Marché du Film - Festival de Cannes’ Post

So many questions come in to us about adaptation. Check out this fascinating seminar coming up. It's been many moons since founder, C.C. Webster, met Eddie Gamarra, PhD, but this will no doubt be illuminating and helpful! #screenwriting #screenplay #adaptation #writing #yastories

D films- https://bit.ly/3NFdka5 The characteristics of a documentary series/films includes- 1)Authenticity 2)Raw informations regarding the case. But what will happen if a high production valued "documentary series" has been made just to whitewash one's image. The art of filmmaking should never be questioned but intention of the makers should be. If you have seen "The Indrani Mukherjee story:buried truth", will you be calling it a propaganda or not? Your opinions would be regarded in the comment section. #netflix #documentary #series

7 important F1 movies and documentaries https://lnkd.in/djW6syiT 7 important F1 movies and documentaries #important #movies #documentaries

A great piece from Screen International about the challenges for docs in the UK theatrical market. Some of this is from the Bafta talk on Monday night and some is from conversations the reporter has had with distributors and it's a great overview. Some great points from Zak Brilliant at Met Film and many others "While the BFI is doing what it can with its National Lottery funds, as the organisation notes itself it can’t support everything especially with its funding reduced in recent years. “I find it disheartening that there is always a conversation about production funding but very rarely people talk about distribution support,” Brilliant reflects on the challenges facing the sector. “You can make 100 films but if no-one is seeing them, what is the point?” In theory, the new UK 40% tax relief on films budgeted up to £15m could help documentary production too. But getting the films made won’t mean anything if they can’t find an audience. “I would welcome any kind of initiatives from government bodies that look at distribution and P&A funding alongside production funding. Ultimately, why go to the effort of making great content if no-one is going to see it?” Brilliant asks." https://lnkd.in/eJwpyyUf

BREAKING NEWS : NORFOLK IS LOOKING FOR MORE DIRECTORS (UK) Supported by Norfolk County Council and of course if you enter in criterias ‘s categories of British FIlm Instute (BFI) London based : it’s an amazing start for Pilot Series, and Unitary for ambitious Directors in UK & Europe. Pre-sales Europe, partnership, placement of products will definitely would help for producing local but it’s not exclued to employed Artistics Talents or Europeans Freelancers outside UK. But in my point of View no one actually will produce Directors without real Technical knowledge, and focus about challenges of the future and the 8K Hybrid Workflow dedicated dematerlised. In 2024, a Director should understand also through is own professional experience how to build a Technical Team Ressource Devices, in respect of the executive production budget, and including his Original Treatment who can have a social impact in the reality of the Market. Because unfortunately, the competition is to severe due to the Crisis of the Industry and the democratisation of productions wasting money with weak audiences on plateforms and try to have a second life in some cables channels. Norfolk is also looking for Producers to put the light on the City and the area. Globally nowadays United Kingdom, including North Ireland and British Islands offer unbelievable many fields of creation with so much diversity of landscapes, and high-tech virtual Studios like in Sheffield London area, instead of the unsecured Countries like South Africa in the past, Asia, South America and so on unfortunately. Averages Costs of Production 2023 / 2024 Pilot Serie £150 000-£200 000 per episode of 1H Investing by Production Basic Unitary £5 000 000 for 1h30 for Film Investing by Production Sales Mainstreams & Streaming Leaders Pilots Series depend of the Audience £500 000- £1 150 000 per 1 H Unitary Film depend of the Nature of the Contracts of Distributing on Europe Cinemas / Inter, Medias Plan, Streaming Leaders and Global Audience. * This is average prices and once again it depend of the attention expecting from the audience on Programs Schedule for Mainstream and the terms of the international contracts temporary cessions of rights, and also various with proportional financial contribution as Producer, author and Director too. B. Source BBC NEWS #uk #production #director #DoP #norfolkcountycouncil #bfi #writer #actors #artists

🎬 Curious to see what our first-year students have created for their short films? 🎥 Check out the article! 📖✨ #BredaUniversityas #CreativeBusiness #Media

Who are the filmmakers to follow in the documentary and unscripted space? Directors, DOPs, producers, soundies, editors, and more – tag your recommendations below! 🎥 #Filmmakers #Documentary #Unscripted #FilmIndustry

Missed our exclusive Knowledge Series Part 3.0 Webinar? Catch a glimpse of our session on secrets to protect IP in the film industry! From contracts to ownership, we covered essential tips for filmmakers, writers, and producers. 💡 Don’t miss our Webinar 4.0 happening tomorrow! GK Tirunavukarasu Vetriselvan R Vijay Dingari Archana Kavil Supriya V Ramakrishnan Parakil Vishakha Singh Pingnagan Pranavam Yeshwant Babu Sripathy Vijay Pravin Maharajan Vishaleni Rajendran #rights #moviebusiness #movieindustry #bookmyshow #movierights #movieupdates

A New History of Documentary Film, Third Edition provides a much-needed resource, considering the very rapid changes taking place within documentary media. Building upon the best-selling 2005 and 2012editions, Betsy McLane keeps the same chronological examination, factual reliability, ease of use and accessible prose style as before, while also weaving new threads - streaming, animated # # #