L.E/Miami’s Post

2023. Was record breaking year🎉 Soon more details about it, in the meantime here is a quick recap video of some selected events from 2023. (To show them all we would need runtime of a Hollywood film 🎥🎬) . . #top5magnatestofollow #magnateview #top100mostinfluential #top100event #top100eventagency #eventex #netzeroevents #eventexperience #netzero #netzerocarbon #pcm #pco #eventmanagement #eventproduction #eventmarketing #eventprofs #eventpros #virtualevents #webinar #onlinemeeting #livestream #eventarchitect

Good morning #linkedinfam 🎬 2023's Top Film3/Web3 Innovations and the Visionaries Shaping Our Digital Future I did the research so you don´t have to and - I love years ends lists. HEre is a list about film3 / web3 projects that actually raised the bar for film3 in 2023. At least in my opinion. There are also some relly influential and great people like Miguel Faus, straybits and Jordan Bayne - who fight endlessly for more democratization in the film industry. And like always: This is NOT financial advice. DYOR. 🚀 #Film3 #Web3Revolution #web3 #film #2023 #ai #filmproduction #blockchain #crypto

12th Fail Clinches Filmfare Award for Best Film. A Cinematic Gem Celebrating Resilience, Authenticity, and the Beauty of Imperfection!!😍🥰✨ Strategic Solutions, Lasting Growth. Choose wiz91 technologies for Your Business Journey.🤗✨✨ . . . . #12thfail #12thfailmovie #bestactoroftheyear #businessstrategy #businessgrowth #webdevelopment #websitedesign #websitedevelopment #webdesigningcompany #webdesigning #digitalmarketingstrategy #digitalmarketingagency #digitalmarketingservice #digitalmarketing #socialmediastrategie #socialmediaservice #socialmediamarketing  #wiz91 #indorecity

We can't control the people who pay to produce films, and they have the right to spend their money (and their investors' money) as they see fit, on the projects they see fit to produce. What we CAN control is finding ways to produce our own work. What limits us is the desire to be paid and recognized and feted, which puts us under the control of the people who can pay, recognize and fete us. So, you have a script. You create a YouTube channel, pull up a chair and start reading the script, on camera. BAM! Your script is produced. Now of course you would rather chew off your thumbs than "waste" a script that way, "producing" it to three people who accidentally happen upon your YouTube channel. Well then, prepare to continue being under the control of the film industry's powers-that-be. Now, of course there are other ways to expose your work. Ultra low budget films. Taped table reads. So, start writing scripts that can be produced for that ultra low budget, or organize taped table reads and release the edited tape as a feature film. "Yeah, but even a ULB costs more than I can afford." Afford, or are willing to pay? So you're willing to blast the studios for not paying $50 million to produce your script, but you're not willing to pay or find say... $10,000 to produce your script yourself? Really? See, I believe that it's okay to put yourself under the control of others in order to get your work produced, but I don't believe you can have it both ways: give up control and yet insist on dictating how the producers spend their money or handle your script. Look, I recently rewrote one of my feature scripts to be shot for an ultra low budget. My producing partner and I were considering how to produce it, when a director/producer asked to buy the script for money upfront (very, very small amount of money upfront) and a few (very few) gross points. She took the script, produced it, took my name off as screenwriter and gave me "story by" credit only (which is not as exciting as that is in television) and when I asked her to restore my name as screenwriter, sharing that credit with her (she apparently made some changes to the script in the process of shooting it), she stopped communicating with me, and the script has been listed as "in post production" for like... two years. Why did this happen? Because I gave up my power and though I AM bitching about that, who is to blame but ME? I could have produced that rewritten script for $10,000. Or done a taped table read. Instead, I've lost it forever. It will either come out with my diminished credit or it will never come out at all. How's THAT working for you, Rob? Well... it's pretty fucked up, and I realize what a huge mistake I made. I gave up control and didn't even get paid well for it. MY fault. MY weakness. MY artistic cowardice and unwillingness to do and pay what it took to produce my own work. So yeah, you have the right to bitch, but... who is REALLY at fault for ANY of this situation? Us.

So proud to share this news today! It’s been such a journey with so many partners, colleagues, friends and advocates over the years. Through the good times and the tough times, standing shoulder to shoulder with all of you who believed in our mission and continue to do so. Time for the next chapter 📣🙌🏽 #founderjourney #socialimpact #artsandculture #digital https://lnkd.in/ewtHneF9

🎬 Marché du Film - Festival de Cannes throwback: do CresCine’s markets successful films travel abroad? 🚀 During the CresCine panel on Industry Insights Day, project coordinator Manuel Damasio from Universidade Lusófona - Centro Universitário Lisboa tackled a key challenge: how can European films balance local success and global reach? 🌍 As CresCine launched its groundbreaking State of European Film 2024 report, we examined the performance of small markets, festival trends, and the future of European cinema on the global stage. Ready to future-proof your film’s competitiveness? Discover the insights that are shaping the industry’s path forward. 📊 #cannes2024 #crescine #europeanfilm #filmindustry

Cheers to New Beginnings! 🌟 Join us on a journey of Growth, Innovation, and Consistency in our latest short film. 🚀🎥 #NewYearNewGoals #LKCentrix #LKCentrixJourney #BusinessGoals

Navigating the Global Market of 𝗣𝗼𝘀𝘁-𝗣𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 with 𝗖𝗵𝗮𝗶 𝗬𝗲𝗲 𝗪𝗲𝗶, as he share 𝗶𝗻𝘀𝗶𝗴𝗵𝘁𝘀, 𝘀𝘁𝗿𝗮𝘁𝗲𝗴𝗶𝗲𝘀, 𝗮𝗻𝗱 𝗲𝘅𝗽𝗲𝗿𝗶𝗲𝗻𝗰𝗲𝘀 in navigating the ever-evolving landscape of the global post-production market. It's the final session before the end of the 1st phase, and the excitement is palpable as we chart our course for the future of film. #PostProTalentlab #GlobalMarket #FilmFuture

"It's not Life or Death, it's a beautiful day, we're doing something that we love, we get to be together and watch the sun go down, we get to have all those things in one moment and we've got to be in that moment, and not get confused by what matters and what doesn't " (Take 2 since the first post formatted oddly). --- "Jed Talk" sharing a story from on the set of our film "The Legacy" that won Best Short Film at Comic Con San Diego, was on Hulu, and screened at 30+ film festivals and had multi-state theatrical distribution. Making the point that you can build an environment of trust, you don't have to treat people as human robots, you can have folks feel comfortable in their jobs and still make an award-winning film or have a successful business. -- And in fact, that approach makes sustained success more likely. Let me know what you think!

🎬 Unlock the secrets of the Marché du Film with industry insiders! Dive into the strategies that have propelled the success of accomplished executives Luis Ignacio Perez Endara, Andreas Olavarria, and Arjun Mendhi. 🔍 Whether you’re a seasoned professional or new to the scene, this webinar offers invaluable perspectives on making the most of your time at Marché du Film. 📅 Available now to stream on demand, this session is a must-watch for anyone looking to understand the intricacies of film market strategies and enhance their industry acumen. Watch now 👇 #MoltenCloud #MarchéduFilm #FilmIndustry #Webinar #OnDemand #MDF2024 #FilmIndustry #Film #Insight