to unlocking our own creative potential. Movies
To view or add a comment, sign in
-
-
Day 4 and the fourth film in the list of ten that I shared with my collaborators before making L'IMPOSTEUR DU 16 RUE RAVIGNAN – BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE). This one is a little different because I decided to add it to the list after I had finished writing the screenplay. Only later did I notice the similarities of both movies being about actors who have troubling inner voices, and which also function as a loving critique of the entertainment industry. In general, I think Birdman is an excellent film, one that features virtuoso filmmaking techniques that never overtake the strong performances at the film's center – an impressive feat. Birdman simulates that the entire runtime is in one, unbroken take (cleverly hidden with invisible cuts). In order to pull off this illusion, the film is composed of long (generally 15 to 20 minute) sequences, and considering the complexity of the production, it really brought this stylistic choice to a new level. Technically, this approach came at the peak of when “unbroken” films were just about to become passé. There had been a few movies before it to pull it off well (Hitchcock's superb effort ROPE) and there had even been a few movies to do authentic one-takes, like RUSSIAN ARK. In terms of L’imposteur, we considered a one-take approach, in order to keep the film's stage play origins at the forefront, but ultimately found this method too limiting with what we wanted to say through the language of cinema. While it was an opportunity to add narrative intention to the one-take, making it more than just a stylistic “stunt,” editing would be too essential to establishing the role of time and space throughout L'imposteur. However, to accentuate Julie's impressive command of the material, we allowed a few sequences to unfold in long, unbroken takes with 0 cuts. This was also an incredible show of skill by DP Bryan Paulson. It was amazing to watch them choreograph and execute these elaborate dances around our Paris apartment set with virtually zero dry runs. Because of both Julie and Bryan's excellence, we were, unbelievably, able to get the shots in only a few takes. And this is really where the play and the film versions merge into one expression, where the strengths of both mediums informed the other. Sometimes when I watch the L'imposteur and it comes to one of these sequences, I'm incredibly impressed, of course, but mainly pleased that they also seem somewhat invisible to a general audience. They, like many other techniques throughout the film, are so organic and understated that they never call attention to themselves. Our ideas, our themes, our performances, our images are all allowed to absorb you. But like the face of a beautiful watch, there are many gears turning underneath. Birdman helped us see another way into similar territory, but reaffirmed our unique and authentic approach – asking the questions we needed to ask, in the style that made L’imposteur a whole world unto itself. ❤️🎞🧩
To view or add a comment, sign in
-
-
Filmi Review is a passionate movie enthusiast and critic with a keen eye for detail and a love for storytelling. With years of experience in analyzing and critiquing films, Filmi Review has established itself as a trusted source for honest and insightful movie reviews. Through their engaging and thought-provoking reviews, Filmi Review provides readers with a comprehensive analysis of the latest releases, ranging from mainstream blockbusters to independent films. Their in-depth understanding of various genres, cinematography techniques, and storytelling methods allows them to provide a well-rounded perspective on each movie they review. What sets Filmi Review apart is its ability to balance objectivity and subjectivity, ensuring that its reviews cater to both casual moviegoers and avid film enthusiasts. They skillfully dissect the plot, character development, performances, directing, and overall impact of a movie, offering readers a comprehensive understanding of its strengths and weaknesses. Beyond simply rating movies, Filmi Review delves into the underlying themes and messages conveyed by filmmakers, helping audiences appreciate the deeper layers of storytelling. Their reviews go beyond a mere critique, often sparking discussions and debates among readers, as they encourage an open dialogue about the art of filmmaking. With an engaging writing style and a knack for capturing the essence of a film, Filmi Review has garnered a loyal following of readers who rely on their reviews to make informed decisions about which movies to watch. Whether you're looking for a thrilling action flick, a heartwarming drama, or an intellectually stimulating indie film, Filmi Review has got you covered. So, if you're seeking honest, insightful, and well-crafted movie reviews, look no further than Filmi Review. Get ready to embark on a cinematic journey, guided by their expertise and passion for the silver screen. #moviereview #movietime #bollywood #tollywood #hollywood #indianfilmindustry #entertainment #filmreview #filmireview See less
To view or add a comment, sign in
-