The Philadelphia Orchestra’s Post

Where is modern bachata from? Discover how The Bronx, the birthplace of Hip-Hop, also gave rise to modern bachata. Read about the rich cultural history and learn about the unique blend of influences that shaped these global music movements in my latest blog post. #TheBronx #ModernBachata #HipHop #CulturalMovements

⚡️This is the energy we're bringing into the week: NEC kicked off our concert season with a live performance featuring an all-star faculty ensemble from the Contemporary Musical Arts department, with music from Persian, Appalachian, Middle Eastern, African, and Jewish traditions as well as jazz, avant-garde, new works, and more. In this performance, we hear the group perform Balla Kouyaté's electric composition, "Democracy." https://lnkd.in/gRwy4x2C

Key Takeaways from Aretha Franklin's estate: The lack of a clear Will can lead to family conflict and financial impact. Aretha Franklin’s case serves as a strong example. Without a definitive Will, your estate may face unnecessary legal fees, asset depreciation and tax complications. Seek guidance from an estate planning professional to clarify your estate plan and protect your loved ones.

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55 years old.. Born in the last great era .. Generation X (1969-1980) 5 decades 55 years 660 months 20,075 days (ignoring feb 29th) 481,800 hours 1,734,480,000 seconds That is some legacy.. so much has occurred in that 55 years .. from moon landings to iPads. In a blink of an eye Chase de Vere are 55 years old. From one single office to an office in all of the major cities in the Uk. Why is 55 so important ?? How many people are aware that from 55 onwards they can potentially access their pension? It is never too late to consider planning your retirement as it’s always better to have a plan than no plan A day, a week, a month , a year , a decade .. can pass so quickly, from sliding doors moments to events that simply take your breath away.. #retirementplanning #retirementgoals #retirementsavings

Giving back: always important, especially when it aligns with your organisation's values. Coxswain Alliance sponsors a critical learning and development program with the Sydney Symphony Orchestra; the Fellows. This is about nurturing the talent of the future, building capability. Have a listen to how the seasoned players David and Matthew talk about mentoring young and talented players. It is a nuanced approach that offers multiple avenues for building capability. And Matthew's comment goes to the heart of it. It's not just about being a good player; it's also about being a good colleague. Isn't that the truth!

Check out this insightful blog post celebrating the birthday of Harold Melvin by reminiscing about the "Philadelphia Sound" and highlighting the greatest hits of Harold Melvin & The Blue Notes. A fantastic read for music enthusiasts! Find the full article here: https://ift.tt/N0JR3ea

A recent post from the Sydney Symphony Orchestra: ‘Do you know why orchestral musicians usually wear black formal wear⁉’ provides the following reasons: ‘In the 18th century, orchestras were usually part of the household staff of famous noble families …The musicians would perform at lavish events and would need to be dressed to match the occasion - and the tradition has stuck with us ever since.’ While I appreciate this is an explainer piece of content designed to give more context to an established convention, doesn’t this rationale provide the perfect reason why orchestras should be more innovative in all aspects of their concert presentation? In general, orchestras hold on to too many rules, conventions and behaviours - when to clap, what the musicians should wear, what the audience should wear, conductors not talking from the stage etc. The traditions, whilst part of the heritage of orchestras, can have the net effect of turning away new audience members. Threshold anxiety is a very real phenomenon for orchestras - uninitiated concertgoers tend to feel inferior and intimidated; consequently, this can contribute to them not going - simple as that; people will, unsurprisingly, avoid feeling uncomfortable and inadequate. Not to say that a sense of occasion and the heritage of the orchestral concert should be thrown away; this is part of the richness and depth of the art form. But - as a sector -  can we try and think more proactively about how and why we present our artform in a way that gives as many people as a chance to experience it? At a time when orchestras should be relentlessly building new audiences, we need to break down as many barriers as possible. #culturalleadership #futureorchestras

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