Greek Shipping Miracle’s Post

🦐 Curious to see how we can harness the real power of the sea? Make your way to ARTIS | Natura Artis Magistra Groote Museum and explore ways that we can cultivate land, sea, and the lab to provide for our ever growing population. Here's a little snippet of the sea video, told by Reinier (R.W.) Nauta, produced by BIND and animated by me at YIPP!

Download: Museums and intangible cultural heritage. Towards a third space in the heritage sector https://lnkd.in/d8ShJ7su This book is concentrated around the concept of intersection. The many activities conducted by museum professionals and communities, groups and individuals (CGIs) related to intangible cultural heritage, are seen as colourful strings that at some point intersect and form diverse patterns. These patterns represent spaces that offer new and enriched insights into heritage. Throughout the book, we look for ways in which the different ‘paradigms’ can strengthen each other and how their ‘encounter’ creates a ‘third space’. A range of heritage professionals and ICH practitioners took part in this quest. We believe that the diversity of theoretical approaches and contribution formats reflects the values behind the diverse, holistic and integrated approach to heritage which this book wishes to promote. https://lnkd.in/d645MWnb

Cultural heritage is evolving, driven by increased accessibility, heightened cultural awareness, the surge in 3D and AR, and digital preservation. Explore more about our cameras and SDK for cultural heritage, like museum’s archiving of artifacts. Learn more: https://bit.ly/486nQAi

Did you know that our dehumidifiers are vital in preserving the world’s most precious cultural and historical treasures? ⏳ From ancient scrolls hidden in archives to masterpieces displayed in bustling museums, we ensure that these spaces maintain the ideal temperature and humidity levels to protect our shared legacy for future generations to cherish. Learn more https://okt.to/qxom5t.

Slice of Life #4 Your perspective changes everything: 1) Museum of failure or gallery of trying 2) Archieve of mistakes or Library of lessons 3) Mountain of experience or ocean of regret Everything you are going through will be worth in the end. Keep on going. -@opiamotivation-

I am thrilled to share that our latest article, co-authored by myself and@iamamodudavid, has been published in the esteemed journal, Museum Management and Curatorship our paper, “When Stories Are Not the Same: Power and Powerlessness in a Nigerian Museum,” examines the intricate dynamics of power, powerlessness, and the contextualisation of museum as boundary infrastructure. Enjoy! https://lnkd.in/e9JE5DVi

Did you know that our dehumidifiers are vital in preserving the world’s most precious cultural and historical treasures? ⏳ From ancient scrolls hidden in archives to masterpieces displayed in bustling museums, we ensure that these spaces maintain the ideal temperature and humidity levels to protect our shared legacy for future generations to cherish. Learn more https://okt.to/faxsTC.

🌺 Panoply (Noun) Use: A complete or impressive collection of things. Example Sentence: The museum displayed a panoply of ancient artifacts, showcasing the richness of history. 🏛 Embark on a journey through the panoply of words! Let the linguistic tapestry unfold. Ready to explore the vast array of expressions?

"Documenting artifacts is not merely a task but a responsibility and essential practice—a commitment to safeguarding the legacy of our cultural heritage. Through meticulous documentation, museums honor the past and empower the future. In this article, we discuss the critical role of thorough and consistent documentation, best practices, and provide a selection of links to helpful resources." Discover more about the importance of comprehensive artifact documentation. Read the full article here: https://lnkd.in/egmMP-S9 #CulturalHeritage #MuseumDocumentation #PreserveHistory

Napoleonic cultural heritage is the topic of this full day symposium that shall bring together cultural heritage institutions, museums and battlefields as sites of memory. I shall be chairing Session 1, with some of Europe’s top museums in conversation, guided by these two purposely chosen questions. The first - Who owns Napoleonic heritage, what memory or memories does it represent and for whom do museums conserve, present and interpret it? The second - Is there a European narrative in Napoleonic history and, if so, how can museums reconcile that with the national narrative they usually engage with? By asking such broad questions we shall hopefully be engaging in more deeper ways with the European dimension of cultural heritage and consensual curation as a tool to reach this goal. If you are interested, do reach out on email contact@napoleoncities.eu