LSU Museum of Art’s Post

Gallery Z - FIGURATIVE - Figurative, A realistic representation of the human figure created through traditional elements, line, shape, color, light, dark, mass, volume, texture, and perspective. This exhibition is a window into the artist’s process. We want to see your best Figurative examples, from sketch to completion, in graphite, to oils, on paper to canvas, framed and wired and ready to hang. DEADLINE: January 31, 2024. https://lnkd.in/esWZ-9pU #TheArtList #GalleryZ #Figurative

"I Followed You To The End" is a remarkable exhibition that seals Tracey Emin's transfiguration from rebellious 1990s enfant terrible to one of contemporary art’s true icons. Sunday’s bustling gallery attested to her starry status. The White Cube is the ideal setting for this powerful collection of paintings, sculpture, and film. From the moment you step through the entrance, lined with small sketchy panels, you feel you're in the presence of a master painter. I've always admired Tracey Emin's draftsmanship—her instinctive line work and gestural mark-making showcase the kind of skill set that was highly valued in the art schools of my generation. In this exhibition, Emin's intense, intimate, and deeply moving canvases position her as standard-bearer of a certain painterly tradition within a lineage through Lucian Freud, Francis Bacon, Frank Auerbach and David Hockney all the way back to Caravaggio and Rembrandt. And Tracey Emin is a woman who still rages hard. Her palette of deep blues, crimsons, and blacks conveys grief, loss, pain, despair, anger, fragility, and love with a striking economy, where every stroke holds weight. In some areas, she gently inscribes titles in pencil, lending a quiet poignancy; elsewhere, bold, impassioned squalls of text deliver punch. The monumental titular central sculpture stands as a literal blackened mass, dominating the space like an intrusive thought. It's a haunting yet masterful representation of raw emotion which I found affecting and will leave a lasting impression. #TraceyEmin #ContemporaryArt #ArtExhibition #WhiteCube #ArtCriticism #PaintingAndSculpture #MasterPainter #GesturalArt #ArtTradition #EmotionalArt #ArtisticExpression

The Intersection of Desire and Distortion: Judd's Stacks and Wegner's Wishbone Chair Reimagined In Donald Judd's minimalist "Stacks" and Hans J. Wegner's iconic CH24 Wishbone Chair, there lies an implicit desire — a wish, if you will — for transcendence beyond their physical forms. Judd's geometric sculptures, devoid of symbolic meaning, seem to yearn for a realm beyond the constraints of representation. The uniformity of the stacked rectangular boxes, each meticulously arranged, suggests a longing for order and permanence amidst the chaos of artistic expression. Similarly, Wegner's Wishbone Chair, with its graceful curves and meticulous craftsmanship, embodies a wish for timeless elegance and enduring functionality in design. Yet, this desire for transcendence is not without its distortions. In the realm of art and perspective, where reality is bent to fit the artist's vision, the original image of both chair and sculpture is corrupted. The horizon, a symbol of stability and perspective, is masterminded by the likes of perspective. Perspective becomes a malleable construct, subject to the whims of artistic interpretation. In this distortion, the original essence of the chair, the sculpture is replaced by a wishful illusion of perfection. But in this corruption lies the beauty of art and design — the ability to reimagine, reinvent, and transcend. No person was at risk in the making of this work, yet the stakes are high in the realm of creativity. Each distortion, each manipulation of form and perspective, is an invitation to explore new possibilities, to challenge established norms, and to dare to wish for something greater than what exists. And in the end, it is this tension between desire and distortion that gives art its power to inspire, provoke, and transform. #ArtisticDesires #CreativeDistortions #TranscendentForms #WishfulIllusions #PerspectiveArt #ArtisticInterpretation #DesignInspiration #CreativeTransformation #ArtisticExpression #DistortedRealities

DAIM Retrospective - 35 Years Graffiti. Exhibition: May 2024 - January 2025, Wood Art Institute, Hamburg In the beginning was the word. In the summer of 1989, 17-year-old Mirko Reisser and two friends spray-painted the five letters RIGHT on a distribution box. The term alone is a provocation. After all, the damage to property - at least from a legal perspective - is anything but "right". Today, 35 years later, Mirko Reisser still writes his artist name DAIM in the style of a classic graffiti writer. At the same time, however, Reisser redefines writing to a certain extent by transforming his pseudonym into complex sculptures. Sometimes this is to be understood literally. Reisser has also made forays into sculpture, carving the word DAIM out of wood or casting it out of concrete - and in this way transforming the two-dimensional medium of writing into three-dimensionality. As a rule, however, Reisser creates an optical illusion of physicality when he paints his name on canvases, in exhibition spaces or on building facades. He plays with light and shadow with such virtuosity that the impression is created that the beams, curves and polyhedrons, which are interlocked to form complex figures, leave the surface and actually extend into the room. Let us know your thoughts if you visit! #TDBSolutions #urbanart #artsolutions #creativeentrepeneur #artzurich #zurich #creativeprocess #artdaily  #makingarttangible #artforbusinessgrowth

🎨 Featured Work: Provence Landscape by Henri Edmond Cross, 1898 Dive into the vibrant hues of Henri Edmond Cross's "Provence Landscape" from 1898, an exemplary piece of the pointillist movement that Cross helped pioneer. In this painting, which is a watercolor on paper, the artist uses small, distinct dots of color applied in patterns to form an image, a technique which set the stage for modernism. This artwork captures the luminous essence of the Provence region with its rolling hills, lush vegetation, and vivid colors, underscored by Cross's masterful use of light and shadow, illustrating his commitment to both naturalism and symbolic expressiveness. 🎨 Artistic Vision: Cross's artistic style emphasizes vibrant color schemes and meticulous attention to the interplay of light, a vision that sought to evoke an emotional response and capture the serene beauty of the natural landscape. His commitment to Neo-Impressionism is evident in his methodical approach to pointillism, which added an almost ethereal quality to his scenes. 🎨 Controversies: While largely celebrated today, the Neo-Impressionist movement, of which Henri Edmond Cross was a crucial part, was initially met with criticism. Critics argued that the pointillist technique interfered with the spontaneity and authenticity of capturing the moment, a principle highly esteemed by traditional Impressionists. This controversy stirred robust debate about the direction of modern art at the turn of the 20th century. 🏷️ #HenriEdmondCross #ProvenceLandscape #Pointillism #NeoImpressionism #FrenchArt #ArtHistory #1890sArt #ModernArt #ArtisticVision #Naturalism #ControversiesInArt #Luminism #ColorTheory #ArtCollector #GalleryView #CulturalHeritage #ArtExhibition #MuseumCollection #ArtsEducation #ImpressionismVsNeoImpressionism #ArtisticDebate #HistoricArtworks #VisualArts #Masterpiece #FineArt #Painter #HistoricArtist #ArtLovers #ArtHistorian

Dive into the vibrant landscape of "Oliviers à Cavalier, 1906" by Henri Manguin, a masterful celebration of color and light. Known as one of the Fauves, Manguin's work is an exquisite example of this explosive and emotive art movement that shook the foundations of early 20th-century art. Characterized by wild brush strokes and a radical use of color, Fauvism crafted narratives through hues rather than detailed forms. In "Oliviers à Cavalier," Manguin captures a lush olive grove under the serene sky of southern France. Using oil on canvas, he employs a palette of vivid greens and deep blues, contrasting dramatically with bright earth tones to bring the landscape’s vibrancy to life. This technique not only reflects the intensity of the natural scene but also conveys the emotional response it elicits from the viewer. Manguin's artistic vision in this painting includes fluid, almost tactile texture that lets the viewer almost feel the breeze through the olives. His bold, unmodulated colors challenge traditional perceptions of natural scenery, pushing towards abstraction while maintaining a recognizable subject. While not as controversial as some of his peers, Manguin faced challenges in gaining recognition in the shadow of more prominent Fauves like Matisse. His work, though central to the movement, often explored quieter, pastoral themes that did not incite the public or critical uproar that others did. Nonetheless, his contributions remain crucial in the study and appreciation of Fauvist principles and their lasting impact on modern art. #HenriManguin #Fauvism #OliviersàCavalier #ArtHistorian #FrenchArt #ModernArt #ArtLovers #1906 #ArtHistory #FineArt #OilPainting #LandscapePainting #SouthernFrance #ArtisticVision #ColorTheory #Expressionism #ArtGallery #MuseumFromHome #ArtEducation #ArtisticInnovation #CulturalHeritage #Painter #VisualArt #ArtCollection #ArtExhibition #Masterpiece #ArtWorld

🎨 Dive into the enchanting brushstrokes of Vincent Van Gogh's "Houses at Auvers," painted in 1890. This captivating artwork showcases Van Gogh’s iconic Post-Impressionist style, characterized by vibrant colors, dynamic shapes, and expressive textures. Created during the final months of Van Gogh’s life, this painting reflects a poignant blend of reality and emotion, depicting the rural landscape of Auvers-sur-Oise with a dreamlike intensity. The piece is crafted with thick, impasto techniques where paint is applied in layers, giving the image a three-dimensional effect. The bold use of color contrasts dramatically with the structured forms of the houses, demonstrating Van Gogh’s ability to convey deep emotional resonance through seemingly simple scenes. The swirling skies and lush greenery, typical of his later works, evoke a sense of turmoil and tranquility simultaneously. Van Gogh’s artistic vision in "Houses at Auvers" is particularly remarkable for its pioneering approach to expressionism. The exaggerated forms and intense colors prelude to modern expressionist movements, making Van Gogh a significant figure in the transition from traditional to contemporary art forms. This piece, like much of Van Gogh’s oeuvre, was not without controversy. Despite his profound influence on art, Van Gogh battled with mental illness throughout his life, which often colored the public's perception of his work. His struggles are an inseparable part of his artistic narrative, contributing both depth and complexity to his paintings. “Houses at Auvers” is more than just a depiction of a village landscape; it is a window into the soul of an artist who transformed personal anguish into universal beauty. #VincentVanGogh #HousesAtAuvers #PostImpressionism #Impasto #Expressionism #ArtHistory #VanGoghArt #1890sArt #FrenchArt #ModernArt #ArtCollector #Masterpiece #ClassicArt #ArtLovers #ArtMuseum #ArtExhibit #ArtisticVision #ArtEducation #ArtisticExpression #ArtTherapy #MentalHealthAwareness #CulturalHeritage #ArtWorld #Painter #FineArt #VisualArt #Artistic Struggles #HistoricalArt

Soul’s Journey It was represented @m.a.d.s.artgallery Hysterica International Exhibition 2021 Art Curator Martina Lattuca critical review of my art work & more information of current exhibition can be found here: https://lnkd.in/g_SAniR3 It is best to see abstract art in person to truly get the full effect. This will help you immeasurably with understanding abstract art. In person, you can see up close the texture, size, stroke of the paintbrush, shine or matte of the surface. You can feel the strength of the painting from across the room. Size: 50x60cm 1.6cm thickness Technique: mixed media: texture materials, gesso, acrylics, chalk Currently in Private Collection * Description Inspired by Kazimir Malevich who underwent such an initiatory experience as he came to the Suprematist vision, he felt “a kind of timidity bordering on fear when I was called upon to leave ‘the world of will and idea’ in which I had lived and worked and in the reality of which I had believed. <…>. If all artists could see the crossroads of these celestial paths, if they could comprehend these monstrous runways and the weaving of our bodies with the clouds in the sky, then they would not paint chrysanthemums.” This resonates personal experience during Pandemic reflecting frequently a similar feeling of profound fear and ability to open wider doors to consciousness and subconscious mind. This feeling of fear is subsequently overcome by the idyllic sensation of creating black “Soul’s Journey” painting on white canvas by using Suprematism conception on quadrilateral canvas. #abstractart #texturedart #suprematism #womenartists #davinadugnas

Like the stage, which is easily manipulated by light and space, Liam Everett’s paintings are mutable to their surroundings. Shifting as the light changes throughout the day, they appear subtly transformed from moment to moment. Their varnished surfaces reflect light, creating a transparency that allows the paintings to generate their own luminosity, suggesting a certain quality of light that is uniquely specific to the marine layers and coastal landscape of Northern California, where they are made. At the borders of many of the works, raw canvas serves as a referential point – a reminder of the illusion of depth, and a glimpse of the many layers of color embedded in the dense surfaces. Like the moment at the end of a play when the house lights come up, revealing that each set was built upon a stage, these swaths of empty space serve as both a register and reminder that Everett’s paintings are born from a lineage of repetitive actions. Learn more about Everett's solo exhibition "The ground," here: bit.ly/3NEqxS5 Liam Everett Untitled (unmade), 2023 Ink, oil, sand on linen 52 1/2 x 37 1/2 in

🎨 Dive into the ethereal beauty of "Attersee" by Gustav Klimt, a clear exemplar of his shift from his ornate gold phase to landscapes filled with unique insight and tranquility. Captured in 1900, this painting snapshots Attersee, the largest lake in the Salzkammergut region of Austria—a favorite retreat for Klimt. Dominated by a reflection of sky and tree silhouettes, its style straddles realism and abstraction. The canvas is marked by a rhythmic play of colors, meticulously arranged to evoke palpable calmness and grace. Through his keen observation of the natural world, Klimt manipulates light and hue to transport viewers directly into the serene Austrian countryside. Klimt's artistic vision in "Attersee" is synonymous with innovation. He uses a flattened perspective and limits human presence to emphasize nature's overwhelming beauty and power. This marked a significant pivot from his earlier, figure-centric paintings, demonstrating his versatility and ceaseless evolution as an artist. The controversies that Klimt faced were primarily during his earlier works, laden with eroticism and symbolic imagery which often drew public and critical ire. However, his landscape works, such as "Attersee," were received with less hostility, allowing the subtleties of his techniques and his profound connection with nature to shine through more prominently, unshadowed by scandal. #GustavKlimt #Attersee #AustrianArt #ArtHistory #LandscapeArt #Symbolism #FineArt #ArtisticVision #ArtCollector #GalleryView #ColorTheory #ArtCritique #ModernArt #19thCenturyArt #ArtisticInnovation #NatureArt #ArtLovers #MuseumCollection #ArtisticStyle #CulturalHeritage #Artstagram #InstaArt #ArtEducation #HistoricalArt #LakeAttersee #ArtWorld #Masterpiece #ArtExhibition #PaintingAnalysis