ICH Creative Consulting LLP’s Post

A Bengaluru brand making eco-design a global movement 🎨 Imagine a world where every piece of furniture carries a story—a story of tradition, sustainability, and timeless beauty. That’s the vision Deepak Srinath, founder of Phantom Hands, is bringing to life. Based in Bengaluru, Phantom Hands is more than a furniture brand, it’s a movement. Here’s how Deepak and his team are rewriting the rules of design: ✨ Sustainability at the Core: By using reclaimed timber and upcycled fabric scraps, Phantom Hands transforms discarded materials into stunning, functional furniture. 🌟 Heritage Meets Modernity: Inspired by India’s mid-century modernist movement and traditional craftsmanship, their designs pay homage to the iconic Chandigarh style while fitting seamlessly into today’s world. 💡 Artisan-Centric Approach: Deepak collaborates with skilled artisans, ensuring every piece is a masterpiece, blending traditional techniques with contemporary aesthetics. 🚀 Global Impact: Phantom Hands has gained international acclaim, with its pieces now featured in homes, offices, and galleries worldwide. Deepak’s Vision: “When you look at a piece of furniture, you should see more than its form—you should see the hands that made it, the materials that shaped it, and the story it carries.” 👉 Why it matters: Deepak proves that sustainability and luxury are not just compatible—they’re essential for the future of design and business. Phantom Hands inspires us to rethink how we design, consume, and connect with the world around us. 🌏 The question is: How can your business leave a legacy like this? Let’s celebrate leaders like Deepak Srinath who are showing us the way toward a more sustainable future—one handcrafted piece at a time. #Sustainability #DesignWithPurpose #Leadership #Craftsmanship #EcoFriendly

Home textiles have come a long way over the centuries, evolving from simple, functional fabrics to beautiful, intricate pieces that enhance the look and feel of our living spaces.    At Synergy Lifestyles Pvt Ltd, we’ve witnessed this evolution firsthand and played an active role in bridging the gap between traditional #craftsmanship and modern #design.   Historically, home textiles were created using handloom weaving, embroidery, and dyeing techniques that had been passed down for generations. These traditional methods not only provided practicality but also told a story of the #culture and #region from which they came. In India, we saw textile traditions like khadi weaving, block printing, and embroidery take center stage, with artisans creating unique patterns and designs by hand.   At Synergy Lifestyles Pvt Ltd, we embrace these age-old techniques, but we also recognize the need to evolve with the times. While we continue to use traditional techniques, we have adapted them to meet modern design sensibilities and functional needs.    By modernizing these techniques, we’re able to create textiles that offer both beauty and practicality for contemporary living spaces. Our modernized approach incorporates fresh designs, innovative weaving techniques, and eco-friendly practices, all while respecting the tradition behind them.   Synergy’s contribution to the evolution of home textiles lies in our ability to maintain a balance between preserving traditional craftsmanship and embracing new design trends. We continue to support artisans and celebrate their #skills while pushing the boundaries to bring forth contemporary, high-quality products.   We believe that preserving tradition while innovating is key to creating home textiles that not only stand the test of time but also keep up with the evolving tastes and needs of today’s world.    We are proud to be a part of this ongoing evolution, where #heritage and #modernity come together to enhance every home. #evolution #textile #synergylifestyle #synergy

The Furniture Revolution in India: Where Tradition Meets Technology India’s furniture industry is experiencing a remarkable transformation, blending centuries-old craftsmanship with modern technology to cater to the evolving tastes of Indian families. This shift reflects a deeper change in consumer preferences: while previous generations prioritized functionality and tradition, today’s buyers are seeking furniture that strikes a balance between heritage and modernity. This transformation isn’t just about aesthetic choices. It’s part of a larger movement fueled by the "Make in India"initiative, where local artisans and manufacturers are embracing advanced tools like CNC (Computer Numerical Control) machines to create furniture that reflects both precision and cultural richness. Indian consumers no longer need to choose between old-world craftsmanship and cutting-edge design—they can have both, in the form of customized, high-quality furniture that resonates with their personal style.

A common visitor question at the Design Barn is, "Can I take pictures … to copy the design?" The answer is a resounding yes! We need more frugal, beautiful, flexible and highly functional creative spaces. The Tamil Nadu Government chose Spread Design and Innovation Pvt. Ltd. to design their incubators based on the Barn's design, on Forge’s recommendation. And is spreading Barns across its state as FORT, a Sipcot and Forge powered Innovation Ecosystem. In creating the Design Barn, the challenge was to transform vision into reality, establishing a hub for innovation that stimulates the intellect and proves that a sustainable, stylish, and cost-effective space is achievable. If a picture is worth a thousand words, a design experience is worth a million. It shows that design in India is not a luxury but is deeply tied to culture, value, accessibility, and inclusion. Consider this: how many places in India offer direct wheelchair access from the street, without needing steps or elevators, and include a spacious, accessible restroom? Many of us overlook such basics, but to experience good design and accessibility is a right and responsibility. The Design Barn proved essential during the pandemic, with its large shutters allowing natural airflow, no requirement of air conditioning, running on soar, with wide hygienic spaces for walking barefoot. With terracotta walls offering a warm embrace. The space features indoor plants, reinforcing its biophilic nature. The furniture is functional yet considerate of innovators' needs, providing ample surfaces and hooks, with various-sized screens fostering creativity and collaboration. It’s a space to disconnect and immerse in art and design. The blueprint of the Design Barn has inspired the creation of many such structures in this new neighbourhood of Bengaluru - the city of Innovation. As you set foot in the Design Barn, it’s a promise that it will challenge you intellectually and give you fresh inspiration - imaginatively! As promised, we hope to share barn stories everyday for a month. Hope to have you as co passengers in a journey through time - see you around here and hope to have you actually travel to us soon. So that we can co-create and innovate together. Design Barn is an initiative of Spread. #cospace #design #innovation #creativity #entrepreneurship #bengaluru #india #impact #designcenter Avnish Sabharwal Suresh Varma Deepa Prahalad Abhyankar Navi Radjou நவி ராஜூ 🇮🇳 🇫🇷 🇺🇸 BRUCE NUSSBAUM Izabel Barros, PhD Dr. Emma Jefferies Girishraj Nair Kush Medhora Carlos Teixeira André Nogueira Shankar Vanavarayar Vish Sahasranamam

**The Flourishing Realm of Interior Design in India: Market Dynamics and Consumer Psychology**   **Introduction**   The interior design industry in India is experiencing significant growth due to urbanization, a rising middle class, and a cultural shift towards aesthetic spaces. This article examines the market dynamics, the impact of consumer psychology, and the reasons why major interior design firms have not entered the stock market.   **Market Growth**   From 2024 to 2029, the Indian interior design market is expected to grow at a CAGR of 18%, with market value projected to rise from USD 32.1 billion in 2023 to USD 81.2 billion by the decade's end. Key growth factors include:   - **Urbanization:** Increased demand for well-designed spaces due to urban development in cities like Mumbai and Delhi. - **Rising Disposable Income:** A growing middle class seeking to enhance their living environments for personal satisfaction and status. - **Real Estate Boom:** Growth in the real estate sector, particularly in luxury and co-working spaces, fuels demand for design services. - **Technological Influence:** Advances in virtual design tools and AR/VR make interior design more accessible.   **Consumer Psychology**   Several psychological factors drive the industry's expansion:   - **Aspirations for Better Lifestyles:** Consumers desire spaces that reflect their identity and success. - **Global Influence via Social Media:** Exposure to international design trends increases demand for aesthetically pleasing interiors. - **Focus on Well-being:** Post-COVID, there is a shift towards comfortable and functional environments. - **Cultural Blending:** Consumers seek designs that merge traditional and modern elements.   **Why are there No Stock Listings?**   Despite growth, major firms have not gone public due to:   - **Fragmented Market:** Many small to medium enterprises make scaling challenging for IPOs. - **Variable Profit Margins:** The project's fluctuating costs and negotiations may deter potential investors. - **Sufficient Capital Needs:** Many firms rely on private investments, avoiding public market pressures. - **Regulatory Compliance:** Concerns about scrutiny and operational freedom can deter public offerings. - **Market Maturity:** Companies focus on growth and brand building before considering IPOs. - **Cultural Preferences:** A tendency towards family-owned businesses leads to a reluctance to dilute ownership.   **Conclusion**   India's interior design sector is vibrant and influenced by cultural and technological trends. While consumer psychology drives demand for personalized spaces, major firms are hesitant to enter the stock market for several strategic reasons. However, as the market matures, we may see greater interest in public offerings to support further expansion and brand visibility.

The Future of Design in India 🌟 Asian Paints The design future in India looks promising, with numerous events and initiatives promoting innovation and creativity 🎨. For instance, the India Design ID 2024 event showcased the best in contemporary design, interiors, collectibles, and decor, featuring over 140 exhibitors from India and around the world 🌎. What's Next for Design in India? 🤔 As we look ahead to 2025, it's exciting to think about the possibilities 🤩. Here's a question for the design community: "Looking ahead to 2025, what trends and innovations do you think will shape the design future in India? 🌟 From sustainable architecture to cutting-edge product design, the possibilities are endless 🌈. Let's come together to share ideas, inspire each other, and create a brighter future for design in India 💡. Share Your Thoughts! 💬 Add your comments below and let's spark a conversation about the future of design in India 💬. #DesignFutureIndia #IndiaDesignID #SustainableDesign #Innovation #DesignTrends2025 #IndianDesign #DesignCommunity #Architecture #ProductDesign

Getting to know the AAPIDA this AAPI Heritage Month Launched in 2021, the Asian American Pacific Islander Design Alliance (AAPIDA) was created to engage, promote, and empower Asians, Asian Americans and Pacific Islanders working within the home and design industries. Their goal: to foster visibility, collaboration and representation industry-wide. The organization/collective was recently featured in the Business of Home interview, "At High Point, AAPIDA Announces 5 Strategies to Create Change." This hard hitting conversation features four outstanding designers, including designer and AAPIDA Vice President of Northern CA Noz Nozawa, Swati Bansal of Soil to Studio, Ray Christian Hallare of Dowel Furniture, and Lia Shin of C + H Interiors. They talk colonization vs. collaborating, “how Asian is too Asian”, the importance of representation and how AAPIDA intends to address these issues through ingenuity, inclusivity, and joint endeavors. This is a great…and important read folks. Check it out here: https://lnkd.in/ed7P6eDq.  #AAPIDA #AAPIheritagemonth #HighPointMarket #businessofhome

A common visitor question at the Design Barn is, "Can I take pictures … to copy the design?" The answer is a resounding yes! We need more frugal, beautiful, flexible and highly functional creative spaces. The Tamil Nadu Government chose Spread Design and Innovation Pvt. Ltd. to design their incubators based on the Barn's design, on Forge’s recommendation. And is spreading Barns across its state as FORT, a Sipcot and Forge powered Innovation Ecosystem. In creating the Design Barn, the challenge was to transform vision into reality, establishing a hub for innovation that stimulates the intellect and proves that a sustainable, stylish, and cost-effective space is achievable. If a picture is worth a thousand words, a design experience is worth a million. It shows that design in India is not a luxury but is deeply tied to culture, value, accessibility, and inclusion. Consider this: how many places in India offer direct wheelchair access from the street, without needing steps or elevators, and include a spacious, accessible restroom? Many of us overlook such basics, but to experience good design and accessibility is a right and responsibility. The Design Barn proved essential during the pandemic, with its large shutters allowing natural airflow, no requirement of air conditioning, running on solar, with wide hygienic spaces for walking barefoot. With terracotta walls offering a warm embrace. The space features indoor plants, reinforcing its biophilic nature. The furniture is functional yet considerate of innovators' needs, providing ample surfaces and hooks, with various-sized screens fostering creativity and collaboration. It’s a space to disconnect and immerse in art and design. The blueprint of the Design Barn has inspired the creation of many such structures in this new neighbourhood of Bengaluru - the city of Innovation. As you set foot in the Design Barn, it’s a promise that it will challenge you intellectually and give you fresh inspiration - imaginatively! As promised, we hope to share barn stories everyday for a month. Hope to have you as co passengers in a journey through time - see you around here and hope to have you actually travel to us soon. So that we can co-create and innovate together. Design Barn is an initiative of Spread. #cospace #design #innovation #creativity #entrepreneurship #bengaluru #india #impact #designcenter Sonia Manchanda Girishraj Nair Nishad Ramachandran Rajeshwari (Raji) Math Suryarshi Mitra Mallikarjuna Swamy Ram Adhikari Bhisma Pratim Samrat Dey Sridhar Chakravarthy Manya Cherabuddi Design Open Design Open Co World Design Organization

𝗨𝗿𝗯𝗮𝗻 𝗜𝗺𝗽𝗿𝗶𝗻𝘁𝘀 - 𝗧𝘂𝗿𝗻𝗶𝗻𝗴 𝗘𝘃𝗲𝗿𝘆𝗱𝗮𝘆 𝗗𝗲𝘁𝗮𝗶𝗹𝘀 𝗶𝗻𝘁𝗼 𝗪𝗲𝗮𝗿𝗮𝗯𝗹𝗲 𝗦𝘁𝗼𝗿𝗶𝗲𝘀 🌆🎨 Transforming overlooked urban elements like manhole covers into sustainable, wearable art. Each design captures the essence of a city, weaving creativity, culture, and connection into every piece. By celebrating public spaces as artistic canvases, we inspire a new appreciation for the world around us. ✨ See the extraordinary in the ordinary. ✨ Wear the stories of the streets. 1️⃣ 𝗢𝗯𝘀𝗲𝗿𝘃𝗮𝘁𝗶𝗼𝗻 𝗼𝗳 𝗨𝗿𝗯𝗮𝗻 𝗘𝗹𝗲𝗺𝗲𝗻𝘁𝘀: The journey starts with a fresh perspective—viewing manhole covers, street art, or architectural patterns as artistic canvases. Public spaces hold hidden stories waiting to be discovered. 🏙️✨ 2️⃣ 𝗖𝗮𝗽𝘁𝘂𝗿𝗶𝗻𝗴 𝗔𝘂𝘁𝗵𝗲𝗻𝘁𝗶𝗰𝗶𝘁𝘆: Photograph or imprint these urban details, preserving the essence of the city's unique identity. The texture, design, and story of each manhole cover become the focal point of inspiration. 📸🕳️ 3️⃣ 𝗗𝗲𝘀𝗶𝗴𝗻 𝗧𝗿𝗮𝗻𝘀𝗹𝗮𝘁𝗶𝗼𝗻: Translate these imprints into wearable art. From T-shirts and hoodies to accessories and tote bags, each piece carries a fragment of the city’s narrative. 🎨👕 4️⃣ 𝗦𝘂𝘀𝘁𝗮𝗶𝗻𝗮𝗯𝗹𝗲 𝗣𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻: Collaborate with eco-friendly suppliers to ensure sustainable and ethical production practices. Urban creativity should also respect the planet. 🌍♻️ 5️⃣ 𝗕𝘂𝗶𝗹𝗱𝗶𝗻𝗴 𝗮 𝗖𝗼𝗺𝗺𝘂𝗻𝗶𝘁𝘆 𝗼𝗳 𝗦𝘁𝗼𝗿𝘆𝘁𝗲𝗹𝗹𝗲𝗿𝘀: Encourage people to share their stories of connection with urban spaces through these pieces. Public spaces are about community, and these designs invite everyone to join the conversation. 💬🧡 Urban details remind us that beauty and inspiration are all around us if we take the time to look closely. Just like these imprints transform mundane objects into art, we can transform ordinary days into extraordinary memories. Creativity is about seeing the extraordinary in the ordinary. Dream boldly, design passionately, and connect deeply. 🌟💡 𝗛𝗼𝘄 𝘁𝗼 𝗘𝗹𝗲𝘃𝗮𝘁𝗲 𝗧𝗵𝗶𝘀 𝗖𝗿𝗲𝗮𝘁𝗶𝘃𝗶𝘁𝘆 𝗙𝘂𝗿𝘁𝗵𝗲𝗿: ⏩ 𝗜𝗻𝘁𝗲𝗿𝗮𝗰𝘁𝗶𝘃𝗲 𝗘𝗹𝗲𝗺𝗲𝗻𝘁𝘀: Introduce QR codes on apparel leading to the story behind each design. ⏩ 𝗚𝗹𝗼𝘄-𝗜𝗻-𝗧𝗵𝗲-𝗗𝗮𝗿𝗸 𝗣𝗮𝘁𝘁𝗲𝗿𝗻𝘀: Add an innovative twist with glow-in-the-dark features to highlight designs at night. ⏩ 𝗖𝘂𝗹𝘁𝘂𝗿𝗮𝗹 𝗖𝗼𝗹𝗹𝗮𝗯𝗼𝗿𝗮𝘁𝗶𝗼𝗻: Partner with local artists from different cities to create limited-edition collections that celebrate diverse urban cultures. ⏩ 𝟯𝗗 𝗧𝗲𝘅𝘁𝘂𝗿𝗲𝘀: Use embroidery or raised patterns to make the imprints more tactile and engaging. ⏩ 𝗖𝘂𝘀𝘁𝗼𝗺𝗶𝘇𝗮𝗯𝗹𝗲 𝗢𝗽𝘁𝗶𝗼𝗻𝘀: Allow customers to personalize pieces with imprints from their favorite cities. #UrbanImprints #WearableStories #CityInspiredDesign #PublicSpaceArt #TYTLYInnovation #DesignFromTheStreets #CreativityInEverydayLife #TYT #SustainableFashion #CreativeConnections #ManholeArt #TYTLYinfotech #TY #TYTLY

Milan Design Week 2024: Insights + Analysis Recap: Overall #MDW2024 was inspiring but too crowded. Not enough sustainable solutions, especially among premium and luxury brands, shame on you! Most brands focused more on emotional qualities of design such as re-editions, multi-sensory and nostalgic designs, craftsmanship, colour, collectibles, etc. #MilanDesignWeek2024 It's still the most important design event in the world, and rightly so. The queues are back, despite more exhibitions. Of course, the hype has led to overrated shows (Loewe, Google, Bottega Veneta x Cassina, Gucci,...). The event has become too big and scattered. Take the must-see Alcova, for example. As usual, the platform delivered, but it was too far from the city centre. Too much quantity in almost all the shows. #SaloneDelMobile2024 This year's theme, 'Where Design Evolves', was a little vague but apt. Indeed, there was more evolution than innovation. Still, the show was inspiring in terms of colour, material and finish. And unlike last year, there were plenty of intriguing new forms. Almost all the big names didn't do nearly enough in terms of ethics. While greenwashing was a core principle recently, most brands didn't even bother. Irony out. Everyone knows about the pollution and waste disaster. Will the furniture industry wake up when it's too late to care about furniture? Arper was a great exception, showing the potential to make the planet a better place through smart design. #SaloneSatellite2024 Unfortunately, despite its 25th anniversary, it was weaker than usual. My favourites were the floral inlays by Intent Made and Elisa Passino Studio. There was a retrospective exhibition in the Triennale. #Fuorisalone2024 The highlight was Marimekko x Apartamento Magazine's 'Bar Unikko'. Celebrating Marimekko's iconic print with all the senses, they beautifully transformed a regular bar and deservedly became the talk of the town. All in all, magazines and PR agencies are becoming increasingly influential. The 'Materia Natura' theme was ideal for CMF enthusiasts. I liked the Elle Decor show, with a strong focus on textures and woven-inspired tiles by Mutina x Ronan Bouroullec. Many exhibits were about sustainability and mindful design practices, offering solutions for the circular economy, using waste-based and planet-friendly materials and techniques. One of the best was the hemp display by Majotae 9490. Craft and collectibles were big this year. Although much of the world is looking at AI these days, MDW served up quality craftsmanship and handmade one-offs that combine art and design. My next post on MDW will focus on the key themes. Did you find my analysis insightful? Feel free to share it. I'm an independent design and colour consultant, trend forecaster, editor and speaker focusing on home and interiors. Get in touch if you want to know what matters now, next and beyond. #designanalysis #designstrategy #trendinsights #trendstrategy #trendforecasting