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Project: “Floating Steps” Modern theme in Roslyn, NY One year post construction. Sculpture Design: Ray Rod Connecting the modern influenced landscape architecture with art

Architectural Odyssey: Navigating the Seas of Knowledge In the grand narrative of architectural marvels, the British Library stands as a formidable flagship, a bastion of knowledge navigating the tempestuous seas of history. Anchored in the heart of London, it commands reverence and respect, much like the battleship Sir Colin Alexander St John Wilson once served upon in the Royal Navy Reserve. But amidst the solemnity of its corridors and the weight of its literary treasures, a whimsical dance unfolds—a dance between the past and the present, the sacred and the profane. Behold Newton, shrouded in bronze, his modesty preserved by a cloak of artistic reverence. A nod to William Blake's critique of scientific hubris, this sculpture by Eduardo Paolozzi is more than mere metal and mortar—it's a poignant reminder of the delicate balance between reason and imagination. And what of the architect's role in this intricate tapestry of creation? Like Job, grappling with the mysteries of existence, architects are tasked with navigating the labyrinthine complexities of design and construction. From blueprint to building, they wield their pens and brushes with the skill of seasoned artisans, crafting monuments to human ingenuity that stand the test of time. But beneath the veneer of artistic expression lies a deeper truth—a truth that speaks to the very essence of a job, a role, a work. For architects, it's not just about erecting structures; it's about shaping destinies, forging connections, and breathing life into the inert clay of possibility. So, as we gaze upon the shrouded figure of Newton and marvel at the architectural wonders that surround us, let us not forget the architects—the unsung heroes of our built environment. Theirs is a job like no other, a calling that transcends mere profession, and a legacy that echoes through the annals of time. #ArchitecturalOdyssey #KnowledgeVoyage #ArchitectsJourney #DesignExploration #BuiltEnvironment #LibraryLegacy #ArchitecturalHeritage #CreativeNavigation #ArchitectsRole #CulturalPreservation

Rate of decay: I took this photograph the other day at English Heritage's Battle Abbey. It is a stone reveal on the Abbey dormitories. It got me thinking about our monuments and the rate in which they decay, the loss of historic features and detailing.  What would you do here? Feel free to list your preference in the comments.A) Nothing, leave as is, it is a natural process of the material.B) Reconstruction of the arch: Carve new stone, using selected similar quarried materials.C) Minor repairs on missing elements/ detailing.D) Addition of some form of covering i.e lead dressings to slow rate of decay.E) Other method not listed here.F) A combination of the above. G) Reface using a stone mix. (Note: For discussion only) #heritage #conservation #construction #architects #buildingsurveying

These are 119-year-old beams, columns, pilings and footers of a ramp mapped at the former American Ice Company's Plant No. 2 in Baltimore. The wooden ramp brought ice from the 2nd floor interior directly out to street level for delivery via horse-driven carriages to customers around the city. At it's peak, AIC employed over 500 horses kept in stables on the property. There were enough gradual slopes, odd angles and strange curves to give any geometry professor a headache. Luckily for us, 3D laser scanning documents all of this within seconds. #historicpreservation #historicarchitecture #adaptivereuse #heritagebuildings #historicrenovation #redevelopment #adaptivereusearchitecture #historic #historical #historicbuildings #historicbuilding #abandonedplaces #abandonedbuilding #abandonedbuildings #abandonedfactory #oldfactory #oldfactories #oldfactorybuilding #architecture #architect #architecturelovers #architecturedesign #baltimore #baltimorecity #baltimoreart #baltimorearchitecture #ramp #ramps PI.KL Studio

This week’s Team Talk focussed on the deep topic of phenomenology. If architecture is meant to move our emotions, how do we study the phenomena of our subjective experiences? Our discussion included excerpts from Peter Zumthor’s book Atmospheres, as he attempts to describe the sensation of inhabiting the ideal courtyard. This conversation renewed our belief that great architecture is meant to be felt, not just seen. What are your favorite ways for architecture to engage the senses? Architecture: Laney LA Interiors: Anita Lang Construction: Tyler Krikorian Engineering: Riverstone Structural Concepts Fabrication: NEXUS METAL WORKS, LLC Veneer: Sanfoot Natural Wood Veneer Photography: Eric Staudenmaier

SOMETIMES A DRAWING JUST KNOCKS YOU OUT.....I did this drawing years ago for a stone restoration of an entryway. It illustrates the components of the entry canopy. What I truly love is the superimposed section overlay that brings the elevation to life, a different level of understanding. What do you think?...... #longliveourbuidings #lovethisstuff #lovewhatyoudo #entry #entryway #entrance #canopy #stone #stoneentry #stonemasonry #stonework #stoneart #archlovers #architecturaldesign #archilovers #architecturaldesigns #architecturaldetails #archilifestyle #architects #architect Matt Risinger Mark Wille Alexandra Baczek Stevos Baczek Shaun St-Amour Larry Clay Michael Ingui

👀 See architecture through new eyes, in monochrome Mario Tarantino brings a new perspective to architectural beauty. His mastery of black and white photography is nothing short of remarkable. His work is characterized by its surreal, humanless, and impeccably clean locations, presenting a mysterious and striking facet of architecture and everyday landscapes. His monochrome universe is a testament to the power of simplicity in art. 🏛️ 👇 Check out the full interview with Mario Tarantino: Link in the first comment

A well-known sculptor Constantin Brancusi's quote implies a deep connection between sculpture and architecture, emphasizing that both include the forms that have a profound impact on those who interact with them. In this sense, architecture is viewed as a sort of artistic expression that fundamentally changes the human experience of place, rather than only a pragmatic or utilitarian profession. This statement is implying that architecture, like sculpture, is an art form that shapes built with humans in mind. #architecture #architecturalquotes #architect #inspirationalquotes #architecturaldesign #ArchitecturalExcellence #interiordesigners #tranquilglobal #weeklyquotepost

“Why was I not made of stone like thee?” As Notre Dame’s famous gargoyles (and grotesques) are repaired—or recarved—and reinstalled as part of the landmark’s restoration, we’re reminded of this lament by Quasimodo (Charles Laughton) from the 1939 film, The Hunchback of Notre Dame. The film is bolstered by great acting and the powerful presence of an uncredited character: the cathedral itself. In that sense, the novel and the film are really about the cultural dimensions embodied in Gothic architecture—still relevant today. In keeping with the philosophy of “first, do no harm” (inspired by the Hippocratic Oath), our restoration designs strive to preserve as much original material as possible. And when replacement is required, we advocate for replacement in kind—in some cases, even reversing previous repairs. For example, we have specified new terra cotta elements where the originals had previously been replaced with GFRC. Architectural empathy also includes embracing any building type and style. We’ve worked on New York buildings from the 18th through 21st centuries, from Colonial-era landmarks to Brutalist buildings and beyond. Structures of any era are worthy of preservation, whether their envelopes are gargoyle-covered or made of unadorned concrete. But if we were made of stone, we’d be much less flexible. #paris #gargoyles #restoration

“Why was I not made of stone like thee?” As Notre Dame’s famous gargoyles (and grotesques) are repaired—or recarved—and reinstalled as part of the landmark’s restoration, we’re reminded of this lament by Quasimodo (Charles Laughton) from the 1939 film, The Hunchback of Notre Dame. The film is bolstered by great acting and the powerful presence of an uncredited character: the cathedral itself. In that sense, the novel and the film are really about the cultural dimensions embodied in Gothic architecture—still relevant today. In keeping with the philosophy of “first, do no harm” (inspired by the Hippocratic Oath), our restoration designs strive to preserve as much original material as possible. And when replacement is required, we advocate for replacement in kind—in some cases, even reversing previous repairs. For example, we have specified new terra cotta elements where the originals had previously been replaced with GFRC. Architectural empathy also includes embracing any building type and style. We’ve worked on New York buildings from the 18th through 21st centuries, from Colonial-era landmarks to Brutalist buildings and beyond. Structures of any era are worthy of preservation, whether their envelopes are gargoyle-covered or made of unadorned concrete. But if we were made of stone, we’d be much less flexible. #paris #gargoyles #restoration