Ordo Fraterna Fibonacci’s Post

Living with Ceramics in Japan: From Edo (1603-1868) to Meiji (1868-1912) The Japan Foundation, Toronto https://lnkd.in/gh3GWCiv

My new article 2024 in 14th Biennial Congress of Iranian Ceramic Society and the 4th International Conference on Ceramics.

I recommend that new document AMERICAN CERAMIC SOCIETY BULLETIN - VOLUME 103 - N° 7 - 2024 SEPTEMBER https://lnkd.in/ejp2z99e

We've put together a simple chart to visually explain different types of Japanese ceramics based on their firing temperature, as the Japanese terms for ceramics can be a bit tricky! Let us know if you find it interesting, or if you have any questions about specific types. 😉 #pottery #ceramic #Japan

QUARTZ IS THE FUTURE 🔮 Here is some research on quartz vs. ceramic:  https://lnkd.in/gqDyxTrs

Excited to share that our paper, "Optimization of Conditions for AC Plus DC Poling Above Curie Temperature of Barium Titanate Ceramic for Piezoelectric Property Enhancement," is published in the Journal of Ceramic Society of Japan. We found that combining AC + DC poling above the Curie temperature significantly enhances the piezoelectric properties of barium titanate ceramics. The effect of alternating current (AC) plus direct current (DC) poling conditions such as an AC field amplitude, an AC field frequency, an AC field cycle number, and poling temperature (Tp) on a piezoelectric constant (d33) was investigated for barium titanate (BT) ceramics. It was found that the AC poling with an AC field amplitude (zero-peak value) of 35 kV/cm, a frequency of 0.1 Hz, an AC field cycle number of 5, Tp of 131 °C maximized the d33 value to 328 pC/N relative to conventional DC poling. This result could be attributed to the reduced domain size of the ceramics. This research opens new possibilities for advanced, lead-free piezoceramic materials. 📖 Read the full paper here: https://lnkd.in/grxkGV98 #ACPoling #Ceramics #Piezoelectric #BariumTitanate #Leadfree

Kintsukuroi is a kind of Japanese ceramic style. The word Kintsukuroi means “to repair with gold”. In the Kintsukuroi tradition, when a ceramic piece breaks, an artisan will fuse the pieces back together using liquid gold or gold-dusted lacquer. So rather than being covered up, the breaks become more obvious, and a new piece of art emerges from the brokenness. Kintsukuroi embraces flaws and imperfection, but it also teaches the essence of resilience. Every crack and ceramic piece is part of its history, and each piece becomes more beautiful because it has been broken. You will fall. You will fail. You will break. You will stand up and dust yourself off. You will repair yourself again and again. And eventually, though you will be different than before, you will again become whole. You will be even more beautiful precisely because of all of this. You will be a better person because of your imperfections, not in spite of them.

Kintsugi and Kintsukuroi: Celebrating Beauty in Brokenness In a quest for perfection, we often overlook the beauty in imperfection. This is where the Japanese arts of Kintsugi and Kintsukuroi offer a refreshing perspective. These practices not only represent the art of repairing but also symbolise a deeper philosophy of embracing flaws and life’s unpredictable journey. Understanding Kintsugi and Kintsukuroi Kintsugi, or ‘golden joinery’, involves mending broken pottery with gold, silver, or platinum lacquer. Its lesser-known counterpart, Kintsukuroi, translates to ‘golden repair’. Both terms essentially describe the same art form, but Kintsukuroi places more emphasis on the act of repair itself, symbolising the process of healing and recovery. The philosophy underlying these practices is rooted in the Japanese aesthetic of wabi-sabi, valuing imperfection and impermanence. Kintsugi in Pop Culture: Kylo Ren’s Helmet The essence of Kintsugi and Kintsukuroi has permeated modern pop culture, notably in Kylo Ren’s helmet from the “Star Wars” saga. The helmet, shattered and later pieced together with a red material reminiscent of the Kintsugi technique, symbolises not only a visual aesthetic but also the fractured and reconstructed identity of the character. It’s a powerful metaphor for embracing one’s history and imperfections to forge a stronger self. Historical Roots and Wider Cultural Impact Originating in 15th century Japan, Kintsugi and Kintsukuroi gained prominence when a shogun sent a broken tea bowl back to China for repairs and received it back stapled together. Unhappy with this, Japanese craftsmen developed a more aesthetic method, giving birth to Kintsugi/Kintsukuroi. Beyond its artistic va.... read more atomTV #kintsugi #kintsukuroi #philosophy

Meeting these four remarkable individuals has been one of the greatest honors of my life. From left to right: Mr. Mike Murata, Ms. Etsuko Morimura, Dr. Kana Imakiire, and Mr. Yoichi Yamada. Each of them is an exceptionally dedicated and passionate expert whose work has profoundly influenced both my PhD research and the broader study of Japan’s ceramic and export industry. For anyone interested in the Meiji-era history of Korea or the legacy of Noritake porcelain, I highly recommend the following publications by these distinguished scholars and professionals: Mr. Mike Murata: <太平洋の盥舟 小説・村井保固>, 村田 実 Ms. Etsuko Morimura: <日米貿易を切り拓いた男 森村豊の知られざる生涯>, 森村悦子 Dr. Kana Imakiire: 今給黎 佳菜, "森村グループの発展 : 現存する日米住宅復書簡を中心に" (2011) Mr. Yoichi Yamada: Yoichi Yamada and Nobutaka Odake, "Introduction of Tunnel Kiln in the Modern Ceramic Industry: Technology Transfer and Improvement,"  2013 Proceedings of PICMET '13: Technology Management in the IT-Driven Services (PICMET). Heading home this evening with a deep sense of gratitude and excitement for the future of my research on kiln technology. Despite any challenges or criticisms, I firmly believe that interdisciplinary approaches are essential to fully grasp the scope of art history. Understanding the machinery that produced renowned tableware—such as Noritake’s elegant designs—is crucial to appreciating not only their aesthetic value but also the industrial and technological innovations that made their success possible. #MorimuraGroup #Noritake #ArtHistory #KilnTechnology #TunnelKilns

Kintsugi is a traditional Japanese art form that embraces the philosophy of "finding beauty in imperfection." The practice involves repairing broken pottery with lacquer mixed with powdered gold, silver, or platinum. Instead of hiding the flaws, kintsugi highlights them, turning the cracks and breaks into a significant aspect of the object’s history and beauty. -- This philosophy extends beyond ceramics and can be applied to life itself. It encourages us to appreciate our imperfections, scars, and the experiences that shape who we are. Rather than viewing flaws as something to be ashamed of, kintsugi invites us to celebrate them as part of our unique stories. In a world that often prioritizes perfection, kintsugi serves as a poignant reminder that fragility can be beautiful and that resilience comes from embracing our brokenness. It teaches us to look for strength and worth in our history, understanding that our struggles can create a deeper connection to ourselves and others.