Frank Crawford, P.Eng, CPHD, CPHT’s Post

I am so proud of American Resilience Project and #farmfreeordie. This documentary digs into how climate change is impacting farmers and how they are responding with #regenerativeagriculture to strengthen soil health and produce more with less inputs on the same or smaller footprint. US farmers are amazing and innovative in their ability to feed and fuel the world while decarbonizing and boosting efficiencies. #sustainableagriculture #bethechange

💡 Wondering what are our labels? You might have already seen them on our post, or our website... 👀 The Luxembourg City Film Festival have, over time, created its own attributes in order to distinguish some type of films. Among them : "FESTIVAL POPS, #COLLABORATIONS, OUTSIDE OF THE BOX, "LATE NIGHT BIZARRE" and even a new one! Indeed, for the 14th edition, we created the new label : "FOLLOW UP", which are films by filmmakers who have already been selected in previous editions of The Festival. But what do they mean? Find out on our Guide for the #LCFF labels: https://swll.to/CqhujUy

In 2019, I made an ultra low budget indie film called FAQIR. I had neither made anything that professional, nor did I have experience with film festivals. Rushing to submit the film, I sent it to a couple of film festivals without verifying if they were legit. Plus, the film was barely complete, with awful sound due to background noise. Looking back, I should have made a silent film, or a short sound film instead with the same amount of money. After that whole ordeal, I lost confidence in traditional methods of filming and going into festivals as it seemed too difficult for someone who doesn't have the resources. I made experimental films and music videos until I realized the itch has to be scratched. I can't just go on like this, neither can I give up. At the end of 2023, I decided to embark on an effort to make a new film that would fix the issues I had in my previous films (sound, confusing storyline, lacklustre acting, overly dark and noisy cinematography etc.). I wanted my new film to actually be good and presentable. I also wanted to not hold back with dialogues and story ideas, and just show and say things that I wanted to say. After writing the script, I spent a month gathering different actors and crew members to take part in the film. It makes a world of difference between when you start off and when you have already put out different pieces of work, and have networked with industry enthusiasts over the years. Afterwards, I spent 4 months rehearsing with the actors, letting them get into their roles, even if it was their first time in front of the camera. We began rolling on April 2024, shooting on weekends, and public holidays. I edited the footage almost everyday after filming so that we can get a rough cut as soon as possible. Although the filming started off smoothly, on the last few main shooting days, it definitely got stressful and mistakes were made. People forgetting lines, forgetting clothes, hitting the time limit for the day due to unexpected delays. The one-man crew which I knew from the start I would have to take part in took a toll, but thankfully we finished the filming relatively smoothly. Originally, I didn't intend to submit to any festivals due to the bad experience from before. But after watching the rough cut, I decided to give it a try, but only for festivals that don't bankrupt me. So, without expectations, I submitted to Rameshwaram International Film Festival, after verification. I'm so glad I did, and I'm so glad I submitted right before the deadline. Whether our film wins or not, I wouldn't be too bothered. Just the fact that we were able to complete something is already something I'm proud of and I can't thank my team enough! Just gives me more hope to make more projects, keep submitting, and potentially get to Cannes Film Festival to be nominated for a Palme d'Or.

Happening now in Taipei, a more and more “European” city.

This past weekend, Michael and I premiered our 9th film and I performed live for the first time in five years. It required: 1 - Hiring a babysitter for more hours than we could comfortably afford. 2 - Pumping after the kids went to bed and brainstorming ways to get my child to drink milk not directly from me. 3 - Commuting between rehearsals, screenings, performances, and home to nurse, hand off the kids, and spend quality time with them. 4 - Handling a sick child who couldn’t attend school and soothing a baby awake for two hours at night due to my accidental throat-clearing. On Sunday, we did not rest. It’s not an option with two small kids. The weekend was hectic but rewarding, and I am grateful for the experience, but Monday brought some much-needed relief. I don't share this to gain sympathy or compete in the exhaustion Olympics–  "Oh yeah, you only got 4 hours of sleep? Well, I only got -0.37!" And yes, having children and pursuing my career are my choices. But when I hear stereotypes like "Millennials are lazy and just don’t want to work," I question what the standard definition of "work" really is. Is it measured by a LinkedIn profile, frequent title changes, or hours logged in an office? Or by the income and possessions, it allows one to accumulate? If that's the case, then maybe I am lazy. Maybe I don’t want to “work”. Why would I? Curious: How do you define or redefine work 👇🏽?

If you haven't seen this film, please do so! It will change how you view and evaluate nonprofits! Stephen Gyllenhaal has done an amazing job enshrining Dan Pallotta's brilliant TED talk into a comprehensive film that identifies how we, as individuals and as a society, need to fundamentally shift our views on how we understand, fund, and hold accountable the charities we expect to solve the world's biggest problems. Who should see this movie? Anyone that has: donated to, volunteered at, work for, or chastised a nonprofit charity. It will challenge your beliefs regarding: administration expenses, employee pay, and how we should understand their impact! #uncharitable

Everything you need to know about the 9th Indie Meme Film Festival Read the feature in The Foundations Tv article! 👇 https://lnkd.in/gH8irJCh

🎵mero gam katha pare ja dhudh ki nadiya wahe ja🎵 At IRMA, our induction is unlike any other. It begins with a screening of the iconic film, Manthan. This old tradition unites generations of IRMAns even till batch 44 (and beyond), fostering a shared understanding of our mission in rural India. Manthan, inspired by the real-life milk cooperative movement led by Verghese Kurien, is a powerful portrayal of collective action and its transformative potential. The post-screening debrief is where the magic happens. We delve deeper, dissecting the movie's enduring relevance. One scene that sparked debate: Dr. Rao's (representing Dr. Kurien) decision to leave the village after facing challenges. It left us confused. Dr. Shylendra's explanation, however, provided a profound lesson: sometimes, change is a seed you sow, not a fruit you reap. Bhola, the villager inspired by Dr. Rao, carries the torch forward, with Bindu by his side. Their success becomes a testament to Dr. Rao's groundwork. It's a powerful reminder that lasting impact often lies in empowering communities, not imposing solutions. Manthan is more than a movie; it's a cornerstone of the IRMA spirit. It teaches us humility, the importance of understanding rural realities, and the power of collective action. It's a lesson I'll carry with me throughout my IRMA journey and beyond. #IRMA #Manthan #RuralDevelopment #CollectiveAction #Legacy #RuralManagement

Here is the TIFF 2024 Film Festival schedule in pdf.

It’s all about great storytelling, delivered with compelling composition, cadence, and craft.