Pain Geeks’ Post

This artwork resurrects the conversation around the role of technology in art and how it can enhance or alter our engagement with cultural heritage. By integrating elements of virtual reality, the piece challenges traditional notions of spectatorship; it encourages viewers to step beyond passive observation and engage in an interactive dialogue with the artwork. The delicate balance between the old and the new ultimately signifies not a replacement of traditional values but rather their evolution—allowing classic art to thrive in a modern context. In a world that often grapples with the dichotomy of tradition and innovation, this reinterpretation of “The Girl with a Pearl Earring” serves as a powerful reminder that both can coexist harmoniously. Through the lens of kintsugi, we learn to appreciate our scars, both personal and societal, embracing them as part of our unique narratives. The piece stands as a testament to the resilience of art and the imaginative spirit that fuels its evolution—a celebration of the past, a meditation on the present, and a hopeful glance toward the future. As we engage with this captivating painting, we find ourselves at the intersection of history and technology, learning to navigate this complex tapestry with open minds and spirited hearts, ready to explore the artistic horizons that await us. More about this artwork and it is for sale as one of the kind one copy edition only: https://lnkd.in/eGYH8y7b

Let's be real. Social media and online outlets are often a highlight reel to our lives. What about the lows? Life isn't all victories, right? Well, I received TWO rejection letters this week (3wk residency and international exhibition). Stings a bit as the painting I submitted (shown here) won Best of Show in a US competition. When it comes to the final outcome, we often don't know what the judges are looking for. We don't know what other art we are competing with, or if there is a running theme that doesn't fit our submission. It is like throwing darts in the dark. Sometimes you hit the board, but more often you miss. Just keep throwing! 🎯 If you are a Creative, make things that bring YOU joy Not everyone is going to like or appreciate what you've made. That is just part of the process (for all creative fields). Best thing to do is put those rejections to good use as fuel for creating BETTER. We got this! www.shanfannin.com

sewing dreams together The concept of "sewing dreams together" seems to be a creative interpretation of Kant's philosophy, in particular his concept of "noumenon". According to Kant, the noumenon is the object in itself, independent of our perception or understanding. It is the thing as it is in itself, uninfluenced by our senses or mind. In this context, "sewing dreams together" could be interpreted as an attempt to connect dreams together, to see them as independent entities that exist in themselves, uninfluenced by our perception or understanding. This could suggest that dreams have an objective reality, which exists independently of our awareness or interpretation. "sewing" could refer to the way in which digital artists can take elements of traditional art, such as images, shapes, colors, etc. and link them together in ways that create new works of art that are both rooted in the past and projected into the future. This interpretation suggests that digital art can be seen as a form of "daydreaming" that allows artists to connect elements of traditional art in ways that create new realities and worlds. 2654 x 2160 px / mp4 / 59 s / 102 Mo / 12 frames 10 éditions at 10 #xtz pièces 04/30 collection #noumenon « The term "nouménal" is derived from the Greek word "noumenon," which refers to a thing as it is in itself, independent of perception or observation. In philosophy, particularly in the context of Emmanuel Kant's Critique of Pure Reason, the noumenon is often contrasted with the phenomenon, which is the thing as it appears to us through our senses and cognitive faculties. » a subrealist reread based on the masterpiece by : The Milliners - Edgar Degas - 1882 Original works On view at : The J. Paul Getty Trust Museum, Los Angeles Minted on objkt: https://lnkd.in/erKFNigK shared with magic fam´s 😊 Sol Fayerman Hansen Jean Minguet Arnaud RAMUS Daniel Kramer Eleanna Fulop Justine Vilgrain Yvonne Senouf Hela Mouelhi Christian 'Sumo' Pearson Christine Raibaldi Matthieu Mifsud, Phd Sylvain Levy  Saeko Ehara Carine Asscher Amelie Bourdinaud Peter Conradi Ryan Tanaka Braw Haus #treeskulltown #tezos #digitalart #museum #animation

𝗥𝗢𝗖𝗞 𝗦𝗔𝗟𝗧 𝗝𝗢𝗨𝗥𝗡𝗔𝗟 Just got word that this journal will publish my seascape "Into the Mystic" in the Fall 2024 issue. This piece sold to an Oak Harbor couple in June (I retain publication rights). ______________________ October 6, 2024 Dear GJ Gillespie, Thank you for submitting to Rock Salt Journal. We would like to publish your piece "Into the Mystic" in our upcoming Fall 2024 issue. While we prepare for publication, could you please provide a brief third-person bio for our contributor's section? Thanks so much. Best, Jonah Bradenday, Editor Rock Salt Journal ________________________ STATEMENT Into the Mystic' is a contemporary reinterpretation of one of William Turner's naval battle scenes, created using my distinctive collage approach. Turner, a renowned 19th-century British painter, was celebrated for his atmospheric depictions of light and color in landscapes and seascapes. In this piece, I aimed to capture Turner's essence while infusing it with my own artistic vision. Using a mix of found papers, tissue, cloth, and various paints, I built layers that echo Turner's color palette and values. However, my approach diverges by introducing abstract expressionist elements, adding lines, sails, and masts in a way that creates ambiguity and depth. The process involved carefully selecting and manipulating materials to achieve a balance between recognizable forms and abstract elements. By incorporating unexpected materials like grocery ads and crossword puzzles, I inject a contemporary commentary on consumerism and information overload into the historical context. This work is not just a representation of a naval scene, but a meditation on art history itself. It invites the viewer to explore the tension between classical maritime painting and modern abstraction, challenging perceptions and evoking a sense of the mystic – much like the Van Morrison song that inspired its title. https://lnkd.in/gPSAHng8

How do you deal with taking breaks from your chosen art form? The newest edition of my newsletter covers this topic. For this and other you can have a look at my Substack. https://lnkd.in/ga2gNyqk

"Are you on track to complete your Mona Lisa" (master piece of your life)? Leonardo Da Vinci, an Italian artist, scientist, and engineer is best known for painting the Mona Lisa and The Last Supper. He’s alongside his successful career as artist, was also known to be a huge procrastinator, frequently leaving work unfinished after spending longer than expected on projects. Da Vinci was known to be easily distracted and often spent his time doing unfinished projects and doodles. It took Leonardo Da Vinci 16 years to finish one of his most famous paintings, the Mona Lisa, which by many art connoisseur is also argued to be partly incomplete, though the master piece does not immediately appear to be incomplete. When he died in 1519, Leonardo Da Vinci left behind many unfinished sketches and projects. Imagine what he would have created as a legacy in addition to Mona Lisa and The Last Supper, if he would have indeed completed his rest of unfinished sketches and projects. Now lets ask ourselves, is our best master piece complete, in progress or yet to start ? Are we also a professional procrastinator and what is that we are missing out as a result? Want to address this issue ----> do check out the free eLearning content on You tube by Human Compass https://lnkd.in/g7x6wJf9

Here are my top 5 reasons why I think it’s crucial to fill your walls with art! It’s not just about filling your walls because it matches your couch! There’s so much more to it! https://lnkd.in/gPtRn3Ew

Creativity is the heartbeat of artistic expression, and integrating fine art principles into your content and creativity can elevate your work. Check out my newest article discussing 7 Ways to Practice Fine Art & how to apply it to your creativity endeavors. https://lnkd.in/guS64M37

When you hear someone say "bad art," what comes to mind? Is it the image of dogs playing poker? Or another knock off of the 90's "got milk" campaign? Or is it the oversaturated floral photograph at the doctor's office? Since the beginning, The Art Supply Co. has used the slogan “Bad art hurts. Good art works.” to show that we know what we’re talking about when it comes to art. But what do we mean by Good and Bad Art? Isn’t it all subjective? Well, for us, Bad Art exists purely to fill a space in a wall and look passable. It doesn't add to your experience and in some cases, Bad Art takes away from it. Bad Art often comes from a factory and it doesn’t pay artists. Good Art, on the other hand, comes from and is made by artists. It’s made with consideration and placed thoughtfully in a space to accentuate your experience. Good Art makes every environment feel better. It adds a splash of color, an organic element, and a human touch wherever it goes. As a company made of artists, curators, and art collectors, we’re driven to find the most fitting artwork for any space or project. Have you seen some Good Art lately? Want to talk about getting Good Art into your space? Sign up for a call with me this summer and let's see what we can do.

My favorite book in 2023 First impression was my figure of the author to be a lovely, thoughtful person who thinks about the reader as he writes. The book is written in a narrative, thoughtful, revealing, non-patronizing style (although it is to guide the novices), sharing the utmost love and respect for art, and at the same time wants to connect art with each of us. The book opens with an invitation, and takes us briefly through the history from modern to contemporary, leading us from taking a step closer to realizing different emotions during an encounter with art, from exploring the stories that artists want to tell, and even the stories that artists don't want to tell but are gradually revealed through their works. Starting from the friendliest works, like Howling Dog by Paul Klee, to many ways of looking at the popular Mona Lisa, experiencing certain techniques from the artists. After the "getting to know you" part, there will be deeper experiences, those that can evoke more complex emotions, may no longer be comfortable or familiar, but may be difficult, uncomfortable, confusing, boring, even hard to accept from works of diverse genres: paintings, sculptures, installations, video art, performances... So what remains in the end? If you forget everything, just remember: Spend more time on an artwork than you used to, because the art and you deserve more than cursory glances.