Marc Law’s Post

Hi Despite the very weak internet from the depths of the Tacoma forests in the U.S., I did my best for this presentation. Unfortunately, there is still some audio noise, but hopefully, it may still be helpful...This lecture is structured around three key historical periods in Iranian music: the Constitutional Revolution, the Pahlavi era (before the Islamic Revolution), and the post-1979 Islamic Republic period. Each of these periods reflects different social and political climates that have significantly influenced the role of women in the music industry ...And I believe that despite the strict regulations, women both inside and outside of Iran have continued to find ways to express their music. Movements like the 'Women, Life, Freedom' protests have highlighted the ongoing struggles for gender equality. Music plays a vital role in these efforts. I think that the most important need today is to create a dedicated space for preserving, recording, and organizing these resources in a clear and audio format on accessible online databases. This means establishing a well-defined music archive for the history of Iran from various perspectives, in collaboration with different fields of the humanities...

🌍 Did you know that Italy ranks first globally for cultural influence and heritage according to the several indexes? (https://lnkd.in/dwgJt-gW). Honestly, I didn’t! While I’ve always known about Italy’s global cultural impact, seeing the data brought a sense of pride. Italy’s influence, especially in the arts, is remarkable for a country of its size. 🎶 Opera, Italy’s first cultural export, has transcended time and borders. Although nearly half of the global opera repertoire is still Italian - with Verdi's "La Traviata" leading the way (source: Operabase) - over the past two centuries, other big operatic traditions have emerged, from the German and French to the Russian and American schools. This evolution speaks to the art form’s global reach. Interestingly, while the Italian language and repertoire remain dominant, new operas are rarely written in Italian today. This highlights a shift in contemporary music, where other languages have become more prevalent. Contemporary opera faces its own set of challenges, but that's a discussion for another day. ✨ Last December, UNESCO recognized Italian opera as part of the Intangible Cultural Heritage of Humanity. Yet, cultural influence isn’t guaranteed. To sustain and evolve, opera - and culture in general - needs active promotion and support. As I reflect on this during my recent studies in Leadership and Humanistic Management, I feel more connected to the cultural legacy we share with the world. It’s time we embrace this heritage and continue to celebrate the immense role that opera plays on the world stage, while also understanding our responsibility to sustain and nurture it for the future. . . . #italianopera #culturalinfluence #culturalambassador #opera #statistics #madeinitaly

🌟 Gender Equality Matters 🌟 Looking to make a change in the corporate events world? Despite appearing female-dominated, the reality is there's work to be done to achieve true gender parity. 💼💪 Here are some key takeaways from our study: - Addressing gender disparities is essential for progress. - Advocating for equal opportunities benefits everyone involved. - Recognizing and valuing women's contributions is crucial. Curious to dive deeper into this important topic? Click the link to find out more: https://lnkd.in/gmSccqac #GenderEquality #CorporateEvents #EqualOpportunities #EmpowerWomen #ProgressNow

We are writing to inform you about the premiere of a new video in our Constitution at 11 Interview Series, which captures critical insights from civil society on key bills currently before the Zimbabwean Parliament. "Civil Society Speaks: Gender Equality Implications of Key Bills in Zimbabwe's Parliament" (youtube.com) On May 30th, 2024, the Women's Coalition of Zimbabwe (WCOZ) and the Women In Politics Support Unit (WIPSU) convened an important engagement with Zimbabwe's Parliamentary Portfolio Committee on Women's Affairs and the Parliamentary Women's Caucus.  The purpose of this meeting was to discuss the gender equality implications of five bills that are currently tabled in Parliament: The Criminal Laws Amendment Bill The Administration of Estates Bill The Persons with Disability Bill The PVO Amendment Bill The Death Penalty Abolition Bill During this gathering, representatives from leading women's rights organizations, including WCOZ, WIPSU, @wlsazw, @jctzimbabwe, and @veritaszim, shared their perspectives and analysis on how these proposed legislative changes could impact the pursuit of gender equality in Zimbabwe. "Civil Society Speaks: Gender Equality Implications of Key Bills in Zimbabwe's Parliament" (youtube.com) We are now honored to present highlights from this important discussion in a new video premiere of our ZEEM TV Constitution at 11 Interview Series. This video provides a unique opportunity for you to hear directly from civil society experts on these critical issues. "Civil Society Speaks: Gender Equality Implications of Key Bills in Zimbabwe's Parliament" (youtube.com) Please feel free to share this invitation with your networks as well.  We look forward to your viewership and continuing our partnership in the fight for gender equality and social justice in Zimbabwe. You can also take some time to watch previous videos of the Constitution At 11 Interview Series. #TheConstituation #ConstitutionAt11 Nyasha Nhau on Rights of Persons with Disability (youtube.com) We need to build a movement towards nationhood | Effie Ncube on #ConstitutionaAt11 (youtube.com) #ConstitutionAt11 Series: Sovereignty & Supremacy: Zim's Constitutional Framework | Dzikamai Bere (youtube.com) Use the Constitution to Empower Women & Girls (youtube.com)

Share the Air - Representation on Canadian Radio ( 2013-2023 ) - Executive Summary ( SongData + Women in Music Canada + National Arts Centre - June 2024 ) - TOP 150 SONGS ON THE YEAREND REPORTS ( 2013 to 2023 ) reveal that songs by women and Trans* artists ( including transgender, nonbinary, genderqueer ) have been underplayed - - on Country, Alternative Rock and Active Rock radio, songs by women are most under-programmed ( average of 8.0% across formats ), women of colour ( average of 0.7% ) - on Top 40, Mainstream AC and Hot AC radio, there was more diversity on the yearend reports, with songs by women averaging about 1/3 of the airplay. However, this was mostly for songs by white women, as songs by women of colour averaged just 6.5% across these formats Throughout the analysis of the top 150 songs played on the 6 mainstream formats, a significant racial inequity was observed wherein songs by white men received the most airplay and those by artists of colour – especially women – were under-programmed. Perhaps most disconcerting of these findings is the near absence of songs by Indigenous artists from all 6 formats. Because the industry has historically been an inequitable cultural system, developed around racial segregation and gender discrimination, and because each sector of the industry has historically relied on the data generated by their own internal processes to make business decisions, they are reinforcing and indeed exacerbating pre-existing inequalities and discriminatory practices. See - Executive Summary ( English ) - https://lnkd.in/eGQGcMa5 Full Report ( English ) - https://lnkd.in/e_sVspwH See - Share the Air + Partageons les Ondes - https://lnkd.in/ebKXTTzK

How does Frankie Knuckles iconic music relate to either the Lincoln Republican platform or to current events in the United States? Lincoln Republican events connections: 1. *Freedom and Empowerment*: Frankie Knuckles' music embodied the spirit of freedom and empowerment. Similarly, the Lincoln Republican platform focuses on individual liberty and limited government. 2. *Inclusivity and Community*: House music, born in Chicago's underground clubs, brought people together across racial and socioeconomic lines. This echoes the Lincoln Republican emphasis on unity and equality. Frankie's music and the party's values promote inclusivity and social cohesion. 3. *Resilience and Hope*: Frankie Knuckles' life story, overcoming adversity to become a legend, resonates with the American spirit. His music offers hope and upliftment, much like the Lincoln Republican promise to revitalize communities and restore American greatness. Frankie Knuckles' iconic beats embody the spirit of freedom & empowerment. Let's bring that same energy to our politics! Lincoln Republicans, let's work together for a brighter future, where everyone has a chance to thrive. #FrankieKnuckles #LincolnRepublicans #FreedomAndEmpowerment Current events connections: - *Racial equity and justice*: Frankie Knuckles' music bridged racial divides. We could relate this to ongoing conversations about racial equity and justice in the United States. - *LGBTQ+ rights*: As an openly gay artist, Frankie Knuckles' legacy intersects with the ongoing struggle for LGBTQ+ rights and acceptance. - *Cultural exchange and diversity*: House music's global influence reflects the power of cultural exchange. We could connect this to discussions around immigration, diversity, and American identity. Vibing to the iconic sounds of Frankie Knuckles! 'I'll Take You There' is a masterpiece. His legacy as the 'Godfather of House Music' continues to inspire generations. His music transcended genres, fostering a sense of community and inclusivity. Let's keep his spirit alive! #FrankieKnuckles #HouseMusic #LegacyLivesOn https://lnkd.in/e73zwtcX

New Post: Sabrina Carpenter’s ‘Short n’ Sweet’ Steps Back to No. 1 on Billboard 200 - https://lnkd.in/gBGXRjpc - Sabrina Carpenter’s Short n’ Sweet rises 3-1 on the Billboard 200 chart (dated Oct. 12), notching its fourth nonconsecutive week atop the list. It earned 100,000 equivalent album units in the United States in the week ending Oct. 3 (up less than 1%), according to Luminate. Short n’ Sweet debuted at No. 1 on the chart dated Sept. 7, spent its first three weeks at No. 1, and then stepped away for two weeks as Travis Scott’s Days Before Rodeo rode to the top (Sept. 28 chart) and Future’s Mixtape Pluto debuted in the penthouse (Oct. 5 chart). Also in the top 10, Billie Eilish’s Hit Me Hard and Soft returns to the top five for the first time in more than a month, as it ascends 8-5. The No. 2-peaking set was last in the top five on the Aug. 31 chart, when it ranked at No. 5.  The album’s ascent — with a 10% unit gain — is concurrent with the launch of Eilish’s tour on Sept. 29 and the premiere of the official music video for the album’s single “Birds of a Feather” on Sept. 27. The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 12, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 8). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Of Short n’ Sweet’s 100,000 equivalent album units earned in its third week, SEA units comprise 85,000 (up 1%, equaling 114.24 million on-demand official streams of the album’s 12 songs; it holds at No. 1 on the Top Streaming Albums chart), album sales comprise 14,000 (down 3%) and TEA units comprise 1,000 (down 2%). Chappell Roan’s The Rise and Fall of a Midwest Princess is steady at No. 2 on the Billboard 200 for a fourth nonconsecutive week at its peak (63,000 equivalent album units earned; down 40%). Future’s Mixtape Pluto falls 1-2 in its second week (55,000; down 57%), Morgan Wallen’s chart-topping One Thing at a Time rises 5-4 (50,000; down 5%), and Eilish’s Hit Me Hard and Soft steps 8-5 (nearly 50,000; up 10%). Post Malone’s former leader F-1 Trillion falls 4-6 (47,000 equivalent album units; down 11%); Taylor Swift’s chart-topping The Tortured Poets Department is a non-mover at No. 7 (44,000; down 5%); Noah Kahan’s Stick Season climbs 10-8 (37,000; down 1

Rep. Chip Roy's recent speech, on the anniversary of 9/11, was not only inappropriate, but also dehumanizing to the trans community. To suggest that the presence of a transgender music teacher somehow makes America not worth defending is beyond offensive. It implies that my very existence as a trans person diminishes the value of our nation. This rhetoric is dangerous and contributes to the marginalization and discrimination that trans people face every day. Roy's speech conflates unrelated issues like immigration and LGBTQIA+ rights with national security in a way that scapegoats vulnerable communities. As a trans person, I am a human being who contributes positively to society, just like cisgender people do. The idea that my identity somehow weakens the fabric of our nation is not only false but ignorant. This kind of hateful speech from those in power emboldens discrimination and lead to real harm against trans people. It's infuriating to see such bigotry, especially on a day meant to unite Americans. Our diversity - including gender diversity - is a strength, not a weakness. Rep. Roy and other GOP members need to educate themselves about trans issues and to stop using us as political punching bags. We are your neighbors, coworkers, and fellow citizens. We deserve respect and equal treatment under the law, not to be held up as examples of why America isn't worth defending. I hope voters will remember these harmful words from Roy and many others, and hold them accountable for this divisive and dehumanizing speech. #TransLivesMatter #Humanity #VoteBlue #StopTheHate #Discrimination

New Post: How Twenty One Pilots Scored the Biggest Rock Debut of the Year With ‘Clancy’ - https://lnkd.in/gJbPew25 - Much of the conversation in the music business this year has been about superfans — where to find them, how to connect with them and the ways to better cater to them during single and album rollouts. Suffice it to say that the team behind Twenty One Pilots and their latest album, Clancy, took that conversation to heart. This week, Clancy debuted at No. 3 on the Billboard 200 and flew in at No. 1 on both the Top Album Sales and Top Rock Albums charts with 143,000 equivalent album units, landing the biggest rock debut of the year so far in the process, with a campaign that leaned heavily into super-serving the group’s biggest fans. That took the form of exclusive listening parties at independent record stores around the country, a multi-pronged sales strategy that offered more than a dozen different ways of purchasing the album and thinking holistically about each tier of fandom and what they want the most. Related Twenty One Pilots Lead Top Rock Albums Chart With 'Clancy' 06/06/2024 The result: Nearly 60% of the album’s first week numbers came from direct-to-consumer (D2C) sales, according to Elektra Records vp of D2C, streaming and marketing Thom Skarzynski, who worked on the album rollout. And the success of Clancy helps earn Skarzynski the title of Billboard’s Executive of the Week. Here, Skarzynski discusses the fan-led strategies that went into the album release, as well as the career-long buildup that got the band to this point. “We went into the campaign with a refreshed mindset,” Skarzynski says. “It was all about bringing things back to the surface and carrying the story to life for not only the deeply-rooted superfans but also the more casual listeners who may have lost the plot along the way.” This week, Twenty One Pilots’ Clancy debuted at No. 3 on the Billboard 200 and No. 1 on both Top Album Sales and Top Rock Albums. What key decision did you make to help make that happen? My role at Elektra is multifaceted — depending on the project, I might be involved in marketing, D2C or streaming strategy. In the case of Twenty One Pilots, I was fortunate enough to run point on all three, co-running the overall marketing on this album campaign with Katie Robinson , so I truly was able to engulf myself into the whole picture and curate what we needed to happen and when.  That said, the area that I’m most proud of in impacting our debut was what we were able to do via D2C on the band’s store. We took extra care to custom tailor each of our offerings, accounting for every level of fan,

Over a month ago, DONNE | Women in Music released a report highlighting a significant gender disparity in classical music. The findings revealed that 92.5% of the repertoire played by over 100 orchestras worldwide was composed by men. Donne Report 2024: https://lnkd.in/eyrinkn6 Our additional analysis shows that 89.9% of chief conductors are men, with only 10.1% being women. This stark contrast underscores the need for greater diversity and inclusion in orchestral leadership and programming. The women who have managed to break through this glass ceiling include Marin Alsop, Simone Young, #ElimChan, Kristiina Poska, #DaliaStasevska, #EvaOllikainen Intermusica, Han-Na Chang, #AnnaMariaHelsing, #JoannaMacGregor, #NathalieStutzmann and Mei-Ann Chen Read more about these findings: https://lnkd.in/eKFwV_kP