In honor of Juneteenth and Black Music Month, our BOLD employee resource group hosted a celebration, giving employees the opportunity to learn about the cultural significance of Juneteenth and the connections between African, African American, and broader musical traditions.
looks like an amazing event!
What a great event! Fantastic job, everyone!
We could not let this month pass without wishing the incredible Vaughnette Bigford a Happy Black Music Month!!! In case you didn't know, June is the month to celebrate Black musicians' enduring impact and legacy and their creativity on music, culture, and history. We love you Vaughette!! Thank you so much for all your support and for gracing the world with your talent!! __________________________________________________________________________________ Want a way to keep up with all these special dates and occasions, DM and ask about getting your very own copy of the 2024 Caribbean CEO Publicity Calendar
Empowering Companies to Maximize the Potential of Their Digital Platforms and Solutions
Simple yet a very powerful message.
A note to young leaders. What do Madonna, Tom Cruise and Taylor Swift all have in common? They all knew at a very early age what they wanted to dedicate their life to. Taylor Swift: “I think I first realised I wanted to be in country music and be an artist when I was 10. And I started dragging my parents to festivals, and fairs, and karaoke contests, and I did that for about a year before I came to Nashville for the first time.” This is the power that comes to you when you know who you are and you know what you want. The universe is malleable, it bends in the direction of a fierce, unclouded will. It seems to me that in the annals of literature dedicated to the study of success, the Socratic injunction to “know thyself” is all too often overlooked.
Consider adding an African American Studies course to your summer plan of study: AfroAmer156 is the story of how Black music became one of the world’s dominant cultural forces, and how it shaped the musical, social and political landscape of the United States from the end of World War II until the present. It considers how Black music articulates survival, redemption, and reinvention, how those themes reflect the African-American experience in postwar 20th and 21st-century America, and how those themes can be heard in the music we hear today. Musical styles covered in the course include the blues, gospel, rock and roll, rhythm and blues, soul, funk, disco, and hip-hop.
“Representation only matters when it’s power to our people. ‘Cause our life is our music, and that’s Power To The People.” It’s our commitment to authenticity, accountability, and generating opportunities for Black artists, providing space for Black storytelling and spotlighting the importance of representation in Production Music. Will you sync with purpose? https://bit.ly/3RsFzMz
Check out this insightful blog post featuring an interview with Sinkane, the Sudanese-American musician, discussing his new album "We Belong" and his efforts to honor the Black Musical Diaspora. Sinkane draws inspiration from the 70s, incorporating elements of funk music and the Black Arts Movement to create a powerful soundtrack for today's sociopolitical climate. Read the full article here: [Sinkanes New World](https://ift.tt/9wgNuyo)
The legendary, 3 time grammy award winning jazz singer, Deedee Bridgewater. She knew who to call! #squeegeesquad #squeegeesquadnola #windowcleaning #windowwashing #windowcleaninglife #pressurewashing #powerwashing #guttercleaning #windowcleaningsafety #windowcleaner #nolabusiness #nolasmallbusiness #neworleansbusiness #neworleanssmallbusiness
Founder, LYI Agency | Host, The GAUDS Show | The Culture Referee Living at the Intersection of Music & Culture.
I had a chance last week to join Cara Kneer and her incredible team at Atlanta & Co. to talk about Black Music Month and Atlanta's musical contributions. The conversation around equity has to continue beyond June. Here are my big takeaways on the issues in the industry as it stands for black artists and professionals and my proposed solutions to help make the music industry a more successful industry for all. The Issues: We have little to no control of how the music comes out and is shared/framed with the public, the labels and system do. This prevents us from moving culture in a positive way. We have little to no control over finances. This creates opportunities where young people and young leaders can be taken advantage and "pimped out" for short-term corporate profits. We have little to no control of the people. Sure, we are seeing more black executives than in the past, but in the system they are reinforcing the institution. When I was in this system I gave up my freedom to be able to create systemic change and I knew that. That change has to be done by means of getting the full trust that other groups have over their music (Latins running Latin music, Nashville people running country music) I KNOW all of this is because I was in this and lived this and when I tried to change things I got the boot. The Solutions: Grassroots community building - we as a black community need to start investing in each other and passing our knowledge on in an impactful way to the generation behind us. We need to bring awareness to our non-black friends to understand what we are up against and how this is actually preventing moving culture forward for all of us. Real ACTUAL inclusivity, not empty titles/positions where black leaders can't actually lead https://lnkd.in/er-kD3jS #blackmusicmonth #dei #diversity #equity #blackprofessionals #blackbusiness #musicindustry #music #entertainment #entrepreneurship #raydaniels
Of all the commemorations and celebrations we cover in this blog, Black Music Month has to be one of the most enjoyable to ponder. How did Black music affect the American culture? The answer has to be – profoundly and beautifully!! #fulfillment #ecommerce https://hubs.li/Q02CSfqP0
On this episode of Here and Now, we go inside the fight for tenure among Black orchestral musicians.
Human-Centered Researcher | Global Competitive Public Policy Advisory | Regional Innovation Ecosystem Designer
Black artistic production is often misunderstood and misrepresented by the white gaze. In the midst of noise and chaos, critics often overlook the beauty and complexity of jazz. Jazz is a cultural artifact that reflects the history of race, racism, anti-Blackness, misogyny, and consumerism in America. It remains a powerful signal against white supremacy. The question remains, what fuels Black artistry? To whom does jazz belong? In #Jelly, these questions are explored through the contest between protagonist and himself (the progeny) by way of tap and jazz performances. The collective resilience, sheer willpower, and reflective practice of Black men and women are also highlighted in American life. In the play, jazz is fashioned by improvisation that defied rigid syncopation with extemporaneous explorations in cultural production. It is about bending notes to make life, a life of love, a love of life that belongs to a shared humanity- that necessarily includes Black descendants of enslaved Africans- skin color notwithstanding. You can experience the beauty and power of jazz for yourself. Don't miss out on this incredible opportunity to witness the resilience and creativity of Black artistry. #Jelly https://lnkd.in/eBxSWGdC
Early Careers Recruiter @ New York Life
2mosuch an incredible event!