Piercy&Company’s Post

Fascinating story on how architecture can help buildings - including those with wood cladding and decking - withstand wildfires. https://lnkd.in/euvwTj54

Biophilia connects us to place and landscape. We also know that place and landscape are both cornerstones of our Indigenous Australian culture. It raises an important question as to whether biophilic design can meaningfully connect the built environment to the world’s oldest living culture. Bunji Place, designed by fjmt Architects, is a community and arts building located in Narre Warren in suburban Melbourne. It explores this question specifically, through the use of many biophilic principles as well as the project's naming after Bunjil the Creator. The architects used a grand woven timber structure, with a sense of flow and movement, as the entry to the building. A generous gesture, enhancing light and a feeling of connectedness to the outside. The natural materiality and its formal reference to a wedge-tailed eagle have a direct relationship with the natural world and our indigenous history. Do you think that biophilia is a tool we can use in design to better tell the stories of our Indigenous history? #NetworkingEvents #TheArcAgencyAU #AustralianDesign #AustralianArchitecture #ArchitectureCommunity

As we all once again stare at the destruction caused by the wild-fires in California, the conversation of questioning how we design our neighborhoods and how design our residential homes comes once again. As we rebuild, we must consider new materials, new planning strategies, and new architectural designs that are more durable, more ecologically-attuned, and more resilient. Designed to be located within the urban wildfire interface zone, the Usonian House is both resilient and ecologically responsible, all while affording its occupants an architectural investment (rather than just another house). provided by markharris ARCHITECTS.

This is the first in a series of articles about the co-op housing buildings of some of #Chicago's best vintage architects. This article delves into the style of Howard Van Doren Shaw. #coops https://ow.ly/v4rf50RsOHm

Traditional architecture that respects our timeless cultural heritage and transcends short-lived modernist fads is indispensable to the creation of a lasting built environment that commands respect and pride for generations to come. The restoration of this directive is a crucial component of this effort.

Architecture serves as a powerful expression of cultural identity, reflecting the values, beliefs, and history of a community. From traditional temples in Asia to the intricate Gothic cathedrals of Europe, each structure holds stories of the past while shaping the identity of future generations. By integrating local materials, styles, and symbols, architecture preserves cultural heritage and fosters a sense of belonging. Explore how architects around the world capture the essence of their culture through innovative and meaningful designs, ensuring that cultural identity remains embedded in the evolving urban landscape. #CulturalArchitecture #ArchitecturalIdentity #HeritageDesign #CulturalPreservation #GlobalArchitecture #HistoricalBuildings #LocalIdentity #ArchitecturalHeritage #CulturalDesign #TraditionInArchitecture #BuildingCulture #RegionalArchitecture #WorldHeritage #ArchitectureLovers #IdentityInDesign #CulturalSymbolism #ModernAndTraditional #LegacyInStone #CultureInSpaces #TimelessDesign

📣 Griff Rhys Jones, President of the Victorian Society and LISSCA, is in The Times today, interviewed by the paper's architecture critic, Jonathan Morrison. They are talking heritage, reuse, and the campaign to Save Liverpool Street Station 🚂 “Recycling good historic buildings should be at the heart of policy. You get the sense that Keir Starmer and Rayner have this idea that they need to outlaw nimbyism. It’s actually because of a lot of nimbyism that London is such a successful place." ♻️ Read the digital edition here, or pick up a print edition: https://lnkd.in/e4SMpzVZ #SaveLiverpoolStreetStation #SeeItSaveIt #reuse #listedbuildings #heritage #planningpolicy #architecture #planning #architecturalhistory #CityofLondon #London #EastAnglia

🏙️ #TimeCapsuleThursday: St. Louis’ Modern Marvels and Architectural Evolution 🏙️ St. Louis has embraced modernity while maintaining its rich architectural heritage. The Gateway Arch, an iconic symbol of the city, is just one example of how engineering innovation has shaped the skyline. As modern structures rise alongside preserved historic buildings, St. Louis proves that a city can honor its past while leading in design and technology. Today, new projects focus on sustainability, engineering advancements, and the future of urban development, ensuring that St. Louis remains at the forefront of architectural innovation. #EngineersClubStLouis #GatewayArch #ModernArchitecture #UrbanDevelopment #EngineeringInnovation #FutureOfStLouis

As we all once again stare at the destruction caused by the wild-fires in California, the conversation of questioning how we design our neighborhoods and how design our residential homes comes once again. As we rebuild, we must consider new materials, new planning strategies, and new architectural designs that are more durable, more ecologically-attuned, and more resilient. Designed to be located within the urban wildfire interface zone, the Icarus House is both resilient and ecologically responsible, all while affording its occupants an architectural investment (rather than just another house). provided by markharris ARCHITECTS.

Biophilia connects us to place and landscape. We also know that place and landscape are both cornerstones of our Indigenous Australian culture. It raises an important question as to whether biophilic design can meaningfully connect the built environment to the world’s oldest living culture. Bunji Place, designed by fjmt Architects, is a community and arts building located in Narre Warren in suburban Melbourne. It explores this question specifically, through the use of many biophilic principles as well as the project's naming after Bunjil the Creator. The architects used a grand woven timber structure, with a sense of flow and movement, as the entry to the building. A generous gesture, enhancing light and a feeling of connectedness to the outside. The natural materiality and its formal reference to a wedge-tailed eagle have a direct relationship with the natural world and our indigenous history. Do you think that biophilia is a tool we can use in design to better tell the stories of our Indigenous history? #AustralianDesign #TheArcAgencyAU #NetworkingEvents #AustralianArchitecture #ArchitectureCommunity