Nicolas LEVANT’s Post

Janay Boulos tells us how to navigate Sheffield DocFest, a journey that demands endurance, strategic planning, and a balance between managing expectations and seizing opportunities. Read the full article at #DocumentaryMag.

Dear Network, Let's talk about HDR, SDR, live production, post-production, again. I wanted to share an excellent post from Thomas Berglund, one of the system specialists at NRK, the Norwegian Broadcasting Corporation, who recently attended the EBU Production Technology Seminar 2024 in January. I've had the pleasure of meeting Thomas a few times, and I can confidently say that the term "specialist" perfectly describes his expertise and role at NRK. Check out his insights. #colormanagement #HDR #colorist #Grading #colorgrading #filmmaking #colourgrading #postproduction #postprocessing #HLG

It's a bit sad but I am really excited about some of these new features Avid https://lnkd.in/etwaikVk #avidprotools #protools #audiopost #audiopostproduction #filmsound #dubbing #dubbingmixer #studiolife #rerecording #freelancedubbingmixer  #rerecordingmixer #foley #mixing #musicproduction #sounddesign

Come see us this Friday at #2024CineGearExpoNY to learn more about the evolution of virtual production and how new sectors are leveraging the technology to their creative, budgetary and practical advantage.

Blackmagic ursa G2 with Dzofilms pictor lense .

Unleash your creativity by having the tool which makes the images richer. You’re going to have much more information that you haven’t actually seen before in 1,000 nits, even if you’re not necessarily displaying 4,000 nits. Discover how Sony’s new BVM-HX3110 monitor performs for colorists from Mission, Residence Pictures and Coffee & TV on their post-production.

Ever have questions on increasing your property’s value? We have an expert who can give you tips and tricks, live now!

ICYMI: Things Fall Apart, Chapter 1, Part 2

It was pretty cool to be given free access to Chinese Sora #kling from a waiting list of half a million sign-ups. Have been playing with it to generate videos based on pure text or a single picture. Then compared it with #LumaDreamMachine using the same exact prompts (luma snippets are attached towards the end). While both models seem to do similar things and have the same exact problems, Luma clearly understands camera movement and scenes much better than Kling. Although you can create as many videos as you want with Kling, whereas Luma limits it to 5 per day. Will try more and see if things change.

The Media and Entertainment (M&E) industry is undergoing a transformative shift, propelled by digital consumption surges, the Metaverse's emergence, and regional market dynamics. Concurrently, broadcasting experiences a metamorphosis, witnessing a decline in TV viewing, a surge in streaming, and a technological overhaul with Al integration, signalling a future where adaptability and innovation define the industry's trajectory. In the below article from Digital Studio India Magazine February Issue, VP Solution Technology and Architecture Ernest Axelbank is featured, representing Accedo.tv among other media and entertainment companies, to comment on the changing global trends of the industry. Read the full article here: https://lnkd.in/dNGJrb_P