OBB Media’s Post

Black British storytellers, filmmakers, and creatives I just heard about this initiative. Act fast. Deadline 11:59 PM Monday 8 April 2024: Warner Bros. Discovery and Media Trust are collaborating once again in 2024, with BOUNCE CINEMA LIMITED and new production partner Wall to Wall, to run Black Britain Unspoken, a filmmaking initiative aimed at giving Black British storytellers, filmmakers, and creatives space to share perspectives and experiences of being Black and British. --- Link to apply in first comment

I’ve always believed that indie filmmakers are the lifeblood of the film industry, igniting our imaginations with unique stories and bold visions. They push boundaries and offer a landscape of diverse voices and perspectives often underrepresented in mainstream cinema. Here's why we celebrate them: - They champion authentic narratives, delving deep into social issues, personal struggles, and underrepresented experiences, offering audiences a window into worlds rarely seen on the big screen. - They foster innovation, leading to groundbreaking techniques and fresh storytelling styles with limited resources. - They cultivate new talent by serving as a springboard for emerging actors, directors, and screenwriters, nurturing future generations of cinematic storytellers. Let's support indie filmmakers! Seek out and watch their movies, follow their journeys on social media, and attend film festivals and independent screenings. Together, we can ensure that their voices continue to be heard and inspire others. #indiefilm #filmmaking #supportindie #storytelling #filmfestivals #creativity #diversity #innovation

Shouldn't we also consider how people consume movies? It's mostly on TV or the local DVD bootleggers most people have access to, aside from streaming sites like Netflix, Amazon and Showmax. You can distribute through these avenues. We also need to understand that, unlike more established markets, Kenyans aren't raised to go to cinemas to watch movies. It was the "movie na DJ" place in village areas or homes with bootlegger cassette tapes and DVDs. So it's also behavioural, not just an issue of interest. Figure out how people consume and find a way to use the lower-hanging options aside from relying on the Kenya Film Commission and the likes in the longer term. I genuinely want to always be in the loop of new movies, but never know what new movie is out unless I stumble upon it on a friend's post. I mostly discover them on Netflix and Showmax, but I never really hear of movie theatre releases because they tend to be limited to only one movie theatre, like Anga or Prestige. I understand there could be distribution challenges there with the movie theatres themselves. This is where industry maturity is essential. We don't have actual movie distributors to help propel wider access nationally before we even look internationally.

In the burgeoning landscape of Ethiopian cinema, filmmakers like Haymanot Girmay and Moges Asrat are reshaping the industry’s narrative on YouTube. Girmay, a newcomer, invested her passion and resources into her debut film “Honelgn,” delving into societal issues with a personal touch. Meanwhile, Asrat, a seasoned figure, emphasizes the delicate balance between art and profit, learning from his early challenges. Yet, Ermias Hailemichael, a stalwart in the field, expresses concern over YouTube’s impact, citing potential quality compromises and profit-centric motives. As the debate unfolds, these filmmakers highlight the need for industry criteria, fair compensation, and more significant investment to elevate Ethiopian cinema on local and global platforms. The future, they assert, lies in fostering quality content and incentivizing long-term success over short-lived gains, writes Addisu Deresse. https://lnkd.in/dzUPFj7X

the cultural landscape is always in flux, and the rise of indie films in the 90s was a testament to that. just as Hollywood adapted to the advent of television by producing better movies, indie filmmakers leveraged the introduction of home video to permeate blockbuster culture and reach wider audiences. these films, often made on shoestring budgets, were unafraid to tackle complex themes and narratives that mainstream cinema shied away from. they found their way into prestigious film festivals and earned critical acclaim, proving that you don't need a billion-dollar budget to make a lasting impact. fast forward to today, we're seeing a similar shift with digital platforms like Netflix and social media channels like TikTok. it's the new "indie" revolution - raw, authentic storytelling that resonates with audiences on a deeper level. #filmmaking #whatiscontent

The importance of attending film festivals for new filmmakers! Having been in the film industry for a few years now, I’ve come to realize just how important it is to attend film festivals, especially if you’re a new filmmaker. When I first started out, I didn’t fully understand the value of these events. But over time, I’ve met countless filmmakers at festivals, many of whom I’ve gone on to collaborate with. These gatherings are a fantastic place to showcase your work, get feedback from an audience, and most importantly, connect with others who share your passion for filmmaking. As a new filmmaker, it’s easy to feel isolated, especially when you’re just starting out. But film festivals are where you can break out of that isolation and meet like-minded people who are just as passionate about storytelling as you are. I’ve found that the connections I’ve made at festivals have often led to opportunities I never would have imagined. Whether it’s finding someone who complements your skills or discovering a mentor who can guide you, these relationships are invaluable in helping you navigate the industry. One of the biggest lessons I’ve learned is that you can’t make a film on your own—you need a team. Film festivals are the perfect place to start building that team. You’ll meet writers, directors, cinematographers, and actors who are all eager to collaborate. It’s not just about networking; it’s about finding people who believe in your vision and who can help bring it to life. That’s why, if you’re serious about making it in the film industry, attending festivals should be a priority. It’s where your filmmaking journey can truly begin. #filmfestivals #newfilmakeradvice #filmmakingtips

Fresh back from the Glasgow International Film Festival and two interesting back to back industry events with a heavy contrast of emotions. One highly charged filled with Scottish based filmmakers feeling anxiety, anger and abandonment. Followed by a Scottish Screen Strategy Launch painting a picture for a bright future for Scottish Screen. Personally, I didn't feel convinced. I identified with those who felt in the A-A-A club. Particularly those wanting to make comedy and genre with an eye on commerciality. A big chunk of this reasoning is down to a lack of funding for early filmmakers or even second time filmmakers. People might think I come across as negative or a grump. Being ADHD, it's hard to find a way out of a negative spin now and again. But the truth is, I just want things to be the better or the best as they can be. So I'm going to plough on with my multiple missions. Two of them being to grow both Short Com and SI-FAN as two of the best film festivals in the world for comedy and genre. And to help talent in those fields get the attention they deserve amongst the industry. And if you think you'd like to do the same and in a position to help. I've got a sponsorship pitch deck with your name on it. Let me know if you want to take a peek.

Supporting each other in the film industry is not just a nicety; it's a necessity. By collaborating, mentoring, celebrating diversity, amplifying voices, and advocating for change, filmmakers can create a more inclusive, vibrant, and successful industry that benefits everyone involved. So, let's continue to support each other, lift each other up, and together, create a film industry that we can all be proud of. https://lnkd.in/ddUDbHMD

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Documentary Outreach FAQs Q: "What happens to the 𝗳𝗶𝗹𝗺𝘀 after they are completed?" A: "The trip ends with a premiere screening where each crew debuts their films for the local community. Each crew will also create a distribution strategy in collaboration with their changemaker. This may include film festivals, educational outreach, social media campaigns, or additional screening events related to the issues of the film." Got another question we can answer? Comment below or send us a DM. #travel #storytelling #documentary