Personal Care Insights’ Post

As a fashion designer, I constantly ask myself this question every day: How can I showcase and promote our Zambian culture through fashion in a modern and appealing way, so that the world becomes aware of our existence as Zambian people? And my answer to myself has always been the same: HERITAGE. Our history is incredibly rich, but it lacks proper documentation. However, I firmly believe that through my creative artistry in fashion, I can gradually educate the world about who we are as a people and where we come from. Therefore, with the Lenshina collection, I delved into our history. I did extensive research on Lenshina, exploring her story, the events surrounding her, and the circumstances that led to her uprising . My aim is for this collection to serve as a source of inspiration, enlightening others about my origins and imparting a deeper understanding of what it truly means to be Zambian. 🤍💚🤎💛

Ethnic dress, also known as traditional or cultural attire, has a rich and diverse history deeply rooted in the traditions, customs, and identity of various communities around the world. The history of ethnic dress spans thousands of years and is influenced by factors such as geography, climate, religion, social status, and historical events. Here's a brief overview: 1. **Ancient Civilizations**: Ethnic dress can be traced back to ancient civilizations such as Egypt, Mesopotamia, China, and India. In these societies, clothing often symbolized social status, with elaborate garments reserved for the elite. 2. **Medieval Period**: During the Middle Ages, ethnic dress continued to evolve, reflecting the cultural and religious influences of the time. For example, in Europe, clothing styles varied greatly between regions and social classes, with distinct attire for peasants, nobility, and clergy. 3. **Colonialism and Globalization**: The age of exploration and colonialism led to the exchange of ideas, materials, and clothing styles between different cultures. This resulted in the blending of traditional ethnic dress with elements from other cultures, creating new and hybrid styles. 4. **Industrial Revolution**: The Industrial Revolution brought significant changes to the production of clothing, leading to the mass production of textiles and the standardization of clothing sizes and styles. However, many communities continued to preserve and wear their traditional ethnic dress as a means of cultural identity and resistance to assimilation. 5. **20th Century**: The 20th century saw a resurgence of interest in ethnic dress, fueled by cultural movements such as the Harlem Renaissance in the United States and the rise of nationalism in many countries. Traditional attire became a symbol of pride and resistance against colonialism and cultural imperialism. 6. **Contemporary Times**: Today, ethnic dress continues to play a vital role in cultural expression and identity. It is often worn during special occasions such as weddings, festivals, and religious ceremonies. Additionally, the globalization of fashion has led to the popularization of ethnic-inspired clothing styles on the global stage. #zoouro #fashion #ethnic

UNVEILING THE TOP 10 BEST STREET STYLE FOR WOMEN! In the realm of fashion, street style has emerged as a dynamic and influential force, transcending traditional boundaries and giving individuals a platform for self-expression. For women, street style is more than just a mode of dressing; it’s a powerful means of showcasing individuality, creativity, and a keen sense of personal identity. This article seeks to delve into the essence of street style for women, exploring its evolution, key elements, and the impact it has on contemporary fashion. https://lnkd.in/dvcWT8dR

New Post: MILAN FASHION PHOTOS: Feben, Rave Review promote looks for women of all shapes, ages and sizes - https://lnkd.in/gcNQJWYv - London-based designer Feben opened the last day of Milan Fashion Week with a refreshingly diverse runway in every way, both in size and race. “I think why you are not seeing that around is because you are not seeing a lot of Black women in creative roles,” said the designer, who is originally from Ethiopia and grew up in Sweden. Her latest collection was sponsored by Domenico Dolce and Stefano Gabbana as part of their ongoing program to support young talent. “Obviously because I want to feel seen, and I think everyone should feel seen no matter what body type or what skin color they have. And I think it is really important to have more people on board who are from different parts of the world. And I think that makes a huge difference," Feben said, adding that the fashion world shouldn't shy away from conversations around such issues. “There is nothing wrong with issues. We just have to find a solution.” Highlights from the last day Sunday of Milan Fashion Week of mostly... - #news #business #world -------------------------------------------------- Download: Stupid Simple CMS - https://lnkd.in/g4y9XFgR -------------------------------------------------- or download at SourceForge - https://lnkd.in/gNqB7dnp

The colonial legacy of African fashion brought about the imposition of Western dress codes, which led to the marginalisation of indigenous styles. Hence, the post-independence era witnessed a revival of traditional attire, an assertion of culture, and a celebration of African diversity and creativity. In the post-independence era, the role of fashion in socio-political expression was used to make statements about national unity and individuality. African fashion post-independence is a significant aspect of the continent’s cultural narrative. Our latest article examines the evolving nature of African attire after liberation, highlighting fashion as a tool for expressing cultural pride and shaping modern identities. It also explores how designers have merged traditional fabrics and motifs with contemporary styles, creating unique fashion statements that have impacted global perceptions of African culture and identity. Explore insights from the article by clicking on this link: https://lnkd.in/dAQxK82B Image Credit: Observer #africanfashion #postindependence #culturalnarrative #traditionalattire #modernidentity

Today Love, Bonito is officially stepping into a new chapter with a new brand identity and revamped assortment. To me, this signifies LB’s continuous growth, evolution, and its eagerness in staying relevant to our core customers by putting a lot of attention towards what they actually need. As the Country Director for LB in Indonesia, this totally fills me with pride. I'm grateful to witness, experience and be part of the process of refining our identity, which is approached thoughtfully, collectively, and creatively, by all of #TeamLB across markets, with hearts and thoughts poured into it! With a decade of working in the fashion industry, I firmly believe fashion should empower both creators and customers. That's why I'm passionately building LB in Indonesia – a brand that stands out in the industry. LB isn't just about trends; it's about purpose. We empower our customers through collections crafted to be both stylish and practical, allowing them to juggle life effortlessly. Think built-in padded bras, dress pockets, versatile trousers, the newly introduced adjustable sleeve-length blazers, crease-ease fabric, and bloat-friendly silhouettes and more – all designed for ready-to-live moments, not just ready-to-wear. I'm super excited about the new era of Love, Bonito, and I hope you are too. You, our customers, are the ones who continuously inspire us become a better brand and I'd love to hear your thoughts on our new assortment and direction. Here’s to creating more and more ready-to-live moments with Love, Bonito! 🥂

This article in Teen Vogue discusses how New York Fashion Week (NYFW) Spring/Summer 2025 season presented an opportunity for designers to make powerful statements on critical social issues like climate change, democracy, and reproductive rights. While some younger designers did use their platforms to highlight these topics, the overall impact of NYFW was muted, overshadowed by the fashion industry’s focus on consumption and celebrity culture. The article questions whether the platform is being fully utilized to address the pressing issues affecting society today. Will the fashion industry ever really be able to shift from a model of overproduction to one that values ethical labor practices and environmental sustainability? If it's possible, what responsibility do designers have in leading this change, to protect both the planet and vulnerable workers? Given the statements made by designers at NYFW on climate change, how can the fashion industry as a whole reduce its reliance on overproduction, and what impact would such a reduction have on the women disproportionately affected by poor working conditions in textile factories? Non-profits such as those with which WomenStrong International works, in India, Bangladesh, and El Salvador, often advocate against the harsh realities faced by women workers in textile factories, and help educate those workers about their rights; how can high-profile fashion events like NYFW leverage their visibility to highlight the connection between these labor issues and the overproduction in fast fashion? Society for Labour and Development @Bangladesh Centre for Worker Solidarity Asociación Mujeres Transformando Ashmita Sharma Kalpona Akter Montserrat Arévalo Alvarado Liz Sullivan-Yuknis Worker Solidarity Network #workersrights #economicjustice #womensrights #genderpaygap https://lnkd.in/eMChYzZ3

Great Great article highlighting conversations I have with young fashion designers and clothing brand upstarts. Design is one part, understanding the business is another and is typically more crucial to the success of your brand. This problem transcends Africa but easily would be more intense for those on the continent looking to cross into other markets. Articles like this should be required reading for anyone looking to build a fashion brand. We built a project specifically to help tackle some of these issues.. but more on that some other time.

This is an extremely important article by Ezreen Benissan - thank you for your presence. To make the marriage between business and design work as an independent fashion brand, can be immeasurably difficult and will challenge every fibre of your body & your spirit. It’s important to shift the paradigm; where as much as it’s vital to share the best of triumphs, it’s also just as important to share the most challenging times as well. Im incredibly thankful for the institutions that have supported the Lukhanyo Mdingi label - your contribution, patience & support has been unmatched. With that being said, the support does not negate a system that has been created to make brands grow sustainablly and steadily, without an incredible amount of endorsement & backing. The challenges faced over these last two years since our exponential growth have lead to a lot of mountains to be climbed - we’re still in steady recovery. As a Founder & Leader, a lot of shame can be felt & imposed through this period as your are fundamentally at the heart & centre of it. What im still learning is that an unwavering sense of confidence, cabinet of allies & pragmatism is needed to be practical about your next steps - it’s not easy but you will preserve & breakthrough it. Don’t let the faith wane. I really hope that younger designers/entrepreneurs choose to take their time and grow steadily - removing the lens of comparison & urgency; And to rather be grounded within who they are and why they started. 🙏🏿