#BiennaleDanza2024 Would you like to “experience live the incredible physical worlds of our #BiennaleDanza talent”? From 19 July to 3 August, a series of daily workshops led by the protagonists of #WeHumans will enrich the programme of the 18th International Festival of Contemporary Dance. The workshops, open to the public and aimed at dancers with various levels of experience, will take place at the Sale d’Armi (Arsenale) and at the Teatro del Parco (Mestre-Bissuola): don’t miss the opportunity to “enjoy the power of dance in action”!
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10 Must-See Modern Dance Performances That Will Blow Your Mind Introduction to the World of Modern Dance Performances Modern dance, a dynamic... Read More - https://lnkd.in/dq_yDACn
10 Must-See Modern Dance Performances That Will Blow Your Mind
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In the performing arts sector, we excel at drawing new audiences to our venues to revel in our captivating performances and exhibitions. However, as you may see within your own org, there is a serious gap when it comes to these patrons returning. It’s easy to label these guests as 'churned,' 'attrited,' or 'lapsed' because to us, it feels like there's been a break in our relationship with them if they miss a season. But what if post-pandemic behavior patterns have shifted? What if it naturally takes longer for people to come back for their second or third visit? What if they still think they are engaged, and of your venue as their theatre, orchestra, ballet, opera, etc.? Our latest research at TRG Arts reveals that first-timers might take as long as 18 to 24 months to return. During this period, they still consider themselves actively connected to your community. Join us for a Deeper Dive on July 25th, where Eric Nelson (featured in this video) alongside Kate Hagen, will delve into the Rhythm of Repeat Attendance. Eric and Kate will share insights on how your messages and marketing can resonate deeply with these patrons, nurturing a bond that embraces their sense of connection. Don't miss this opportunity to transform how you engage with your audience and foster enduring patron loyalty. Let’s learn to love our lapsed together! 🔗 https://hubs.li/Q02GLpbv0
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In the performing arts sector, we excel at drawing new audiences to our venues to revel in our captivating performances and exhibitions. However, as you may see within your own org, there is a serious gap when it comes to these patrons returning. It’s easy to label these guests as 'churned,' 'attrited,' or 'lapsed' because to us, it feels like there's been a break in our relationship with them if they miss a season. But what if post-pandemic behavior patterns have shifted? What if it naturally takes longer for people to come back for their second or third visit? What if they still think they are engaged, and of your venue as their theatre, orchestra, ballet, opera, etc.? Our latest research at TRG Arts reveals that first-timers might take as long as 18 to 24 months to return. During this period, they still consider themselves actively connected to your community. Join us for a Deeper Dive on July 25th, where Eric Nelson (featured in this video) alongside Kate Hagen, will delve into the Rhythm of Repeat Attendance. Eric and Kate will share insights on how your messages and marketing can resonate deeply with these patrons, nurturing a bond that embraces their sense of connection. Don't miss this opportunity to transform how you engage with your audience and foster enduring patron loyalty. Let’s learn to love our lapsed together! 🔗 https://hubs.li/Q02GxLN30
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After a year in which women ruled the world of pop music and movies – including ‘Barbie,’ Taylor Swift and Beyoncé -- what progress are women making in theater, dance, and classical music? THEATER: In 2002, only 17% of productions on U.S. stages were written by women. This season reached gender parity for playwrights on Off Broadway stages dedicated to new-play production. Playwright Julia Jordan, executive director of the Lilly Awards, created in 2010 to honor the work of women in the theater, notes: “Everybody gets produced now. There’s much more competition. In a good way.” https://lnkd.in/ekD3v8Va DANCE: Within the Largest 150 ballet companies in the 2022/23 season, only 32.1% of works were choreographed by women – although that was up a few points from the previous season’s figure of 29%. Focusing specifically on the Largest 50 companies, women only choreographed 22.9% of works, compared to 27% in the 2021/22 season. Of the 153 Artistic Directors at the Largest 150 ballet companies, 66 are women (43.1%), 86 are men (56.2%), and 1 is gender expansive (0.7%). Within the Largest 50 ballet companies, however, there are only 13 female (24.5%) and 38 (74.5%) male Artistic Directors. The contemporary and modern dance world offers far more leadership opportunities for women than classical dance. A 2023 report on modern dance shows a major increase in female-led and female-founded companies. Of the 137 current artistic directors, 87 are women (63.5%), 48 are men (35%), and 2 are gender expansive (1.5%). Similarly, of the 153 company founders, 93 are women (60.8%), 58 are men (37.9%), and 2 are gender expansive (1.3%). More on women choreographers: https://lnkd.in/e2K-9M8C More on women artistic directors of ballet companies: https://lnkd.in/ea3pMrzq More on women artistic directors of modern dance companies: https://lnkd.in/e695Emru CLASSICAL MUSIC: Over the last ten years, there has been a steady rise in programming of music by women composers – and in particular, living women. Women comprise 7 of the top 20 most-performed living composers – in 2013, there were none at all in the top 20. In contrast, the picture is more mixed for women conductors. Of the 100 busiest conductors, only 14 are women, but in 2013, there were only 4 women in the same list. Are women conductors hitting a glass ceiling in a way that women composers aren’t? It is a possibility. There are also more experienced women conductors working today vs. in previous decades. https://lnkd.in/dxJUNsWc #sweibelarts
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Do you have audiences eager to learn more in depth about your art but not sure how to help them? You have people really interested in knowing every single detail about how you are able to create these amazing artistic experiences but your organization doesn't have the resources to do it? No worries, we are here to help! This is a specially designed service/course for your general audiences (without any type of artistic training) who wants to rediscover the Performing Arts. With it, participants will not only be able to learn the basic elements of how to appreciate these arts, but also learn about the "classical" arts (orchestra, ballet, opera), how they collaborate with each other, and interact with their modern evolutions and the various forms and variations that have acquired over the years (musical theater, contemporary dance, pop symphonic concerts, etc.). Participants will also be able to learn how these arts are created and rehearsed, the people involved inside and outside the company, and the key elements to focus on when wanting to enjoy the artistic experience. Book on our website ( https://lnkd.in/gpsHUkqi ) a FREE initial consultation so we can understand better your needs and with it send you a proposal to be sure your organization develop strong, sustainable, and long-lasting relationships with all your stakeholders!
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Concert, ballet ou théâtre… young people in France value cultural experiences more than ever, but are struggling to afford them 🎭 Live cultural experiences such as theatre, concerts, performances and events are a key part of life in France. However, with the rising cost of living, the reality is that an increasing number of French young adults can no longer afford to pay to see culture live at all. We dug into this for our latest research into young French customers of our app, and found that: 63% of young working people say they have reduced, at least slightly, the proportion of their spending on cultural events over the last 5 years. And almost 74% say their spending on these will continue to be sacrificed in favour of other expenses. However, 75% of those surveyed said they would like to increase the frequency of this type of outing in the future, showing that enthusiasm for culture remains very high. As a result, Plum and BilletRéduc.com, the French leading discount ticket booking company, are partnering to call on the French Government and businesses to work together to promote easier financial access to the performing arts for young adults in France. 🎤Céline Haddad, personal finance expert at Plum explains more: "At a time when the purchasing power of young working people is falling, Plum is committed to defending financial access to culture for all.” “Performing arts are being particularly hit by inflation, especially after the Covid-19 pandemic. Our study shows that young working people in France would like to go out to cultural events more but they are missing out because of its costs as a result of the rising cost of living.” “Just as we’re making money management more accessible, we’re doing our part to promote affordable access to culture for all and we call on companies and the government to do the same." Have you reduced your attendance of cultural events due to inflation and rising costs? What would you like to see the Government do to support performing arts? Let us know in the comments 👇
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Whispers of the Market Symphony: A Dance of Numbers In the vast arena of financial constellations, the Nifty 50 stood as a stoic maestro, conducting a delicate symphony between the Last Traded Price (LTP) and its 52-week high. Today, a subtle melancholy enveloped the Nifty 50, a -1.10% note played against the echoes of its highest crescendo. Meanwhile, the Nifty Next50 pirouetted with grace, its rhythm undisturbed, embracing a harmonious 0.80% elevation. A week-long waltz echoed its cadence, painting a picture of financial serenity. In the Midcap 150 ballet, a nuanced performance unfolded, a 0.10% minuet danced in the one-day spotlight. Over a month, its sway intensified, a 2.60% tango in tandem with the market's heartbeat. The Smallcap 150, a spirited soloist, adorned itself with a 4.30% sonnet, a testament to its resilience over the month. In the quiet realms of the Microcap 150, an unspoken lull prevailed, a 0.00% hush, perhaps awaiting the crescendo of its own financial symphony. Thus, in the grandeur of the market opera, each index twirled and swirled, leaving imprints of their performance on the canvas of time, a poetic saga etched in the dance of numbers. #market #share #pgfinance #
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Work-life harmony is a dance, and you’re the choreographer. Boundaries are your dance steps, guiding you through the rhythm of your day. They help you decide when it’s time to work and when it’s time to rest. Self-care practices are your dance breaks, giving you the energy to keep going. They’re your moments of rest and rejuvenation, keeping your spirits high and your steps light. Prioritizing well-being is your dance floor, the foundation on which you perform. It’s about ensuring that you’re in good shape, physically, mentally, and emotionally, to give your best performance. Keep dancing, keep choreographing, and remember to enjoy every step of the way. Because work-life harmony isn’t just about finishing the dance, it’s about enjoying the music along the way. #WorkLifeHarmony #Boundaries #SelfCare #Wellbeing #EnjoyTheDance
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Coaching & Training Founders & Leaders. Founder at AOLA | Empowering Founders & Leaders to live a life of true fulfillment, high performance & peace of mind. Join our community 🡻🡻
Here are nine lessons I learned working as a professional dancer and choreographer that translate into business: #1 Commercial works for most people; with real depth, you won't have a mass audience but true fans. You choose which game to play. #2 You cannot create a touching performance if the performers are unwilling to be vulnerable. The performer needs to open up for the audience to open up. #3 Comparison kills creativity. Comparing yourself makes you more alike than unique. And it kills the fun in practice. #4 The best dancers I know are always dancing. They use their everyday movement to practice dance. They see all movement as part of dancing. #5 A great dance is built of absolute mastery of movement yet total surrender to the flow. #6 The best dancers are mixing disciplines. #7 There is a constant interplay between practice and play; the greatest dancers can't tell the difference. #8 There is no such thing as what is best in dance or what will perform best. I spent time in performances where I could fall asleep, and others would totally celebrate it. 9# Doing what everyone does will give you momentary acceptance. Following your interest for long enough will develop your unique style, which makes you valuable in the long term.
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