Neon Picturehouse’s Post

Transcript

Understanding the mechanics of filmmaking is to be a producer. That's the thing that I'm noticing. Budgets are shrinking, demand for higher quality and bigger resolutions, and all of that keeps increasing. If you don't have an agent, it's OK, it's fine. There are absolutely no further ways of doing it. The main one would be, I'm speaking with John Max Spats, international producer, writer and director, Neil Picturehouse, director Grant Taylor, Camilla Arthur, a distinguished casting director and how fur from cofounder and CEO of scripting Tito Fernandez. Director when Extensive background in the effects. If I did a music video, I would shoot in a day before and now I'm like, I don't do one if it's two days because I I know. I know what's achievable. Why do we come back to the same series again and again? It's because we formed this kind of emotional attachment with the characters. Then that's what brings us back. Kanye West When he was married to Tim Kodashim, he got for her birthday a hologram of her father. I tasked that hologram.